Chords for The Beatles - Nowhere Man (live!)
Tempo:
123.25 bpm
Chords used:
E
A
F#m
B
G#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
In those days there was no technology like there is now.
I mean, there was two guitars, bass and drums and that was it.
If we did stuff in the studio with the aid of recording tricks,
then we couldn't just reproduce them on stage.
Like nowadays you could do Tomorrow Never Knows,
have all the loops up there on a keyboard, kind of emulator stuff,
and you could have as many piano players and drummers and orchestras,
whatever you wanted.
But in those days, that's it, we were just a little dancehall band
and we never really thought of augmenting ourselves.
The hard stuff was the complicated harmonies.
Yeah, it was hard to do them live on stage.
Like, for instance, Nowhere Man, that kind of thing.
That was good.
Nowhere Man was OK, wasn't it?
It was hard, though.
It was OK, but it was [Em] hard.
[D#] He's a real [E] man
[A] [E]
[F#m] I know [A] there's nowhere man
[E] Doesn't have [B] a point to lose
[A] Knows not where [E] he's going
[F#m] [Am] Sleeps in flight
[E]
[G#m] Where am I?
[A]
[G#m] [A]
[G#m] [F#m] I'm so lonely all alone
[B] He's
[E] [B]
[A] [E]
[F#m] [Am]
[E]
[B] as blind as he can be
[A] The seas are [E]
[F#m] cold [A] and he's asleep [E] All alone
[G#m] [A] And I'm
[G#m] [A]
[G#m] [F#m] not [B] here
[E] [B] waiting
[A] [E] Nowhere,
[F#m] [Am] nowhere, [E] nowhere
[F#m] Making [A] all this nowhere [Bm] for [E] me
[F#m] Making all [Am] this nowhere for [E] nobody
I mean, there was two guitars, bass and drums and that was it.
If we did stuff in the studio with the aid of recording tricks,
then we couldn't just reproduce them on stage.
Like nowadays you could do Tomorrow Never Knows,
have all the loops up there on a keyboard, kind of emulator stuff,
and you could have as many piano players and drummers and orchestras,
whatever you wanted.
But in those days, that's it, we were just a little dancehall band
and we never really thought of augmenting ourselves.
The hard stuff was the complicated harmonies.
Yeah, it was hard to do them live on stage.
Like, for instance, Nowhere Man, that kind of thing.
That was good.
Nowhere Man was OK, wasn't it?
It was hard, though.
It was OK, but it was [Em] hard.
[D#] He's a real [E] man
[A] [E]
[F#m] I know [A] there's nowhere man
[E] Doesn't have [B] a point to lose
[A] Knows not where [E] he's going
[F#m] [Am] Sleeps in flight
[E]
[G#m] Where am I?
[A]
[G#m] [A]
[G#m] [F#m] I'm so lonely all alone
[B] He's
[E] [B]
[A] [E]
[F#m] [Am]
[E]
[B] as blind as he can be
[A] The seas are [E]
[F#m] cold [A] and he's asleep [E] All alone
[G#m] [A] And I'm
[G#m] [A]
[G#m] [F#m] not [B] here
[E] [B] waiting
[A] [E] Nowhere,
[F#m] [Am] nowhere, [E] nowhere
[F#m] Making [A] all this nowhere [Bm] for [E] me
[F#m] Making all [Am] this nowhere for [E] nobody
Key:
E
A
F#m
B
G#m
E
A
F#m
In those days there was no technology like there is now.
I mean, there was two guitars, bass and drums and that was it.
If we did stuff in the studio with the aid of _ recording tricks,
then we couldn't just reproduce them on stage.
Like nowadays you could do Tomorrow Never Knows,
have all the loops up there on a keyboard, kind of emulator stuff,
and you could have as many piano players and drummers and orchestras,
whatever you wanted.
But in those days, that's it, we were just a little _ dancehall band
and we never really thought of augmenting ourselves.
The hard stuff was the complicated harmonies.
Yeah, it was hard to do them live on stage.
Like, for instance, Nowhere Man, that kind of thing.
That was good.
Nowhere Man was OK, wasn't it?
It was hard, though.
It was OK, but it was [Em] hard. _ _ _ _ _
[D#] He's a real [E] man _ _
[A] _ _ _ [E] _ _ _ _ _
[F#m] I know [A] there's nowhere man
[E] _ _ _ _ _ Doesn't _ _ _ have [B] a point to lose
[A] Knows not where [E] he's going _
[F#m] _ _ _ [Am] Sleeps in flight _
[E] _ _ _ _ _ _ _
[G#m] Where am I?
_ [A] _ _ _ _
[G#m] _ _ _ _ [A] _ _ _ _
[G#m] _ _ _ [F#m] I'm so lonely all _ alone
_ [B] _ He's _
[E] _ _ _ [B] _ _ _ _ _
[A] _ _ _ _ [E] _ _ _ _
[F#m] _ _ _ _ [Am] _ _ _ _
[E] _ _ _ _ _ _ _ _
_ [B] as blind as he can be
[A] The seas are [E] _ _ _ _
[F#m] _ _ cold [A] and he's asleep [E] All _ _ alone _ _
[G#m] _ _ _ _ [A] And I'm _
[G#m] _ _ _ _ [A] _ _ _ _
[G#m] _ _ _ _ [F#m] _ not _ _ _ _ [B] here _ _ _
[E] _ _ _ _ [B] _ waiting _
[A] _ _ _ _ [E] _ Nowhere, _
[F#m] _ _ _ _ [Am] _ nowhere, [E] nowhere _ _ _ _ _ _ _
[F#m] Making _ [A] all this nowhere _ [Bm] for [E] me _ _ _ _ _
[F#m] Making all [Am] this nowhere for [E] _ nobody _ _ _ _ _
I mean, there was two guitars, bass and drums and that was it.
If we did stuff in the studio with the aid of _ recording tricks,
then we couldn't just reproduce them on stage.
Like nowadays you could do Tomorrow Never Knows,
have all the loops up there on a keyboard, kind of emulator stuff,
and you could have as many piano players and drummers and orchestras,
whatever you wanted.
But in those days, that's it, we were just a little _ dancehall band
and we never really thought of augmenting ourselves.
The hard stuff was the complicated harmonies.
Yeah, it was hard to do them live on stage.
Like, for instance, Nowhere Man, that kind of thing.
That was good.
Nowhere Man was OK, wasn't it?
It was hard, though.
It was OK, but it was [Em] hard. _ _ _ _ _
[D#] He's a real [E] man _ _
[A] _ _ _ [E] _ _ _ _ _
[F#m] I know [A] there's nowhere man
[E] _ _ _ _ _ Doesn't _ _ _ have [B] a point to lose
[A] Knows not where [E] he's going _
[F#m] _ _ _ [Am] Sleeps in flight _
[E] _ _ _ _ _ _ _
[G#m] Where am I?
_ [A] _ _ _ _
[G#m] _ _ _ _ [A] _ _ _ _
[G#m] _ _ _ [F#m] I'm so lonely all _ alone
_ [B] _ He's _
[E] _ _ _ [B] _ _ _ _ _
[A] _ _ _ _ [E] _ _ _ _
[F#m] _ _ _ _ [Am] _ _ _ _
[E] _ _ _ _ _ _ _ _
_ [B] as blind as he can be
[A] The seas are [E] _ _ _ _
[F#m] _ _ cold [A] and he's asleep [E] All _ _ alone _ _
[G#m] _ _ _ _ [A] And I'm _
[G#m] _ _ _ _ [A] _ _ _ _
[G#m] _ _ _ _ [F#m] _ not _ _ _ _ [B] here _ _ _
[E] _ _ _ _ [B] _ waiting _
[A] _ _ _ _ [E] _ Nowhere, _
[F#m] _ _ _ _ [Am] _ nowhere, [E] nowhere _ _ _ _ _ _ _
[F#m] Making _ [A] all this nowhere _ [Bm] for [E] me _ _ _ _ _
[F#m] Making all [Am] this nowhere for [E] _ nobody _ _ _ _ _