Chords for The Making of Charlie and the Chocolate Factory Original Broadway Cast Recording

Tempo:
111.65 bpm
Chords used:

Bb

E

Eb

F

B

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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The Making of Charlie and the Chocolate Factory Original Broadway Cast Recording chords
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[E] [Bm]
[A] It feels really great to be recording the cast album [Dbm] because I've never [Gbm] recorded anything so big in [A] my life.
There's a [D] dreamlike quality to it [A] because I've been singing these songs [Dm] for such a long time.
[Gb] To be officially [Ab] recording it, it's been a thrill.
I [Db] went into the booth and I was like, okay, this is amazing.
I've got a golden ticket.
I got a golden twinkle [Bb] in my [Ab] eye.
[Eb] [Ab] Grandpa.
I love the song Golden Ticket.
When you win that golden [Ebm] ticket.
[Ab] [Fm] I've Got a Golden Ticket is actually written by Leslie [C] Bricus and Anthony Newley.
And it has a [F] little interjection of [G] something that we wrote in there.
So [Am] that's something I think we're both very [D] proud of.
[E] [Eb]
[Db] [Bb]
[Db] [G] For this cast album, we've chosen to make use of all three boys who play [A] Charlie
because they're all so good and they're all so different.
Me and the other boys [C] have our own [Gbm] version of Charlie.
[Abm] We're not just one Charlie put together and we all [Gb] do it the same.
It's interesting to [Eb] watch each kid do their own thing.
[Gb]
Oh, [C] Charlie, your father [Gb] would be so proud.
[Eb] [Ab] [B]
[Db]
[F] [Gb] [A]
[F] [A]
[F] [A]
It must be believed to be [F] seen is actually the theme of the show, because in [Ab] our version,
the factory is actually [A] in your head.
It's where blank pages [Em] live and your [Ab] imagination comes to play.
You have [B] to believe [B] it to see it.
[Eb] It must be believed to be seen because [F]
anything's possible if you [E] believe it.
[E]
[Db] [A] I've known [Gb] Morgan Scott for so many years now.
[Bm] When we were writing this, [Ab] we were all on a TV [Gbm] show.
We were [Bm] writing Charlie and the Chocolate Factory on the spare hour or two that we had.
We would say, hey, Christian, can [Ab] you kind of sing this demo?
[G] Never in a million [Eb] years thought it was leading to actually getting to do [D] the production.
[Cm]
[Gm]
[Gm] [Cm] [Gm]
[Eb]
[Bb] It's really fun working with Christian Borel.
All of his energy you can feed off [D] him and it makes me more excited.
I just lose my nerves.
He's just so great.
He's also just the most [Bb]
well [Cm]-rounded performer and well-rounded [Gm] human being, which is also.
Yeah, he's a [Cm] great company leader, which is very important in these situations.
[Cm] Golden ticket winners.
[Ab]
[Eb]
[G] Do come in.
[E]
[A] [B] [E]
[Gbm] [Gb]
[B] [Bb] Charlie Bucket invents all the stuff for his family, and that's how [G] sweet he is.
It [C] shows everyone that it [F] doesn't have to be about him.
[Bb]
[Db] He loves his [F] family, so that song really resembles him.
Charlie Bucket.
[Bb]
[F] [Bb] [F] Charlie Bucket.
[Db] Signed, Charlie [C] Bucket.
Inventor.
[Db]
[B]
When [E] we write together, [Db] usually he's chained to the piano.
[B] I have a big giant piece of [Dbm] sketch paper, like this [Gb] big,
and we [B] create a vocabulary for the character.
We actually write [Ab] a full lyric before I [E] even go to the piano,
because you can sometimes get [B] carried away with the music and start
wanting to [E] do phrases just because they're fun musically,
but it's [Eb] great to get the foundation [B] of the story
and the attitude you're trying to give to the character.
[E]
[Db] [B] [Abm]
[Dbm] [E] [Gb]
[C] [F] [Fm]
[A]
[Eb] The View From Here is [Dbm] a really great song.
Me and Christian get to do a duet together.
[Eb] It's beautiful.
[Ebm] At the end of the [E] show, after all of [Eb] the running around and all of the antics
[Ebm] and all of the comedy, the soul of [D] the whole thing for me [Db] is The View From Here.
Just a sweet, lovely duet with Charlie.
It's [Bb] very emotional.
It's [Gb] very [F] moving and satisfying to finally, after [Bb] the years [Ebm] we've been working on the show,
to [E] really reach that [C] emotional moment that we kept getting close to,
[G] but didn't have the opportunity [Ebm] until now.
[Bb]
[Eb] [F] [Gm]
[E] It's a very magical show, [Bb] so I hope people take that with [Gm] them and carry that in their heart.
The [C] message here is what Willie says to Charlie when he [Bb] gives him the keys to the factory.
I have [Eb] to give my factory to someone new, someone good [B] and honest and kind.
We do still live in [C] a world where goodness and [Bb] honesty and kindness prevails.
[F] [C] [Bb]
[C]
[Bb]
[N]
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E
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Eb
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F
134211111
B
12341112
Bb
12341111
E
2311
Eb
12341116
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_ [E] _ _ _ _ [Bm] _ _ _
_ [A] It feels really great to be recording the cast album [Dbm] because I've never [Gbm] recorded anything so big in [A] my life.
There's a [D] dreamlike quality to it [A] because I've been singing these songs [Dm] for such a long time.
[Gb] To be officially [Ab] recording it, it's been a thrill.
I [Db] went into the booth and I was like, okay, this is amazing.
I've got a golden ticket. _
_ _ _ _ I got a golden twinkle [Bb] in my [Ab] eye.
[Eb] _ [Ab] Grandpa.
I love the song Golden Ticket.
When you win that golden [Ebm] ticket.
_ [Ab] _ [Fm] I've Got a Golden Ticket is actually written by Leslie [C] Bricus and Anthony Newley.
And it has a [F] little interjection of [G] something that we wrote in there.
So [Am] that's something I think we're both very [D] proud of.
_ [E] _ _ _ _ [Eb] _ _
_ [Db] _ _ _ [Bb] _ _ _ _
[Db] _ [G] For this cast album, we've chosen to make use of all three boys who play [A] Charlie
because they're all so good and they're all so different.
Me and the other boys [C] have our own [Gbm] version of Charlie.
[Abm] We're not just one Charlie put together and we all [Gb] do it the same.
It's interesting to [Eb] watch each kid do their own thing.
_ _ [Gb] _
Oh, [C] Charlie, your father [Gb] would be so proud. _ _
_ [Eb] _ _ _ _ [Ab] _ _ [B] _
_ _ _ _ [Db] _ _ _ _
[F] _ _ [Gb] _ _ _ _ [A] _ _
_ _ [F] _ _ [A] _ _ _ _
_ _ [F] _ _ _ [A] _ _ _
_ _ It must be believed to be [F] seen is actually the theme of the show, because in [Ab] our version,
the factory is actually [A] in your head.
It's where blank pages [Em] live and your [Ab] imagination comes to play.
You have [B] to believe [B] it to see it.
[Eb] It must be believed to be seen because [F]
anything's possible if you [E] believe it.
_ _ _ _ [E] _
_ _ [Db] _ _ _ [A] I've known [Gb] Morgan Scott for so many years now.
[Bm] When we were writing this, [Ab] we were all on a TV [Gbm] show.
We were [Bm] writing Charlie and the Chocolate Factory on the spare hour or two that we had.
We would say, hey, Christian, can [Ab] you kind of sing this demo?
[G] Never in a million [Eb] years thought it was leading to actually getting to do [D] the production.
_ [Cm] _ _ _
_ [Gm] _ _ _ _ _ _ _
[Gm] _ _ _ [Cm] _ _ _ _ [Gm] _
_ [Eb] _ _ _ _ _ _
[Bb] It's really fun working with Christian Borel.
All of his energy you can feed off [D] him and it makes me more excited.
I just lose my nerves.
He's just so great.
He's also just the most [Bb]
well [Cm]-rounded performer and well-rounded [Gm] human being, which is also.
Yeah, he's a [Cm] great company leader, which is very important in these situations.
[Cm] Golden ticket winners.
_ _ _ _ [Ab] _
_ _ [Eb] _ _ _ _ _ _
_ _ [G] Do come in. _ _
_ _ [E] _ _ _ _ _ _
[A] _ _ _ [B] _ _ _ _ [E] _
_ _ _ _ [Gbm] _ _ [Gb] _ _
[B] _ [Bb] Charlie Bucket invents all the stuff for his family, and that's how [G] sweet he is.
It [C] shows everyone that it [F] doesn't have to be about him.
_ _ [Bb] _ _ _
[Db] He loves his [F] family, so that song really resembles him.
_ Charlie Bucket.
[Bb] _ _
_ [F] _ _ _ [Bb] _ _ [F] Charlie Bucket.
[Db] _ Signed, Charlie [C] Bucket. _
_ _ _ Inventor.
_ _ [Db] _
_ _ _ _ _ _ [B] _
When _ _ _ [E] we write together, [Db] usually he's chained to the piano.
[B] I have a big giant piece of [Dbm] sketch paper, like this [Gb] big,
and we [B] create a vocabulary for the character.
We actually write [Ab] a full lyric before I [E] even go to the piano,
because you can sometimes get [B] carried away with the music and start
wanting to [E] do phrases just because they're fun musically,
but it's [Eb] great to get the foundation [B] of the story
and the attitude you're trying to give to the character.
_ _ _ _ _ [E] _
_ [Db] _ _ _ _ [B] _ _ [Abm] _
_ _ [Dbm] _ _ [E] _ _ [Gb] _ _
[C] _ _ _ _ _ [F] _ _ [Fm] _
_ _ [A] _ _ _ _ _ _
[Eb] _ _ The View From Here is [Dbm] a really great song.
Me and Christian get to do a duet together.
[Eb] It's beautiful.
[Ebm] At the end of the [E] show, after all of [Eb] the running around and all of the antics
[Ebm] and all of the comedy, the soul of [D] the whole thing for me [Db] is The View From Here.
Just a sweet, lovely duet with Charlie.
It's [Bb] very emotional.
It's [Gb] very [F] moving and satisfying to finally, after [Bb] the years [Ebm] we've been working on the show,
to [E] really reach that [C] emotional moment that we kept getting close to,
[G] but didn't have the opportunity [Ebm] until now.
_ [Bb] _ _ _ _
_ [Eb] _ _ [F] _ _ _ _ [Gm] _
_ _ _ _ [E] _ _ It's a very magical show, [Bb] so I hope people take that with [Gm] them and carry that in their heart.
The [C] message here is what Willie says to Charlie when he [Bb] gives him the keys to the factory.
I have [Eb] to give my factory to someone new, someone good [B] and honest and kind.
We do still live in [C] a world where goodness and [Bb] honesty and kindness prevails.
[F] _ _ _ _ _ _ _ _ _ _ _
_ [C] _ _ _ _ _ [Bb] _ _
_ _ _ _ [C] _ _ _ _
_ _ _ _ _ [Bb] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _