Chords for The Hives - What's In My Bag?
Tempo:
126.6 bpm
Chords used:
G
E
B
C
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E]
[E]
[Ab] [B]
[Ab]
[G]
[Bm] [Cm] [B]
The new one, [Bm] the Mariachi [D] El [Cm] Bronx.
Of course.
[G]
[D] Love those guys.
[C]
[B] [Em] [D] [C]
[G] [D]
[G]
[Bm] It's a record store, but they sell books too.
So I got this, which I've been kind of wanting to get for a while.
I got a [B] used copy of Fuck You Heroes.
And it's basically, he took photos of skateboarders and hardcore punk bands.
Basically what got us into playing live punk rock.
The reason our show is so energetic is that we really liked hardcore punk,
but sometimes it just seemed so tuneless.
I guess that was sort of the point, though, to make something that was barely even musical.
So that's that.
[Eb]
When we recorded our record in Oxford, Mississippi, I lived there the whole day.
And [A] the guy who worked there, he gave me [Bb] a mixed [D] CD of tons of old stuff.
[F] And I [G] listened to it, and I got [F] this [G] Pink [D] Anderson verse on [F] that.
[Bb] [C] [Db] I'm really hooked [G] on this old [Eb] stuff, blues.
It's the [Gb] feeling when musicians [F] play like [Bb] this.
[F] It's so [D]
[G] [F] naked.
[B] Excellent.
[D] [B] I think I may have accidentally [Dm] sort of round up the highest career in a nutshell.
Maybe with, [E] I would say this is about [Ebm] 70 [D]% music [Bm] and 30% comedy.
[Bm] I guess that's somewhere what we do.
I guess [B] what Matt was saying about [D] the blues,
I guess [Ab] we love it because it's very [Db] unedited music.
It's very raw.
[Gb]
I [D] have some of that too, [B] with [E] the Misfits book set.
[A]
[B] And I [Eb] also have some more punk.
My favorite song by the Stooges, [E] I Gotta Ride.
[G] [Eb] [F] I have now take five, take one, take [D] two, take three, take three,
[E] instrumental and take [D] four and take four, and live in Paris.
[Ebm] I have a record like this, but [G] it's a good song.
This is where we get all the dad rock [E] in.
I bought fancy vinyl [F] remastered versions of [Bb] Fun House [Em] and Exile on Main Street.
[E] I mean, everybody keeps saying they're two of the best rock albums ever,
probably because they [A] are.
[F] [E] This Stooges thing, Down on the Street is one of my favorite songs,
and it's got the [Db] best groove of all time.
And then after they [Em] ask him, how does that tempo feel to you?
And then the producer says, that tempo [B] feels fucking great to me.
[A] [E] Don Gallucci says that.
And he's right, it's perfect.
[B]
[Em] And then this Rolling Stones album.
Actually, [E] I kind of like first songs.
I like this first [B] song, and I like my favorite on [E] this is Rock Soft as well,
which [Ab] is the first [B] song, [E] side one.
Maybe the best song [A] ever by the [B] Stones.
Yeah, [E] super amazing.
And we [A] think that [Gb] the Bruce Springsteen's Unborn to Run is sort of [E] based on it,
because it has a very similar structure.
You think that the first two [A] verses are kind of regular,
and then the third one you scream at the top of your lungs.
[E] It even has a weird [B] middle part before the third verse.
I feel like he was structurally, technically influenced by it.
[A] [E]
[B]
[C] This [G] is what I have in my bag.
It's the Neil Young [C] Archives,
[G] module one.
It's supposed to be a very [G] good [C] box set with [G] tons of shit.
It's [C] song after song in DVD after DVD.
[G] It has [C] a movie, a film by Neil Young.
[Am] And [C] it's supposed to be pretty [G] much everything from the [Am] start of his [C] career
to [G] after the Harvest Pack.
A lot of Neil Young.
Yeah, it's a lot of Neil Young.
And I've been wanting to get this for a long time.
You've been wanting [C] to get your hands on a lot of Neil Young. Yeah.
63 to [G] 72.
He's also a pretty productive guy, [D] so that could be a lot of stuff.
11 [Am] DVDs.
It could be.
[C] 11 DVDs in [G] the first 10 years.
[C] 10 years.
Good work, Neil.
[E] Here is [A] something I talked with Jerry Casal from Devo about.
It's Slade.
It was one of their favorite bands.
[B] I haven't listened a lot to Slade.
I listened to The Sweet and bands like that when I was a kid.
I'm going to check them out.
[C] Oh, [G] I got this one.
Bo Diddley is the Black Gladiator.
Where Bo Diddley in bondage [D] gear?
It's from 1970.
He was trying to go all psychedelic.
And the funny thing is he's got a [C] song here on [G] side two that's called Shut Up Woman.
[Eb] [C] And a couple [B] of years later he released another album [D] where he had a song on [G] it called I Said Shut Up Woman.
[C] [G] Maybe he kept talking for a few [C] more years.
[Eb] The rest of it is comedy, which is Mitch [E] Altogether by Mitch Hedberg.
[N] I can't floss my teeth, man.
I can't get into the flossing thing.
People who smoke cigarettes say, man, you don't know how hard it is to quit smoking.
Yes, I do.
It's as hard as it is to start flossing.
[Eb] You seem jittery.
Yeah, I'm about to floss.
[Gb] Who's [B] the master of one-liners?
Not really necessarily one-liners, just sort of quirky jokes, I guess.
He's a big favorite.
[E] So we're using these [B] driving out to the desert.
[Gb] [E] So thanks again, Amoeba.
[B] [Bm]
I'm getting on the middle of a breakdown.
I'm trying to get on
[E]
[Ab] [B]
[Ab]
[G]
[Bm] [Cm] [B]
The new one, [Bm] the Mariachi [D] El [Cm] Bronx.
Of course.
[G]
[D] Love those guys.
[C]
[B] [Em] [D] [C]
[G] [D]
[G]
[Bm] It's a record store, but they sell books too.
So I got this, which I've been kind of wanting to get for a while.
I got a [B] used copy of Fuck You Heroes.
And it's basically, he took photos of skateboarders and hardcore punk bands.
Basically what got us into playing live punk rock.
The reason our show is so energetic is that we really liked hardcore punk,
but sometimes it just seemed so tuneless.
I guess that was sort of the point, though, to make something that was barely even musical.
So that's that.
[Eb]
When we recorded our record in Oxford, Mississippi, I lived there the whole day.
And [A] the guy who worked there, he gave me [Bb] a mixed [D] CD of tons of old stuff.
[F] And I [G] listened to it, and I got [F] this [G] Pink [D] Anderson verse on [F] that.
[Bb] [C] [Db] I'm really hooked [G] on this old [Eb] stuff, blues.
It's the [Gb] feeling when musicians [F] play like [Bb] this.
[F] It's so [D]
[G] [F] naked.
[B] Excellent.
[D] [B] I think I may have accidentally [Dm] sort of round up the highest career in a nutshell.
Maybe with, [E] I would say this is about [Ebm] 70 [D]% music [Bm] and 30% comedy.
[Bm] I guess that's somewhere what we do.
I guess [B] what Matt was saying about [D] the blues,
I guess [Ab] we love it because it's very [Db] unedited music.
It's very raw.
[Gb]
I [D] have some of that too, [B] with [E] the Misfits book set.
[A]
[B] And I [Eb] also have some more punk.
My favorite song by the Stooges, [E] I Gotta Ride.
[G] [Eb] [F] I have now take five, take one, take [D] two, take three, take three,
[E] instrumental and take [D] four and take four, and live in Paris.
[Ebm] I have a record like this, but [G] it's a good song.
This is where we get all the dad rock [E] in.
I bought fancy vinyl [F] remastered versions of [Bb] Fun House [Em] and Exile on Main Street.
[E] I mean, everybody keeps saying they're two of the best rock albums ever,
probably because they [A] are.
[F] [E] This Stooges thing, Down on the Street is one of my favorite songs,
and it's got the [Db] best groove of all time.
And then after they [Em] ask him, how does that tempo feel to you?
And then the producer says, that tempo [B] feels fucking great to me.
[A] [E] Don Gallucci says that.
And he's right, it's perfect.
[B]
[Em] And then this Rolling Stones album.
Actually, [E] I kind of like first songs.
I like this first [B] song, and I like my favorite on [E] this is Rock Soft as well,
which [Ab] is the first [B] song, [E] side one.
Maybe the best song [A] ever by the [B] Stones.
Yeah, [E] super amazing.
And we [A] think that [Gb] the Bruce Springsteen's Unborn to Run is sort of [E] based on it,
because it has a very similar structure.
You think that the first two [A] verses are kind of regular,
and then the third one you scream at the top of your lungs.
[E] It even has a weird [B] middle part before the third verse.
I feel like he was structurally, technically influenced by it.
[A] [E]
[B]
[C] This [G] is what I have in my bag.
It's the Neil Young [C] Archives,
[G] module one.
It's supposed to be a very [G] good [C] box set with [G] tons of shit.
It's [C] song after song in DVD after DVD.
[G] It has [C] a movie, a film by Neil Young.
[Am] And [C] it's supposed to be pretty [G] much everything from the [Am] start of his [C] career
to [G] after the Harvest Pack.
A lot of Neil Young.
Yeah, it's a lot of Neil Young.
And I've been wanting to get this for a long time.
You've been wanting [C] to get your hands on a lot of Neil Young. Yeah.
63 to [G] 72.
He's also a pretty productive guy, [D] so that could be a lot of stuff.
11 [Am] DVDs.
It could be.
[C] 11 DVDs in [G] the first 10 years.
[C] 10 years.
Good work, Neil.
[E] Here is [A] something I talked with Jerry Casal from Devo about.
It's Slade.
It was one of their favorite bands.
[B] I haven't listened a lot to Slade.
I listened to The Sweet and bands like that when I was a kid.
I'm going to check them out.
[C] Oh, [G] I got this one.
Bo Diddley is the Black Gladiator.
Where Bo Diddley in bondage [D] gear?
It's from 1970.
He was trying to go all psychedelic.
And the funny thing is he's got a [C] song here on [G] side two that's called Shut Up Woman.
[Eb] [C] And a couple [B] of years later he released another album [D] where he had a song on [G] it called I Said Shut Up Woman.
[C] [G] Maybe he kept talking for a few [C] more years.
[Eb] The rest of it is comedy, which is Mitch [E] Altogether by Mitch Hedberg.
[N] I can't floss my teeth, man.
I can't get into the flossing thing.
People who smoke cigarettes say, man, you don't know how hard it is to quit smoking.
Yes, I do.
It's as hard as it is to start flossing.
[Eb] You seem jittery.
Yeah, I'm about to floss.
[Gb] Who's [B] the master of one-liners?
Not really necessarily one-liners, just sort of quirky jokes, I guess.
He's a big favorite.
[E] So we're using these [B] driving out to the desert.
[Gb] [E] So thanks again, Amoeba.
[B] [Bm]
I'm getting on the middle of a breakdown.
I'm trying to get on
Key:
G
E
B
C
D
G
E
B
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Ab] _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Ab] _ _ _
_ _ _ _ _ _ _ [G] _
_ [Bm] _ _ _ [Cm] _ _ _ [B]
The new one, [Bm] the Mariachi [D] El [Cm] Bronx.
Of course.
[G] _
_ [D] _ _ Love those guys.
[C] _ _
[B] _ _ _ [Em] _ _ [D] _ _ [C] _
_ [G] _ _ _ [D] _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [Bm] It's a record store, but they sell books too.
So I got this, which I've been kind of wanting to get for a while.
I got a [B] used copy of Fuck You Heroes.
And it's basically, he took photos of skateboarders and hardcore punk bands.
_ Basically what got us into playing live punk rock.
The reason our show is so energetic is that we really liked hardcore punk,
but _ _ _ sometimes it just seemed so tuneless. _
_ _ I guess that was sort of the point, though, to make something that was barely even musical.
So that's that.
_ [Eb]
When we recorded our record in Oxford, Mississippi, I lived there the whole day.
And [A] the guy who worked there, he gave me [Bb] a mixed _ [D] CD of tons of old stuff.
[F] And I [G] listened to it, and I got [F] this _ [G] _ _ Pink [D] Anderson verse on [F] that. _ _ _ _ _ _
[Bb] _ _ _ [C] _ _ [Db] I'm really hooked [G] on this old [Eb] stuff, blues.
It's the [Gb] feeling when musicians [F] _ play like [Bb] this.
[F] It's so [D] _
_ [G] _ [F] naked. _ _ _
[B] Excellent.
[D] _ [B] I think I may have accidentally [Dm] sort of round up the highest career in a nutshell.
Maybe with, [E] I would say this is about [Ebm] 70 [D]% music [Bm] and 30% comedy.
_ [Bm] I guess that's somewhere what we do.
I guess [B] what Matt was saying about [D] the blues,
_ I guess [Ab] we love it because it's very [Db] unedited music.
It's very raw.
[Gb] _ _ _ _
I [D] have some of that too, [B] with [E] the Misfits book set.
_ _ _ [A] _ _ _ _ _
[B] And I [Eb] also have some more punk.
My favorite song by the Stooges, [E] I Gotta Ride. _ _ _
_ [G] _ [Eb] _ _ [F] I have now take five, take one, take [D] two, take three, take three,
[E] instrumental and take [D] four and take four, and live in Paris. _
[Ebm] I have a record like this, but [G] it's a good song.
This is where we get all the dad rock [E] in.
_ I bought _ fancy vinyl [F] remastered versions of [Bb] Fun House _ [Em] and Exile on Main Street.
[E] I mean, everybody keeps saying they're two of the best rock albums ever,
_ probably because they [A] are.
_ [F] _ _ [E] _ This Stooges thing, Down on the Street is one of my favorite songs,
and it's got the _ [Db] best groove of all time.
And then after they [Em] ask him, how does that tempo feel to you?
And then the producer says, that tempo [B] feels fucking great to me.
_ [A] _ [E] Don Gallucci says that.
And _ he's right, it's perfect. _ _ _
[B] _ _ _ _ _ _ _ _
[Em] And then this Rolling Stones album.
Actually, [E] I kind of like first songs.
I like this first [B] song, and I like my favorite on [E] this is Rock Soft as well,
which [Ab] is the first [B] song, [E] side one. _
Maybe the best song [A] _ ever by the [B] Stones.
Yeah, _ [E] super amazing.
_ _ _ And we [A] think that [Gb] the Bruce Springsteen's Unborn to Run is sort of [E] based on it,
because it has a very similar structure.
_ You think that the first two [A] verses are kind of regular,
and then the third one you scream at the top of your lungs.
[E] It even has a weird [B] middle part before the third verse.
I feel like he was structurally, _ technically influenced by it.
_ [A] _ _ _ [E] _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ _ [C] This [G] is what I have in my bag.
It's the Neil Young [C] Archives, _
[G] _ module one.
_ It's supposed to be a very _ [G] good [C] box set with [G] tons of shit.
It's _ [C] song after song in DVD after DVD.
[G] It has _ [C] a movie, a film by Neil Young.
[Am] And [C] it's supposed to be pretty [G] much everything from the [Am] start of his [C] career
to _ [G] after the Harvest Pack.
_ _ A lot of Neil Young.
Yeah, it's a lot of Neil Young.
And I've been wanting to get this for a long time.
You've been wanting [C] to get your hands on a lot of Neil Young. Yeah.
_ 63 to [G] 72. _ _
He's also a pretty productive guy, [D] so that could be a lot of stuff.
11 [Am] DVDs.
It could be.
_ [C] _ 11 DVDs in _ [G] the first 10 years.
[C] 10 years.
Good work, Neil.
[E] Here is [A] something I talked with Jerry Casal from Devo about.
It's Slade.
It was one of their favorite bands.
_ _ _ [B] I haven't listened a lot to Slade.
I listened to The Sweet and bands like that when I was a kid.
I'm going to check them out.
[C] _ Oh, [G] I got this one.
Bo Diddley is the Black Gladiator.
Where Bo Diddley in bondage [D] gear?
_ It's from 1970.
He was trying to go all _ psychedelic.
And the funny thing is he's got a [C] song here on [G] side two that's called Shut Up Woman.
[Eb] _ [C] And a couple [B] of years later he released another album [D] where he had a song on [G] it called I Said Shut Up Woman.
_ _ [C] _ [G] Maybe he kept talking for a few [C] more years.
_ [Eb] The rest of it is comedy, which is _ Mitch [E] Altogether by Mitch Hedberg.
[N] I can't floss my teeth, man.
_ _ I can't get into the flossing thing.
People who smoke cigarettes say, man, you don't know how hard it is to quit smoking.
Yes, I do.
It's as hard as it is to start flossing. _ _ _
[Eb] You seem jittery.
Yeah, I'm about to floss.
_ [Gb] Who's [B] the master of one-liners?
Not really necessarily one-liners, just sort of quirky jokes, I guess.
_ He's a big favorite. _
[E] So we're _ using these [B] driving out to the desert. _
_ [Gb] _ _ [E] So thanks again, Amoeba.
[B] _ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
I'm getting on the middle of a breakdown.
I'm trying to get on
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Ab] _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Ab] _ _ _
_ _ _ _ _ _ _ [G] _
_ [Bm] _ _ _ [Cm] _ _ _ [B]
The new one, [Bm] the Mariachi [D] El [Cm] Bronx.
Of course.
[G] _
_ [D] _ _ Love those guys.
[C] _ _
[B] _ _ _ [Em] _ _ [D] _ _ [C] _
_ [G] _ _ _ [D] _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [Bm] It's a record store, but they sell books too.
So I got this, which I've been kind of wanting to get for a while.
I got a [B] used copy of Fuck You Heroes.
And it's basically, he took photos of skateboarders and hardcore punk bands.
_ Basically what got us into playing live punk rock.
The reason our show is so energetic is that we really liked hardcore punk,
but _ _ _ sometimes it just seemed so tuneless. _
_ _ I guess that was sort of the point, though, to make something that was barely even musical.
So that's that.
_ [Eb]
When we recorded our record in Oxford, Mississippi, I lived there the whole day.
And [A] the guy who worked there, he gave me [Bb] a mixed _ [D] CD of tons of old stuff.
[F] And I [G] listened to it, and I got [F] this _ [G] _ _ Pink [D] Anderson verse on [F] that. _ _ _ _ _ _
[Bb] _ _ _ [C] _ _ [Db] I'm really hooked [G] on this old [Eb] stuff, blues.
It's the [Gb] feeling when musicians [F] _ play like [Bb] this.
[F] It's so [D] _
_ [G] _ [F] naked. _ _ _
[B] Excellent.
[D] _ [B] I think I may have accidentally [Dm] sort of round up the highest career in a nutshell.
Maybe with, [E] I would say this is about [Ebm] 70 [D]% music [Bm] and 30% comedy.
_ [Bm] I guess that's somewhere what we do.
I guess [B] what Matt was saying about [D] the blues,
_ I guess [Ab] we love it because it's very [Db] unedited music.
It's very raw.
[Gb] _ _ _ _
I [D] have some of that too, [B] with [E] the Misfits book set.
_ _ _ [A] _ _ _ _ _
[B] And I [Eb] also have some more punk.
My favorite song by the Stooges, [E] I Gotta Ride. _ _ _
_ [G] _ [Eb] _ _ [F] I have now take five, take one, take [D] two, take three, take three,
[E] instrumental and take [D] four and take four, and live in Paris. _
[Ebm] I have a record like this, but [G] it's a good song.
This is where we get all the dad rock [E] in.
_ I bought _ fancy vinyl [F] remastered versions of [Bb] Fun House _ [Em] and Exile on Main Street.
[E] I mean, everybody keeps saying they're two of the best rock albums ever,
_ probably because they [A] are.
_ [F] _ _ [E] _ This Stooges thing, Down on the Street is one of my favorite songs,
and it's got the _ [Db] best groove of all time.
And then after they [Em] ask him, how does that tempo feel to you?
And then the producer says, that tempo [B] feels fucking great to me.
_ [A] _ [E] Don Gallucci says that.
And _ he's right, it's perfect. _ _ _
[B] _ _ _ _ _ _ _ _
[Em] And then this Rolling Stones album.
Actually, [E] I kind of like first songs.
I like this first [B] song, and I like my favorite on [E] this is Rock Soft as well,
which [Ab] is the first [B] song, [E] side one. _
Maybe the best song [A] _ ever by the [B] Stones.
Yeah, _ [E] super amazing.
_ _ _ And we [A] think that [Gb] the Bruce Springsteen's Unborn to Run is sort of [E] based on it,
because it has a very similar structure.
_ You think that the first two [A] verses are kind of regular,
and then the third one you scream at the top of your lungs.
[E] It even has a weird [B] middle part before the third verse.
I feel like he was structurally, _ technically influenced by it.
_ [A] _ _ _ [E] _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ _ [C] This [G] is what I have in my bag.
It's the Neil Young [C] Archives, _
[G] _ module one.
_ It's supposed to be a very _ [G] good [C] box set with [G] tons of shit.
It's _ [C] song after song in DVD after DVD.
[G] It has _ [C] a movie, a film by Neil Young.
[Am] And [C] it's supposed to be pretty [G] much everything from the [Am] start of his [C] career
to _ [G] after the Harvest Pack.
_ _ A lot of Neil Young.
Yeah, it's a lot of Neil Young.
And I've been wanting to get this for a long time.
You've been wanting [C] to get your hands on a lot of Neil Young. Yeah.
_ 63 to [G] 72. _ _
He's also a pretty productive guy, [D] so that could be a lot of stuff.
11 [Am] DVDs.
It could be.
_ [C] _ 11 DVDs in _ [G] the first 10 years.
[C] 10 years.
Good work, Neil.
[E] Here is [A] something I talked with Jerry Casal from Devo about.
It's Slade.
It was one of their favorite bands.
_ _ _ [B] I haven't listened a lot to Slade.
I listened to The Sweet and bands like that when I was a kid.
I'm going to check them out.
[C] _ Oh, [G] I got this one.
Bo Diddley is the Black Gladiator.
Where Bo Diddley in bondage [D] gear?
_ It's from 1970.
He was trying to go all _ psychedelic.
And the funny thing is he's got a [C] song here on [G] side two that's called Shut Up Woman.
[Eb] _ [C] And a couple [B] of years later he released another album [D] where he had a song on [G] it called I Said Shut Up Woman.
_ _ [C] _ [G] Maybe he kept talking for a few [C] more years.
_ [Eb] The rest of it is comedy, which is _ Mitch [E] Altogether by Mitch Hedberg.
[N] I can't floss my teeth, man.
_ _ I can't get into the flossing thing.
People who smoke cigarettes say, man, you don't know how hard it is to quit smoking.
Yes, I do.
It's as hard as it is to start flossing. _ _ _
[Eb] You seem jittery.
Yeah, I'm about to floss.
_ [Gb] Who's [B] the master of one-liners?
Not really necessarily one-liners, just sort of quirky jokes, I guess.
_ He's a big favorite. _
[E] So we're _ using these [B] driving out to the desert. _
_ [Gb] _ _ [E] So thanks again, Amoeba.
[B] _ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
I'm getting on the middle of a breakdown.
I'm trying to get on