Chords for Taylor Swift & Alanis Morissette - You Oughta Know (Live on The 1989 World Tour)
Tempo:
43.05 bpm
Chords used:
F#
F#m
B
A
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
defined the music of [F#] her.
She inspired a generation of professional female singer-songwriters
who all of a sudden felt like you could actually say these raw feelings that you had.
You could actually sing them [F#m] out to a real life.
You could put more detail into it.
You could get really, really mad if you wanted [F#] to.
It is fair to say that so many of the female singer-songwriters of my generation, including myself,
would not write the way that we do without her and her music.
Roach has written some of the most brilliant music.
In particular, probably and arguably the greatest breakup song of all time.
Here to sing You Oughta Know.
[F#m]
[N]
[F#m]
[F#] You [F#m]
could make a choice to take a vote [F#] until you've got a good enough
[E]
[A] to do it or [F#m] [E] to deny it.
[B] [F#] Nothing bad will come out of [A] it.
Maybe it's just a pleasant twist.
[F#] Not [F#m] quite as well.
A thought you should know.
That you'll forget about.
Don't let it [C#] fuck you in the [B]
[F#m] [F#] [F#m] face.
You have [C#] [F#m] that great side, just sweet for a minute.
But you don't like it, don't you?
You're cold, you [F#] silly little bitch.
[A]
[F#] [E] [B]
[F#] You've [B] got a sweet side, but I'm not sure if you're sweet enough.
I ain't got no
I ain't got no
I ain't got no
I [F#m] don't [B]
know
[F#m] You know how my [C#] baby's bitch.
Little girl.
[F#] You're someone else.
You're a bitch.
[E] [A] [B] [F#]
[A] [B] [F#]
[A] [N]
She inspired a generation of professional female singer-songwriters
who all of a sudden felt like you could actually say these raw feelings that you had.
You could actually sing them [F#m] out to a real life.
You could put more detail into it.
You could get really, really mad if you wanted [F#] to.
It is fair to say that so many of the female singer-songwriters of my generation, including myself,
would not write the way that we do without her and her music.
Roach has written some of the most brilliant music.
In particular, probably and arguably the greatest breakup song of all time.
Here to sing You Oughta Know.
[F#m]
[N]
[F#m]
[F#] You [F#m]
could make a choice to take a vote [F#] until you've got a good enough
[E]
[A] to do it or [F#m] [E] to deny it.
[B] [F#] Nothing bad will come out of [A] it.
Maybe it's just a pleasant twist.
[F#] Not [F#m] quite as well.
A thought you should know.
That you'll forget about.
Don't let it [C#] fuck you in the [B]
[F#m] [F#] [F#m] face.
You have [C#] [F#m] that great side, just sweet for a minute.
But you don't like it, don't you?
You're cold, you [F#] silly little bitch.
[A]
[F#] [E] [B]
[F#] You've [B] got a sweet side, but I'm not sure if you're sweet enough.
I ain't got no
I ain't got no
I ain't got no
I [F#m] don't [B]
know
[F#m] You know how my [C#] baby's bitch.
Little girl.
[F#] You're someone else.
You're a bitch.
[E] [A] [B] [F#]
[A] [B] [F#]
[A] [N]
Key:
F#
F#m
B
A
E
F#
F#m
B
defined the music of [F#] her.
She inspired a generation of professional female singer-songwriters
who all of a sudden felt like you could actually say these raw feelings that you had.
You could actually sing them [F#m] out to a real life.
You could put more detail into it.
You could get really, really mad if you wanted [F#] to.
It is fair to say that so many of the female singer-songwriters of my generation, including myself,
would not write the way that we do without her and her music.
Roach has written some of the most brilliant music.
In particular, probably and arguably the greatest breakup song of all time.
_ Here to sing You Oughta Know.
_ [F#m] _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ [F#m] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F#] _ You [F#m] _
could make a choice to take a vote [F#] until you've got a good enough
_ _ _ [E] _
_ [A] to do it or [F#m] _ [E] to deny it. _
[B] _ _ _ _ [F#] Nothing bad will come out of [A] it.
Maybe it's just a pleasant twist.
[F#] Not [F#m] quite as well.
A thought you should know.
That you'll forget about.
Don't let it [C#] fuck you in the [B] _ _
[F#m] _ _ _ [F#] _ _ _ [F#m] face.
You have [C#] _ _ _ [F#m] that great side, just sweet for a minute.
But you don't like it, don't you?
You're cold, you [F#] silly little bitch.
_ _ _ _ _ [A] _ _
_ [F#] _ _ [E] _ _ _ [B] _ _
_ [F#] _ You've [B] got a sweet side, but I'm not sure if you're sweet enough. _
_ _ _ _ _ _ _ _
_ I ain't got no
I ain't got no
I ain't got no
I _ _ [F#m] don't _ [B] _
_ know
[F#m] You know how my [C#] baby's bitch.
Little girl. _
_ [F#] You're someone else.
You're a bitch. _
_ [E] _ _ [A] _ [B] _ _ [F#] _ _
_ [A] _ _ [B] _ _ _ [F#] _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ [N] _ _ _
She inspired a generation of professional female singer-songwriters
who all of a sudden felt like you could actually say these raw feelings that you had.
You could actually sing them [F#m] out to a real life.
You could put more detail into it.
You could get really, really mad if you wanted [F#] to.
It is fair to say that so many of the female singer-songwriters of my generation, including myself,
would not write the way that we do without her and her music.
Roach has written some of the most brilliant music.
In particular, probably and arguably the greatest breakup song of all time.
_ Here to sing You Oughta Know.
_ [F#m] _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ [F#m] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F#] _ You [F#m] _
could make a choice to take a vote [F#] until you've got a good enough
_ _ _ [E] _
_ [A] to do it or [F#m] _ [E] to deny it. _
[B] _ _ _ _ [F#] Nothing bad will come out of [A] it.
Maybe it's just a pleasant twist.
[F#] Not [F#m] quite as well.
A thought you should know.
That you'll forget about.
Don't let it [C#] fuck you in the [B] _ _
[F#m] _ _ _ [F#] _ _ _ [F#m] face.
You have [C#] _ _ _ [F#m] that great side, just sweet for a minute.
But you don't like it, don't you?
You're cold, you [F#] silly little bitch.
_ _ _ _ _ [A] _ _
_ [F#] _ _ [E] _ _ _ [B] _ _
_ [F#] _ You've [B] got a sweet side, but I'm not sure if you're sweet enough. _
_ _ _ _ _ _ _ _
_ I ain't got no
I ain't got no
I ain't got no
I _ _ [F#m] don't _ [B] _
_ know
[F#m] You know how my [C#] baby's bitch.
Little girl. _
_ [F#] You're someone else.
You're a bitch. _
_ [E] _ _ [A] _ [B] _ _ [F#] _ _
_ [A] _ _ [B] _ _ _ [F#] _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ [N] _ _ _