Chords for THE CHI-LITES-OH GIRL "LIVE" ON ROLANDA
Tempo:
137.5 bpm
Chords used:
A
D
G#
E
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[N] Think [Bm] of the [F#m] 70s, we think [G#] disco, but [F#] as we said before there [F] was so much more going on, so [E] much more music.
The Motown sound made its [A] mark during the [F#] 60s and in the 70s the [C] hottest thing on the soul scene was something [G#] called the [G] Philly Sound.
The Shy Lights are [D] credited [B] as the first group with the Philly [A#] Sound to [D] top the charts.
I want you to meet the [E] Shy Lights, Marshall [A#] Thompson, [G] Robert Squirrel [G#] Lester and Frank Reed.
Everybody give them a [A#] good warm welcome.
[F#] [G#]
[F#] [G] [G#]
What [F#] are [D#] your favorite [B] [A#] memories from the [D#] 70s?
Can you tell me what your favorite [A#] memories were from the [A] 70s?
Well my favorite memories from the 70s were when [E] all the groups, [D] Temptations and Shy Lights and [C] all of us [B] got together and did one of them big tours.
We [G#] really enjoyed it.
Yes, now Frank you [A] were the only one who wasn't with [B] the group in the 70s.
Do you feel like [A#] you missed out on something there?
I didn't miss out on too much because I had all that [G] music to listen to at home, the Shy Lights.
I [A#] just grew up on the [B] music and it's a part of [F] me, so I didn't miss out on too much.
What is the one thing that you want your music to do?
[G#] Because it seems to just transcend, [F] everybody just holds it so [F#] special in their hearts.
You know everybody remembers that blue light in the basement.
[Am]
I would say [D] thanks [G] to the youngsters today, [Am] even though they've been doing a lot of sampling and stuff of our music [F#] and putting it with theirs, I think it's very [A] great.
I would like to [B] see our music [G#] live on and on because it represents the good times, the [F#] peaceful times, the love times.
[C#]
[G] [G#] Just being on [D#] a good note like that, we love our [G#] music too.
Just to be [D#] instrumental in [B] your personal lives and [C] stuff, [A#] whether it's like [G] to have babies by or just to be an up note rather than a lot [Gm] of negative [Em] things.
See you kids never know how you were conceived what music do.
[A#] My audience [A] has been just dying to hear that wonderful song, Oh Girl.
[Fm] Now I can't sing it, but [Am] these guys sure can.
So let's hear [D] it the way it was [A#] intended to be way [C#] back in 1970s.
[F#m]
[Bm]
[E] [A]
[Em] [A] [D]
[C#m] [F#m] [Bm]
[F#m] [A]
Oh girl, [C#m] I'll be your trouble if you let [E] me [C#m] down.
[D] I don't know where to look for love.
[Bm] I just don't [D] know how.
[A] Oh girl, [C#m] how I depend on you.
[D] Oh, you keep me loving when I need you [Bm] girl.
Right [Em] on time you'll always [C] be.
All of my friends they [G] call me a fool.
Well, they [A] say let the woman take [E] care of you.
So [C] I try to be hip, [G] think like the crowd.
Oh well, [A] but even the crowd can't help [E] me now.
[Em]
[A] Oh girl, tell [C#m] me what am I going to do?
[D] I know I've got to do the things.
[Bm] Girl, I feel so out [A] of place.
Oh yeah, [C#m] I'll be [A] your trouble if you [C#m] let me down.
[D] Oh well, [Bm] well then.
[A]
[C] Ladies and gentlemen, this is [C#m] Don Mari.
Everybody wave your hand out [D] there in that waiting room.
Come on.
Just wave.
[C#] That's [Bm] Don Mari, ladies and gentlemen, from Earth [E] Wind and Fire [A] Band back in the day.
Back in the 70s.
[C#m]
[D]
[Bm]
[E] [C] All of my friends they [G] call me a fool.
Well, [A] they don't know that I broke the [Bm] rule.
So [C] I kind of be crazy to let you [G] go.
No, no.
[A] Girl, oh girl, I need you so.
[Bm]
[E] [G#]
[C#] [F#m] [C#]
[D] [F] You found [A#m] Master Cellars Music, the home [F#] of R&B music's greatest stars.
[F] If you're looking to book the biggest names in music, you found your [E] home page.
[B] Whether you're looking for hit makers for your [F#m] concert, festival, or corporate [G#] event,
Master Cellars Music has the answer [E] for you.
[Am] We can provide [D] you with turnkey [G] services such as production, advertising, [G#] and event planning from square [E] one.
So call our [B] service reps at [F] 815 -566
The Motown sound made its [A] mark during the [F#] 60s and in the 70s the [C] hottest thing on the soul scene was something [G#] called the [G] Philly Sound.
The Shy Lights are [D] credited [B] as the first group with the Philly [A#] Sound to [D] top the charts.
I want you to meet the [E] Shy Lights, Marshall [A#] Thompson, [G] Robert Squirrel [G#] Lester and Frank Reed.
Everybody give them a [A#] good warm welcome.
[F#] [G#]
[F#] [G] [G#]
What [F#] are [D#] your favorite [B] [A#] memories from the [D#] 70s?
Can you tell me what your favorite [A#] memories were from the [A] 70s?
Well my favorite memories from the 70s were when [E] all the groups, [D] Temptations and Shy Lights and [C] all of us [B] got together and did one of them big tours.
We [G#] really enjoyed it.
Yes, now Frank you [A] were the only one who wasn't with [B] the group in the 70s.
Do you feel like [A#] you missed out on something there?
I didn't miss out on too much because I had all that [G] music to listen to at home, the Shy Lights.
I [A#] just grew up on the [B] music and it's a part of [F] me, so I didn't miss out on too much.
What is the one thing that you want your music to do?
[G#] Because it seems to just transcend, [F] everybody just holds it so [F#] special in their hearts.
You know everybody remembers that blue light in the basement.
[Am]
I would say [D] thanks [G] to the youngsters today, [Am] even though they've been doing a lot of sampling and stuff of our music [F#] and putting it with theirs, I think it's very [A] great.
I would like to [B] see our music [G#] live on and on because it represents the good times, the [F#] peaceful times, the love times.
[C#]
[G] [G#] Just being on [D#] a good note like that, we love our [G#] music too.
Just to be [D#] instrumental in [B] your personal lives and [C] stuff, [A#] whether it's like [G] to have babies by or just to be an up note rather than a lot [Gm] of negative [Em] things.
See you kids never know how you were conceived what music do.
[A#] My audience [A] has been just dying to hear that wonderful song, Oh Girl.
[Fm] Now I can't sing it, but [Am] these guys sure can.
So let's hear [D] it the way it was [A#] intended to be way [C#] back in 1970s.
[F#m]
[Bm]
[E] [A]
[Em] [A] [D]
[C#m] [F#m] [Bm]
[F#m] [A]
Oh girl, [C#m] I'll be your trouble if you let [E] me [C#m] down.
[D] I don't know where to look for love.
[Bm] I just don't [D] know how.
[A] Oh girl, [C#m] how I depend on you.
[D] Oh, you keep me loving when I need you [Bm] girl.
Right [Em] on time you'll always [C] be.
All of my friends they [G] call me a fool.
Well, they [A] say let the woman take [E] care of you.
So [C] I try to be hip, [G] think like the crowd.
Oh well, [A] but even the crowd can't help [E] me now.
[Em]
[A] Oh girl, tell [C#m] me what am I going to do?
[D] I know I've got to do the things.
[Bm] Girl, I feel so out [A] of place.
Oh yeah, [C#m] I'll be [A] your trouble if you [C#m] let me down.
[D] Oh well, [Bm] well then.
[A]
[C] Ladies and gentlemen, this is [C#m] Don Mari.
Everybody wave your hand out [D] there in that waiting room.
Come on.
Just wave.
[C#] That's [Bm] Don Mari, ladies and gentlemen, from Earth [E] Wind and Fire [A] Band back in the day.
Back in the 70s.
[C#m]
[D]
[Bm]
[E] [C] All of my friends they [G] call me a fool.
Well, [A] they don't know that I broke the [Bm] rule.
So [C] I kind of be crazy to let you [G] go.
No, no.
[A] Girl, oh girl, I need you so.
[Bm]
[E] [G#]
[C#] [F#m] [C#]
[D] [F] You found [A#m] Master Cellars Music, the home [F#] of R&B music's greatest stars.
[F] If you're looking to book the biggest names in music, you found your [E] home page.
[B] Whether you're looking for hit makers for your [F#m] concert, festival, or corporate [G#] event,
Master Cellars Music has the answer [E] for you.
[Am] We can provide [D] you with turnkey [G] services such as production, advertising, [G#] and event planning from square [E] one.
So call our [B] service reps at [F] 815 -566
Key:
A
D
G#
E
G
A
D
G#
[N] Think [Bm] of the [F#m] 70s, we think [G#] disco, but [F#] as we said before there [F] was so much more going on, so [E] much more music.
The Motown sound made its [A] mark during the [F#] 60s and in the 70s the [C] hottest thing on the soul scene was something [G#] called the [G] Philly Sound.
The Shy Lights are [D] credited [B] as the first group with the Philly [A#] Sound to [D] top the charts.
I want you to meet the [E] Shy Lights, Marshall [A#] Thompson, [G] Robert Squirrel [G#] Lester and Frank Reed.
Everybody give them a [A#] good warm welcome.
[F#] _ _ _ [G#] _ _
_ [F#] _ [G] _ _ _ [G#] _ _ _
_ _ _ _ What [F#] are [D#] your favorite [B] [A#] memories from the [D#] 70s? _ _
Can you tell me what your favorite [A#] memories were from the [A] 70s?
Well my favorite memories from the 70s were when [E] all the groups, [D] _ _ Temptations and Shy Lights and _ [C] all of us [B] got together and did one of them big tours.
We [G#] really enjoyed it.
Yes, now Frank you [A] were the only one who wasn't with [B] the group in the 70s.
Do you feel like [A#] you missed out on something there?
I didn't miss out on too much because I had all that [G] music to listen to at home, the Shy Lights. _ _ _
I [A#] just grew up on the [B] music and it's a part of [F] me, so I didn't miss out on too much.
What is the one thing that you want your music to do?
[G#] Because it seems to just transcend, [F] everybody just holds it so [F#] special in their hearts.
You know everybody remembers that blue light in the basement.
_ [Am] _
_ _ I would say [D] thanks [G] to the youngsters today, _ [Am] even though they've been doing a lot of sampling and stuff of our music [F#] and putting it with theirs, I think it's very [A] great.
I would like to [B] see our music [G#] live on and on because it represents the good times, the [F#] peaceful times, the love times.
_ _ [C#] _
[G] [G#] Just being on [D#] a good note like that, we love our [G#] music too.
Just to be [D#] instrumental in [B] your personal lives and [C] stuff, [A#] whether it's like [G] to have babies by or just to _ _ be an up note rather than a lot [Gm] of negative [Em] things.
See you kids never know how you were conceived what music do.
[A#] My audience [A] has been just dying to hear that wonderful song, Oh Girl.
[Fm] Now I can't sing it, but [Am] these guys sure can.
So let's hear [D] it the way it was [A#] intended to be way [C#] back in _ _ 1970s.
_ [F#m] _ _ _ _ _ _
_ _ _ _ [Bm] _ _ _ _
_ _ [E] _ _ [A] _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ [A] _ _ [D] _ _ _ _
[C#m] _ _ [F#m] _ _ [Bm] _ _ _ _
_ _ [F#m] _ _ [A] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Oh girl, _ [C#m] I'll be your trouble if you let [E] me [C#m] down.
_ [D] I don't know where to look for love.
[Bm] I just don't [D] know how.
_ _ [A] Oh _ _ girl, _ _ [C#m] how I depend on _ you.
[D] Oh, you keep me loving when I need you [Bm] girl.
_ Right [Em] on time you'll always [C] be.
_ _ All of my friends they [G] call me a fool.
Well, _ they [A] say _ let the woman take [E] care of you. _ _
_ _ So [C] I _ try to be hip, _ [G] think like the crowd.
Oh well, _ [A] _ _ but even the crowd can't help [E] me now. _
_ _ [Em] _ _ _ _ _ _
[A] _ _ _ _ Oh _ _ girl, tell [C#m] me what am I going to do?
_ _ [D] I know I've got to do the things.
[Bm] Girl, I feel so out [A] of place.
_ _ Oh yeah, _ _ [C#m] I'll be [A] your trouble if you [C#m] let me down.
[D] Oh well, _ _ _ _ [Bm] well then. _
_ _ [A] _ _ _ _ _ _
_ _ _ _ [C] Ladies and gentlemen, this is [C#m] Don Mari.
Everybody wave your hand out [D] there in that waiting room. _
Come on.
Just wave.
[C#] That's [Bm] Don Mari, ladies and gentlemen, from Earth [E] Wind and Fire [A] Band back in the day.
_ Back in the 70s.
_ _ [C#m] _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [Bm] _ _ _ _
_ [E] _ _ _ [C] _ _ All of my friends they [G] call me a fool.
Well, _ _ _ _ [A] _ _ they don't know that I broke the [Bm] rule. _ _
_ So [C] I _ kind of be crazy to let you [G] go. _ _
No, no.
[A] _ _ Girl, oh girl, I need you so.
[Bm] _ _ _
_ _ _ _ [E] _ _ _ [G#] _
_ _ [C#] _ [F#m] _ [C#] _ _ _ _
_ _ _ [D] _ [F] You found [A#m] Master Cellars Music, the home [F#] of R&B music's greatest stars.
[F] If you're looking to book the biggest names in music, you found your [E] home page.
[B] Whether you're looking for hit makers for your [F#m] concert, festival, or corporate [G#] event,
Master Cellars Music has the answer [E] for you.
[Am] We can provide [D] you with turnkey [G] services such as production, advertising, [G#] and event planning from square [E] one.
So call our [B] service reps at [F] 815 _ -566 _ _
The Motown sound made its [A] mark during the [F#] 60s and in the 70s the [C] hottest thing on the soul scene was something [G#] called the [G] Philly Sound.
The Shy Lights are [D] credited [B] as the first group with the Philly [A#] Sound to [D] top the charts.
I want you to meet the [E] Shy Lights, Marshall [A#] Thompson, [G] Robert Squirrel [G#] Lester and Frank Reed.
Everybody give them a [A#] good warm welcome.
[F#] _ _ _ [G#] _ _
_ [F#] _ [G] _ _ _ [G#] _ _ _
_ _ _ _ What [F#] are [D#] your favorite [B] [A#] memories from the [D#] 70s? _ _
Can you tell me what your favorite [A#] memories were from the [A] 70s?
Well my favorite memories from the 70s were when [E] all the groups, [D] _ _ Temptations and Shy Lights and _ [C] all of us [B] got together and did one of them big tours.
We [G#] really enjoyed it.
Yes, now Frank you [A] were the only one who wasn't with [B] the group in the 70s.
Do you feel like [A#] you missed out on something there?
I didn't miss out on too much because I had all that [G] music to listen to at home, the Shy Lights. _ _ _
I [A#] just grew up on the [B] music and it's a part of [F] me, so I didn't miss out on too much.
What is the one thing that you want your music to do?
[G#] Because it seems to just transcend, [F] everybody just holds it so [F#] special in their hearts.
You know everybody remembers that blue light in the basement.
_ [Am] _
_ _ I would say [D] thanks [G] to the youngsters today, _ [Am] even though they've been doing a lot of sampling and stuff of our music [F#] and putting it with theirs, I think it's very [A] great.
I would like to [B] see our music [G#] live on and on because it represents the good times, the [F#] peaceful times, the love times.
_ _ [C#] _
[G] [G#] Just being on [D#] a good note like that, we love our [G#] music too.
Just to be [D#] instrumental in [B] your personal lives and [C] stuff, [A#] whether it's like [G] to have babies by or just to _ _ be an up note rather than a lot [Gm] of negative [Em] things.
See you kids never know how you were conceived what music do.
[A#] My audience [A] has been just dying to hear that wonderful song, Oh Girl.
[Fm] Now I can't sing it, but [Am] these guys sure can.
So let's hear [D] it the way it was [A#] intended to be way [C#] back in _ _ 1970s.
_ [F#m] _ _ _ _ _ _
_ _ _ _ [Bm] _ _ _ _
_ _ [E] _ _ [A] _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ [A] _ _ [D] _ _ _ _
[C#m] _ _ [F#m] _ _ [Bm] _ _ _ _
_ _ [F#m] _ _ [A] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Oh girl, _ [C#m] I'll be your trouble if you let [E] me [C#m] down.
_ [D] I don't know where to look for love.
[Bm] I just don't [D] know how.
_ _ [A] Oh _ _ girl, _ _ [C#m] how I depend on _ you.
[D] Oh, you keep me loving when I need you [Bm] girl.
_ Right [Em] on time you'll always [C] be.
_ _ All of my friends they [G] call me a fool.
Well, _ they [A] say _ let the woman take [E] care of you. _ _
_ _ So [C] I _ try to be hip, _ [G] think like the crowd.
Oh well, _ [A] _ _ but even the crowd can't help [E] me now. _
_ _ [Em] _ _ _ _ _ _
[A] _ _ _ _ Oh _ _ girl, tell [C#m] me what am I going to do?
_ _ [D] I know I've got to do the things.
[Bm] Girl, I feel so out [A] of place.
_ _ Oh yeah, _ _ [C#m] I'll be [A] your trouble if you [C#m] let me down.
[D] Oh well, _ _ _ _ [Bm] well then. _
_ _ [A] _ _ _ _ _ _
_ _ _ _ [C] Ladies and gentlemen, this is [C#m] Don Mari.
Everybody wave your hand out [D] there in that waiting room. _
Come on.
Just wave.
[C#] That's [Bm] Don Mari, ladies and gentlemen, from Earth [E] Wind and Fire [A] Band back in the day.
_ Back in the 70s.
_ _ [C#m] _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [Bm] _ _ _ _
_ [E] _ _ _ [C] _ _ All of my friends they [G] call me a fool.
Well, _ _ _ _ [A] _ _ they don't know that I broke the [Bm] rule. _ _
_ So [C] I _ kind of be crazy to let you [G] go. _ _
No, no.
[A] _ _ Girl, oh girl, I need you so.
[Bm] _ _ _
_ _ _ _ [E] _ _ _ [G#] _
_ _ [C#] _ [F#m] _ [C#] _ _ _ _
_ _ _ [D] _ [F] You found [A#m] Master Cellars Music, the home [F#] of R&B music's greatest stars.
[F] If you're looking to book the biggest names in music, you found your [E] home page.
[B] Whether you're looking for hit makers for your [F#m] concert, festival, or corporate [G#] event,
Master Cellars Music has the answer [E] for you.
[Am] We can provide [D] you with turnkey [G] services such as production, advertising, [G#] and event planning from square [E] one.
So call our [B] service reps at [F] 815 _ -566 _ _