Chords for Taylor Guitars T5Z Demo - Manchester Music MIll

Alright, so the [D] T5Z _ has got three pickups [A] _ on all T5s [E] actually. _
Alright, listen for jazz.
_ _ [B] Got one pickup underneath the last fret, _ a body sensor underneath the top,
and then an exposed humbucker pickup in the bridge.
It doesn't look like a humbucker, but it is.
Trust me, because there's two single coils on top of each other.
So therefore, there's no hum _ -humbucker pickup.
_ Alright, and below me I've got an ABY box that I plug into first.
It's a little [E] simple box that you can switch to.
_ _ _ So once you've came to, here's the amp.
_ You're going to flip up a switch if my cable's not in the way.
_ _ And you can go back and forth, you can run both at the same time.
[G] And then I have a multi-effects board, because I'm very insecure,
assigning all the effects and delays and whatnot.
[A] And then to a clean amp.
[G] _ _ _
[N] And otherwise, there's a _ universal volume, bass, and treble control.
So you can cut or boost those frequencies.
And you can get all sorts of sounds from there.
So, let's stop.
_ _ _ So position number one is the neck pickup and the body sensor.
You can hear that, right?
Because I'm lightly tapping it with my pick, and you hear the body sensor.
_ It's the most acoustic sound you can get from a [E] T5. _ _ _ _
_ _ _ [F#] _ _ _ [B] _ _
_ _ [F#] _ _ _ [E] _ _
If you want more of a scoop sound, then you could boost the treble and bass.
_ _ _ _ _ [F#] _ _ _
[G#m] _ _ _ _ _ [B] _ _ _
[A] _ _ _ _ [E] _ _ Or if you have more of a mid-range-focused sound,
by cutting those two frequencies,
you get more of a finger [D]-style _ -friendly sound. _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
[D] _ _ _ _ Okay? _ _
Moving on.
_ [G] Position number two.
Two through five is going to be all electric, so [E] I'm going to switch to the electric amp. _
_ _ _ _ _ _ So, position one had that body sensor and the neck pickup.
Position two is just the neck pickup.
So neck pickup on any of those electric guitars that's hanging out there.
Kind of a warm, twangy sound, right?
So it kind of has _ _ _ _ _ [A] _ _ [G] _
_ [G] _ _ _ _ _ that_
_ _ [Am] _ _ _ [E] _ _ _
[Em] _ _ Some ripped-ass throat.
_ [C] _
_ _ [A] _ _ [E] All right, so I'm cutting the treble and boosting the bass.
Still in position two.
And you kind of get this_
_ _ _ [F#m] _ _ _ _
[G#m] _ _ _ _ _ [F#] _ _ _
_ _ [C#] _ _ You get that jazz-box sort of a tone.
All right, [Em] so if I do the opposite, by cutting the bass and adding some treble,
and some overdrive, because when in doubt, [E] add overdrive. _ _ _ _ _
[G] _ _ [G#m] _ _ _ [G#] _ _ _
[D] _ _ _ [Em] _ _ _ _ _
[G] _ _ [A] _ [E] _ _ _ _ _
_ _ _ [A] _ _ [G] _ _ [E]
You get that Stevie [G] Ray kind of a tone on a Taylor.
[B] Wow!
How is that possible?
I'm not good with marketing.
All right, so position number three _ is the bridge pickup.
So bridge pickup on an electric guitar.
Bright, bitey, punchy.
A lot of attack, a lot of bite.
I already [E] said bite. _ _ _ _ _ _ _
_ _ [C#] _ _ _ [D] _ _ _
[B] _ _ _ [E] _ _ You get that funky tone, [G#] right?
_ _ _ [E] _ _ _
_ _ _ We can put some delay, because you have to have delay.
And some distortion, because you have to have distortion. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ _ _ [E] _ _ _ Ah, _ _ _ _ [G] _ get the shred-fest with some John Jolt- James Taylor.
[A] _ _
Steve Vai [B] to James Taylor on a [D] T5?
Why not, right? _
[G] _ _ _ _ _ [A] _ _ _
_ _ [F#] _ _ _ _ _ [Em] _
_ [D] _ _ _ _ [D] _ _ [C] _
_ _ [G] _ _ _ [E] _ _ _
So, what this could do, [C] essentially, could be a perfect top 40 wedding gig,
bar mitzvah, birthday, funeral gig guitar.
Did I just say [G#] funeral?
Yes, I did. _
_ [E] _ _ It's a really good guitar. _
So if you [D] have, like, because I've done a wedding gig where you have to do
an acoustic solo gig to some Cocktail Hour [B] jazz,
to some big band stuff, and to some ACDC and Bon Jovi and whatnot.
_ All in like, so you've got to carry a bunch of acoustic guitars,
a 335 or any hollow body, and a Les Paul,
and two different amps, and a pedalboard, and just, impossible.
It's going to kill your [E] back, right?
So if you have a simple amp, [G] a PA,
a one PA like that, and a clean amp, and some [A] pedalboard,
and of course, this guitar, this particular [D] one.
_ You're going to do a, _ _ _ _
_ _ [G] _ _ [A] _ _ [D] _ _
_ _ right?
Here [E] comes the bride, doo doo doo doo.
Alright, okay, so, and then I get some [F#] jazz box.
[B] _ _ [E] _ _ [A] _ _ _
[G] _ _ [C] _ _ _ [Em] _ _ _
Jazz box, yeah.
[A] That's good enough for jazz, literally.
And then you could go, _ _ _ _ _
_ _ _ [D] _ _ _ _ [A] _
_ [F#] _ _ _ [A] _ _ _ [E] _
_ _ _ _ _ _ _
just one simple guitar and a pedalboard.
[N] Pretty cool, right? _