Chords for The Hollies - Interview excerpt with Tony Hicks & Terry Sylvester
Tempo:
127.3 bpm
Chords used:
G
Gb
E
D
Eb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
Hello, that's Tony Hicks.
This is Terry Sylvester.
We're on Sounds Unlimited and we'd like to thank you for joining us.
And Donny Sutherland was on as well, was he?
[Eb] He shared his part.
He's a good fella, isn't he?
Cracker.
[Gm] Good old Donny.
[Db] I think there's one called We're Through,
which [Gb] was probably about our fourth single.
I don't know whether that's the case here, I'm speaking of England mainly.
And then we had a period of about six years
where things like Carrie [Ab]-Anne [G] and
Carrie-Anne!
A few of [Gb] us.
Which we did
I can't think of them.
Stop, stop, stop.
Stop, stop, stop.
That was it.
No, Tony McCauley.
Right.
[C] Now, that fellow, he moved [G] on to a group called 10CC, didn't [A] he?
No, that's
You're thinking of [G] Graham Goolman.
He wrote Bus Stop and Look Through Any Window.
Yeah, 10CC now.
[E] He had a great period round there [G] where he was writing those.
In fact, Bus Stop was the first worldwide hit we had.
I don't know whether we had any success here before that,
but that [E] broke in America and everywhere.
I think you had
He was really [G] hot around that time.
I think Herman [Fm] Zermich, when they were sort of being big [E] in America,
he wrote a few of their things.
Then he seemed [Ab] to go to sleep for about [A] nine or [Gb] ten years
and then he came back with a [A] bang with 10CC doing some lovely things.
[D]
[G] [D]
[Gb] Terry, the first hit that you had with the Hollies?
Soyuz Suzanne.
Nice.
That's my favourite.
[Ab] Is it? Yeah.
It was nice for me because I'd been in two groups in England,
one called the Escorts, which is a [Gm] local Liverpool group,
and those are the swinging blue jeans.
I'd never really had hits with them.
A good experience for me, though.
Then when I joined the Hollies, I had a hit at last.
I don't want to be rude, but you must have made quite a deal of money.
I [Eb] figure that [D] Dave Clark, Clive, [Eb] etc, etc,
they'd all have said, [E] we've got enough dough, now we get out.
We don't do all that much, actually.
I suppose out of a period of 12 months, we [D] work for six, seven.
What I mean is actually getting together as [Fm] a group and working in between.
There's various things which we're putting together.
But we're probably away from each other, as
This is Terry Sylvester.
We're on Sounds Unlimited and we'd like to thank you for joining us.
And Donny Sutherland was on as well, was he?
[Eb] He shared his part.
He's a good fella, isn't he?
Cracker.
[Gm] Good old Donny.
[Db] I think there's one called We're Through,
which [Gb] was probably about our fourth single.
I don't know whether that's the case here, I'm speaking of England mainly.
And then we had a period of about six years
where things like Carrie [Ab]-Anne [G] and
Carrie-Anne!
A few of [Gb] us.
Which we did
I can't think of them.
Stop, stop, stop.
Stop, stop, stop.
That was it.
No, Tony McCauley.
Right.
[C] Now, that fellow, he moved [G] on to a group called 10CC, didn't [A] he?
No, that's
You're thinking of [G] Graham Goolman.
He wrote Bus Stop and Look Through Any Window.
Yeah, 10CC now.
[E] He had a great period round there [G] where he was writing those.
In fact, Bus Stop was the first worldwide hit we had.
I don't know whether we had any success here before that,
but that [E] broke in America and everywhere.
I think you had
He was really [G] hot around that time.
I think Herman [Fm] Zermich, when they were sort of being big [E] in America,
he wrote a few of their things.
Then he seemed [Ab] to go to sleep for about [A] nine or [Gb] ten years
and then he came back with a [A] bang with 10CC doing some lovely things.
[D]
[G] [D]
[Gb] Terry, the first hit that you had with the Hollies?
Soyuz Suzanne.
Nice.
That's my favourite.
[Ab] Is it? Yeah.
It was nice for me because I'd been in two groups in England,
one called the Escorts, which is a [Gm] local Liverpool group,
and those are the swinging blue jeans.
I'd never really had hits with them.
A good experience for me, though.
Then when I joined the Hollies, I had a hit at last.
I don't want to be rude, but you must have made quite a deal of money.
I [Eb] figure that [D] Dave Clark, Clive, [Eb] etc, etc,
they'd all have said, [E] we've got enough dough, now we get out.
We don't do all that much, actually.
I suppose out of a period of 12 months, we [D] work for six, seven.
What I mean is actually getting together as [Fm] a group and working in between.
There's various things which we're putting together.
But we're probably away from each other, as
100% ➙ 127BPM
G
Gb
E
D
Eb
G
Gb
E
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Hello, that's Tony Hicks.
This is Terry Sylvester.
We're on Sounds Unlimited and we'd like to thank you for joining us.
And Donny Sutherland was on as well, was he?
[Eb] He shared his part.
He's a good fella, isn't he?
Cracker.
[Gm] Good old Donny. _ _ _ _ _
[Db] _ I think there's one called We're Through,
which [Gb] was probably about our _ _ fourth single.
I don't know whether that's the case here, I'm speaking of England mainly.
And then we had a period of about _ six years
where things like _ Carrie _ [Ab]-Anne [G] and_
Carrie-Anne!
A few of [Gb] us.
Which we did_
I can't think of them.
Stop, stop, stop.
Stop, stop, stop.
That was it.
No, Tony McCauley.
Right.
[C] Now, that fellow, he moved [G] on to a group called 10CC, didn't [A] he?
No, that's_
You're thinking of [G] Graham Goolman.
He wrote Bus Stop and Look Through Any Window.
Yeah, 10CC now.
[E] He had a great period round there [G] where he was writing those.
In fact, Bus Stop was the first _ worldwide hit we had.
I don't know whether we had any success here before that,
but that [E] broke in America and everywhere.
I think you had_
He was really [G] hot around that time.
I think Herman [Fm] Zermich, when they were sort of being big [E] in America,
he wrote a few of their things.
Then he seemed [Ab] to go to sleep for about [A] nine or [Gb] ten years
and then he came back with a [A] bang with 10CC doing some lovely things.
_ _ [D] _ _ _ _
[G] _ _ _ _ [D] _ _ _ _
[Gb] Terry, the first hit that you had with the Hollies?
Soyuz Suzanne.
Nice.
That's my favourite.
[Ab] Is it? Yeah.
It was nice for me because I'd been in two groups in England,
one called the Escorts, which is a [Gm] local Liverpool group,
and those are the swinging blue jeans.
I'd never really had hits with them.
A _ _ good experience for me, though.
Then when I joined the Hollies, I had a hit at last.
_ I don't want to be rude, but you must have made quite a deal of money.
I [Eb] figure that [D] Dave Clark, Clive, [Eb] etc, etc,
they'd all have said, [E] we've got enough dough, now we get out.
We don't do all that much, actually.
I suppose out of a period of 12 months, _ we [D] work for six, seven.
What I mean is actually getting together as [Fm] a group and working in between.
There's various things which we're putting together.
But _ we're probably away from each other, as
_ _ _ _ _ _ Hello, that's Tony Hicks.
This is Terry Sylvester.
We're on Sounds Unlimited and we'd like to thank you for joining us.
And Donny Sutherland was on as well, was he?
[Eb] He shared his part.
He's a good fella, isn't he?
Cracker.
[Gm] Good old Donny. _ _ _ _ _
[Db] _ I think there's one called We're Through,
which [Gb] was probably about our _ _ fourth single.
I don't know whether that's the case here, I'm speaking of England mainly.
And then we had a period of about _ six years
where things like _ Carrie _ [Ab]-Anne [G] and_
Carrie-Anne!
A few of [Gb] us.
Which we did_
I can't think of them.
Stop, stop, stop.
Stop, stop, stop.
That was it.
No, Tony McCauley.
Right.
[C] Now, that fellow, he moved [G] on to a group called 10CC, didn't [A] he?
No, that's_
You're thinking of [G] Graham Goolman.
He wrote Bus Stop and Look Through Any Window.
Yeah, 10CC now.
[E] He had a great period round there [G] where he was writing those.
In fact, Bus Stop was the first _ worldwide hit we had.
I don't know whether we had any success here before that,
but that [E] broke in America and everywhere.
I think you had_
He was really [G] hot around that time.
I think Herman [Fm] Zermich, when they were sort of being big [E] in America,
he wrote a few of their things.
Then he seemed [Ab] to go to sleep for about [A] nine or [Gb] ten years
and then he came back with a [A] bang with 10CC doing some lovely things.
_ _ [D] _ _ _ _
[G] _ _ _ _ [D] _ _ _ _
[Gb] Terry, the first hit that you had with the Hollies?
Soyuz Suzanne.
Nice.
That's my favourite.
[Ab] Is it? Yeah.
It was nice for me because I'd been in two groups in England,
one called the Escorts, which is a [Gm] local Liverpool group,
and those are the swinging blue jeans.
I'd never really had hits with them.
A _ _ good experience for me, though.
Then when I joined the Hollies, I had a hit at last.
_ I don't want to be rude, but you must have made quite a deal of money.
I [Eb] figure that [D] Dave Clark, Clive, [Eb] etc, etc,
they'd all have said, [E] we've got enough dough, now we get out.
We don't do all that much, actually.
I suppose out of a period of 12 months, _ we [D] work for six, seven.
What I mean is actually getting together as [Fm] a group and working in between.
There's various things which we're putting together.
But _ we're probably away from each other, as