Happy Hour Chords by The Housemartins

Tempo:
95.7 bpm
Chords used:

Bb

F

Dm

Eb

C

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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The Housemartins - Happy Hour chords
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[Bb] [Dm]
[Eb] [F] [Bb] [Dm]
[Eb] [F] [Bb] [Dm]
[Eb] I think I might [F] be happy if I was not [Bb] with them.
I'm not happy.
[Dm] Love would be [Eb] best if [F] I was with Obama and [Bb] his regime.
Whether I have to smile or be mean in a style is not up [F] with the boss.
[Bb] Whether you win or you lose, it's them who choose.
And if you [F] don't win, then you've lost.
What [Bb] a good place to be.
[Dm] Don't believe [Eb] that.
Keep your [F] phone line rings when I say we're [Bb] stuck in Irving.
[Dm] Don't believe [Eb] that.
Oh no, [F] cause we're never stuck [Bb] in Irving.
[Dm] No.
[Eb]
[F] [Bb] It's another.
[Dm] That up with the [Gm] boss.
Follow in his [F] footsteps.
Overcome the [Bb] moss and his odds meet.
[Dm] The women grow on [Eb] trees.
And if you catch a [F] market, we'll land upon the [Bb] mead.
Where they open all the wallets and we close all the mines.
And they love to buy you [F] all a drink.
[Bb] And if we ask all the questions, you take a closer look back to the [F] kitchen sink.
What [Bb] a good place to be.
[Dm] Don't believe that.
[Eb] Speak a different [F] language and it's never stuck [Bb] in Irving.
[Dm] Don't believe that.
[Eb] Oh no, [F] cause it's never stuck in [Bb] Irving.
[Dm] No.
[Eb] [F]
[Bb] [F]
[Bb] [F]
[Bb] What a good place to be.
Don't [Dm] believe that.
[Eb] Speak a [F] different language and it's never [Bb] stuck in Irving.
[Dm] Don't believe [Eb] that.
Oh no, [F] cause it's never stuck [Bb] in Irving.
[Dm] Don't believe [Eb] that.
[F] Don't believe that.
[Bb] Don't [Dm] believe [Eb]
[F] that.
[C] Suck it [Bb] out again.
[Dm] [Eb] [C] [Bb] [Dm] [Eb]
[F] [Bb] [Dm] [Eb]
[F] [Bb]
Key:  
Bb
12341111
F
134211111
Dm
2311
Eb
12341116
C
3211
Bb
12341111
F
134211111
Dm
2311
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Chords
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To learn The Housemartins - (Remastered) Happy Hour chords, your first step should be understanding these chords - Eb, F, Bb, Dm and Eb in sequence. Set your pace at 47 BPM initially and then sync up with the song's BPM of 96. Adapt the capo setting considering your vocal range, with reference to the key: F Major.

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_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Bb] _ _ [Dm] _ _
[Eb] _ _ [F] _ _ [Bb] _ _ [Dm] _ _
[Eb] _ _ [F] _ _ [Bb] _ _ [Dm] _
[Eb] I think I might [F] be happy if I was not [Bb] with them.
I'm not happy.
[Dm] Love would be [Eb] best if [F] I was with Obama and [Bb] his regime. _ _
Whether I have to smile or be mean in a style is not up [F] with the boss.
[Bb] Whether you win or you lose, it's them who choose.
And if you [F] don't win, then you've lost.
What [Bb] a good place to be.
[Dm] Don't believe [Eb] that.
Keep your [F] phone line rings when I say we're [Bb] stuck in Irving.
[Dm] Don't believe [Eb] that.
Oh no, [F] cause we're never stuck [Bb] in Irving.
[Dm] No.
_ [Eb] _ _
[F] _ [Bb] It's another.
[Dm] That up with the [Gm] boss.
Follow in his [F] footsteps.
Overcome the [Bb] moss and his odds meet.
[Dm] The women grow on [Eb] trees.
And if you catch a [F] market, we'll land upon the [Bb] mead.
_ _ Where they open all the wallets and we close all the mines.
And they love to buy you [F] all a drink.
[Bb] And if we ask all the questions, you take a closer look back to the [F] kitchen sink.
What [Bb] a good place to be.
[Dm] Don't believe that.
[Eb] Speak a different [F] language and it's never stuck [Bb] in Irving.
[Dm] Don't believe that.
[Eb] Oh no, [F] cause it's never stuck in [Bb] Irving.
[Dm] No.
_ [Eb] _ _ [F] _ _
[Bb] _ _ _ _ _ _ [F] _ _
[Bb] _ _ _ _ _ _ _ [F] _
_ [Bb] What a good place to be.
Don't [Dm] believe that.
[Eb] Speak a [F] different language and it's never [Bb] stuck in Irving.
[Dm] Don't believe [Eb] that.
Oh no, [F] cause it's never stuck [Bb] in Irving.
_ [Dm] Don't believe [Eb] that.
[F] Don't believe that.
[Bb] Don't [Dm] believe _ [Eb] _
[F] that.
[C] Suck it [Bb] out again.
_ [Dm] _ _ [Eb] _ _ [C] _ _ [Bb] _ [Dm] _ _ _ [Eb] _ _
[F] _ _ [Bb] _ [Dm] _ _ [Eb] _ _ _
[F] _ _ [Bb] _ _ _ _ _ _

Facts about this song

It's Paul Heaton and Stan Cullimore who authored this song.

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