Chords for The Andrews Sisters - 1941 Live Recording
Tempo:
86.1 bpm
Chords used:
D
A
G
B
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hello all you fellas, all over the world.
Greetings from the Andrews sisters.
I'm Patty.
I'm Maxine.
And I'm Laverne.
We're making these V-discs just for you.
And along with them we want to send all our love and kisses.
[D]
He was the famous trumpet man from my Chicago way.
He had a boogie style that no one else could [A] play.
He was the top [G] man at his craft.
[D] He said his number came up, then he was gone with the [A] draft.
In the Army now, I'm going reveille.
He's the boogie-woogie bugle boy of Company [D] B.
They made him blow a bugle for his Uncle Sam.
He really rod and drummed because he couldn't [G] jam.
The captains seemed to understand.
He [D] goes and makes it a cap, one-arming drafts it a band.
And now the [A] company jumps when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
A toot, a toot, a toot to the attitude.
He blows it eight to the five.
In boogie [G] rhythm, he can't throw a note unless the bass and guitar is [D] playing with him.
[A] He makes the company jump when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
[B]
He won't stop.
Boogie-woogie bugle boy of Company B.
[A] He makes the company jump.
And when he plays boogie-woogie [D] bugle, he was busy as a bee.
[Am] And when [E] he plays, he makes the company jump eight to the [D] five.
He's the boogie-woogie bugle boy of Company B.
A toot, a toot, a toot, a toot to the attitude.
He blows [F#] it eight to the five.
In boogie rhythm, he can't [G] throw a note unless the bass and guitar is [A]
playing with him.
The company jumps when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
He wants to sleep a boogie every night.
He wakes them up the same way as the early [A] bride.
They clap their hands [D] and stamp their feet.
Because they know how he plays, when someone cares about [E] the beat.
He made him break the lap [A] when he plays reveille.
[D] And he's the boogie-woogie bugle boy of Company B.
La, la, la, la, la, la, la, la, la, la, [G] la, la, [D] la, la, la, la, la, [A] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, [D] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, [D#] la, la, la, [G] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
Greetings from the Andrews sisters.
I'm Patty.
I'm Maxine.
And I'm Laverne.
We're making these V-discs just for you.
And along with them we want to send all our love and kisses.
[D]
He was the famous trumpet man from my Chicago way.
He had a boogie style that no one else could [A] play.
He was the top [G] man at his craft.
[D] He said his number came up, then he was gone with the [A] draft.
In the Army now, I'm going reveille.
He's the boogie-woogie bugle boy of Company [D] B.
They made him blow a bugle for his Uncle Sam.
He really rod and drummed because he couldn't [G] jam.
The captains seemed to understand.
He [D] goes and makes it a cap, one-arming drafts it a band.
And now the [A] company jumps when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
A toot, a toot, a toot to the attitude.
He blows it eight to the five.
In boogie [G] rhythm, he can't throw a note unless the bass and guitar is [D] playing with him.
[A] He makes the company jump when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
[B]
He won't stop.
Boogie-woogie bugle boy of Company B.
[A] He makes the company jump.
And when he plays boogie-woogie [D] bugle, he was busy as a bee.
[Am] And when [E] he plays, he makes the company jump eight to the [D] five.
He's the boogie-woogie bugle boy of Company B.
A toot, a toot, a toot, a toot to the attitude.
He blows [F#] it eight to the five.
In boogie rhythm, he can't [G] throw a note unless the bass and guitar is [A]
playing with him.
The company jumps when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
He wants to sleep a boogie every night.
He wakes them up the same way as the early [A] bride.
They clap their hands [D] and stamp their feet.
Because they know how he plays, when someone cares about [E] the beat.
He made him break the lap [A] when he plays reveille.
[D] And he's the boogie-woogie bugle boy of Company B.
La, la, la, la, la, la, la, la, la, la, [G] la, la, [D] la, la, la, la, la, [A] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, [D] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, [D#] la, la, la, [G] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
Key:
D
A
G
B
E
D
A
G
Hello all you fellas, all over the world.
Greetings from the Andrews sisters.
I'm Patty.
I'm Maxine.
And I'm Laverne.
We're making these V-discs just for you.
And along with them we want to send all our love and kisses. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ _ _ _ He was the famous trumpet man from my Chicago way.
He had a boogie style that no one else could [A] play.
He was the top [G] man at his craft.
[D] He said his number came up, then he was gone with the [A] draft.
In the Army now, I'm going reveille.
He's the boogie-woogie bugle boy of Company [D] B.
They made him blow a bugle for his Uncle Sam.
He really rod and drummed because he couldn't [G] jam.
The captains seemed to understand.
He [D] goes and makes it a cap, one-arming drafts it a band.
And now the [A] company jumps when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
A toot, a toot, a toot to the attitude.
He blows it eight to the five.
In boogie [G] rhythm, he can't throw a note unless the bass and guitar is [D] playing with him.
[A] He makes the company jump when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
[B]
He won't stop.
Boogie-woogie bugle boy of Company B.
[A] He makes the company jump.
And when he plays boogie-woogie [D] bugle, he was busy as a bee.
[Am] And when [E] he plays, he makes the company jump eight to the [D] five.
He's the boogie-woogie bugle boy of Company B.
A toot, a toot, a toot, a toot to the attitude.
He blows [F#] it eight to the five.
In boogie rhythm, he can't [G] throw a note unless the bass and guitar is _ _ [A]
playing with him.
The company jumps when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
He wants to sleep a boogie every night.
He wakes them up the same way as the early [A] bride.
They clap their hands [D] and stamp their feet.
Because they know how he plays, when someone cares about [E] the beat.
He made him break the lap [A] when he plays reveille.
[D] And he's the boogie-woogie bugle boy of Company B.
La, la, la, la, la, la, la, la, la, la, [G] la, _ la, [D] _ la, la, la, la, la, [A] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, [D] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, [D#] la, la, la, [G] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
Greetings from the Andrews sisters.
I'm Patty.
I'm Maxine.
And I'm Laverne.
We're making these V-discs just for you.
And along with them we want to send all our love and kisses. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ _ _ _ He was the famous trumpet man from my Chicago way.
He had a boogie style that no one else could [A] play.
He was the top [G] man at his craft.
[D] He said his number came up, then he was gone with the [A] draft.
In the Army now, I'm going reveille.
He's the boogie-woogie bugle boy of Company [D] B.
They made him blow a bugle for his Uncle Sam.
He really rod and drummed because he couldn't [G] jam.
The captains seemed to understand.
He [D] goes and makes it a cap, one-arming drafts it a band.
And now the [A] company jumps when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
A toot, a toot, a toot to the attitude.
He blows it eight to the five.
In boogie [G] rhythm, he can't throw a note unless the bass and guitar is [D] playing with him.
[A] He makes the company jump when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
[B]
He won't stop.
Boogie-woogie bugle boy of Company B.
[A] He makes the company jump.
And when he plays boogie-woogie [D] bugle, he was busy as a bee.
[Am] And when [E] he plays, he makes the company jump eight to the [D] five.
He's the boogie-woogie bugle boy of Company B.
A toot, a toot, a toot, a toot to the attitude.
He blows [F#] it eight to the five.
In boogie rhythm, he can't [G] throw a note unless the bass and guitar is _ _ [A]
playing with him.
The company jumps when he plays reveille.
[D] He's the boogie-woogie bugle boy of Company B.
He wants to sleep a boogie every night.
He wakes them up the same way as the early [A] bride.
They clap their hands [D] and stamp their feet.
Because they know how he plays, when someone cares about [E] the beat.
He made him break the lap [A] when he plays reveille.
[D] And he's the boogie-woogie bugle boy of Company B.
La, la, la, la, la, la, la, la, la, la, [G] la, _ la, [D] _ la, la, la, la, la, [A] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, [D] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, [D#] la, la, la, [G] la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,