Chords for The Guess Who - Interview
Tempo:
64.75 bpm
Chords used:
F
Bb
C
G
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Your thoughts are in a position now where you've done much work on the hit parade.
You've been very successful, top 40.
[F] And you find a lot of bands that experiences are very defensive about their music
because they feel that they're not doing things that are heavy enough.
Or else they say, we're just doing this for the hit parade, but boy, we're very heavy musicians.
How do you feel?
Do you feel you have to go through any apologetics about your music?
We have [Bb] done that, which is probably a mistake.
I think we will get away from that completely right now.
I really, you know, I just like to play good music.
I don't care what it is, if it's a Strauss-Waltz, if it's good music, and I like it, I'll play it.
Andy Kim [F] has always been accused of, and he's the first to say it, you know he writes bubblegum music.
He writes pretty good music.
He writes good music.
He makes great bubblegum music.
Right, and you know the last Sugar Sugar thing sold over three million.
That was a great song.
Great song.
[C] I don't know what you call the thing, but it was a great song.
His voice isn't bad on the Archie's [F] record.
You're not supposed to say that.
No, but speaking of Sugar Sugar, when the music scene was still on the air down south,
we saw, like naturally the [G] Archies aren't going to perform it because they don't exist,
but [F] they had the Dells on the show, and the Dells did a complete treatment of Sugar Sugar.
I caught that.
That was really good.
I couldn't believe it.
All those guys.
Singing some guts out.
It was just incredible.
Sending her head off.
How do you make out, you were on a bill in LA at the Forum with the With Creedence. Yeah.
Are they difficult to work with because your music, I mean audience reaction wise,
do you feel that you have to get into something different when you're working with them?
I think basically the crowd was there to see Creedence, you know,
but it was nice that we had a few very big hits in the LA area to come out and do as a warm up act.
Everybody there knew our stuff.
They knew the song when we did it.
They not necessarily, 100% of the audience came to see Creedence, maybe 99 in 1% came to see Creedence.
[Bb] Somebody came to see us, but they all knew our material.
And I can discover [F] that.
And I think it did us a lot of good.
Here's the whole thing, like we were warned, don't [E] go on a tour as a second act to a group like say Blood, Sweat & Tears
because after they're on [F] they'll forget you even existed.
They'll wipe you out.
Well, I don't believe that because Three Dog Night went on a tour with Creedence and it made them.
And they went back on the same tour six months later and packed their
You've been very successful, top 40.
[F] And you find a lot of bands that experiences are very defensive about their music
because they feel that they're not doing things that are heavy enough.
Or else they say, we're just doing this for the hit parade, but boy, we're very heavy musicians.
How do you feel?
Do you feel you have to go through any apologetics about your music?
We have [Bb] done that, which is probably a mistake.
I think we will get away from that completely right now.
I really, you know, I just like to play good music.
I don't care what it is, if it's a Strauss-Waltz, if it's good music, and I like it, I'll play it.
Andy Kim [F] has always been accused of, and he's the first to say it, you know he writes bubblegum music.
He writes pretty good music.
He writes good music.
He makes great bubblegum music.
Right, and you know the last Sugar Sugar thing sold over three million.
That was a great song.
Great song.
[C] I don't know what you call the thing, but it was a great song.
His voice isn't bad on the Archie's [F] record.
You're not supposed to say that.
No, but speaking of Sugar Sugar, when the music scene was still on the air down south,
we saw, like naturally the [G] Archies aren't going to perform it because they don't exist,
but [F] they had the Dells on the show, and the Dells did a complete treatment of Sugar Sugar.
I caught that.
That was really good.
I couldn't believe it.
All those guys.
Singing some guts out.
It was just incredible.
Sending her head off.
How do you make out, you were on a bill in LA at the Forum with the With Creedence. Yeah.
Are they difficult to work with because your music, I mean audience reaction wise,
do you feel that you have to get into something different when you're working with them?
I think basically the crowd was there to see Creedence, you know,
but it was nice that we had a few very big hits in the LA area to come out and do as a warm up act.
Everybody there knew our stuff.
They knew the song when we did it.
They not necessarily, 100% of the audience came to see Creedence, maybe 99 in 1% came to see Creedence.
[Bb] Somebody came to see us, but they all knew our material.
And I can discover [F] that.
And I think it did us a lot of good.
Here's the whole thing, like we were warned, don't [E] go on a tour as a second act to a group like say Blood, Sweat & Tears
because after they're on [F] they'll forget you even existed.
They'll wipe you out.
Well, I don't believe that because Three Dog Night went on a tour with Creedence and it made them.
And they went back on the same tour six months later and packed their
Key:
F
Bb
C
G
E
F
Bb
C
Your thoughts are in a position now where you've done much work on the hit parade.
You've been very successful, top 40.
[F] And you find a lot of bands that experiences are very defensive about their music
because they feel that they're not doing things that are heavy enough.
Or else they say, we're just doing this for the hit parade, but boy, we're very heavy musicians.
How do you feel?
Do you feel you have to go through any apologetics about your music?
We have [Bb] done that, which is probably a mistake.
I think we will get away from that completely right now.
I really, you know, I just like to play good music.
I don't care what it is, if it's a Strauss-Waltz, if it's good music, and I like it, I'll play it.
Andy Kim [F] has always been accused of, and he's the first to say it, you know he writes bubblegum music.
He writes pretty good music.
He writes good music.
He makes great bubblegum music.
Right, and you know the last Sugar Sugar thing sold over three million.
That was a great song.
Great song.
[C] I don't know what you call the thing, but it was a great song.
His voice isn't bad on the Archie's [F] record.
You're not supposed to say that.
No, but speaking of Sugar Sugar, when the music scene was still on the air down south,
we saw, like naturally the [G] Archies aren't going to perform it because they don't exist,
but [F] they had the Dells on the show, and the Dells did a complete treatment of Sugar Sugar.
I caught that.
That was really good.
I couldn't believe it.
All those guys.
Singing some guts out.
It was just incredible.
Sending her head off.
How do you make out, you were on a bill in LA at the Forum with the_ With Creedence. Yeah.
Are they difficult to work with because your music, I mean audience reaction wise,
do you feel that you have to get into something different when you're working with them?
I think basically the crowd was there to see Creedence, you know,
but it was nice that we had a few very big hits in the LA area to come out and do as a warm up act.
Everybody there knew our stuff.
They knew the song when we did it.
They not necessarily, 100% of the audience came to see Creedence, maybe 99 in 1% came to see Creedence.
[Bb] Somebody came to see us, but they all knew our material.
And I can discover [F] that.
And I think it did us a lot of good.
Here's the whole thing, like we were warned, don't [E] go on a tour as a second act to a group like say Blood, Sweat & Tears
because after they're on [F] they'll forget you even existed.
They'll wipe you out.
Well, I don't believe that because Three Dog Night went on a tour with Creedence and it made them.
And they went back on the same tour six months later and packed their
You've been very successful, top 40.
[F] And you find a lot of bands that experiences are very defensive about their music
because they feel that they're not doing things that are heavy enough.
Or else they say, we're just doing this for the hit parade, but boy, we're very heavy musicians.
How do you feel?
Do you feel you have to go through any apologetics about your music?
We have [Bb] done that, which is probably a mistake.
I think we will get away from that completely right now.
I really, you know, I just like to play good music.
I don't care what it is, if it's a Strauss-Waltz, if it's good music, and I like it, I'll play it.
Andy Kim [F] has always been accused of, and he's the first to say it, you know he writes bubblegum music.
He writes pretty good music.
He writes good music.
He makes great bubblegum music.
Right, and you know the last Sugar Sugar thing sold over three million.
That was a great song.
Great song.
[C] I don't know what you call the thing, but it was a great song.
His voice isn't bad on the Archie's [F] record.
You're not supposed to say that.
No, but speaking of Sugar Sugar, when the music scene was still on the air down south,
we saw, like naturally the [G] Archies aren't going to perform it because they don't exist,
but [F] they had the Dells on the show, and the Dells did a complete treatment of Sugar Sugar.
I caught that.
That was really good.
I couldn't believe it.
All those guys.
Singing some guts out.
It was just incredible.
Sending her head off.
How do you make out, you were on a bill in LA at the Forum with the_ With Creedence. Yeah.
Are they difficult to work with because your music, I mean audience reaction wise,
do you feel that you have to get into something different when you're working with them?
I think basically the crowd was there to see Creedence, you know,
but it was nice that we had a few very big hits in the LA area to come out and do as a warm up act.
Everybody there knew our stuff.
They knew the song when we did it.
They not necessarily, 100% of the audience came to see Creedence, maybe 99 in 1% came to see Creedence.
[Bb] Somebody came to see us, but they all knew our material.
And I can discover [F] that.
And I think it did us a lot of good.
Here's the whole thing, like we were warned, don't [E] go on a tour as a second act to a group like say Blood, Sweat & Tears
because after they're on [F] they'll forget you even existed.
They'll wipe you out.
Well, I don't believe that because Three Dog Night went on a tour with Creedence and it made them.
And they went back on the same tour six months later and packed their