Chords for The Making of Migos "Slippery" and K Camp Ft. Fetty Wap - 1Hunnid w/ OG Parker x Deko
Tempo:
89.85 bpm
Chords used:
C#m
C#
F#
A
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] Was that it?
Was that it?
[C#m] Almost.
Slippery.
Excuse me.
Please me.
Oh.
It's not that [B] low.
It starts at this C sharp.
[F#m] [C#]
[D#] [F#m]
[C#m]
[F#m] You [G#] [F#m] know, G's in the studio.
[G] [N] We wanted to get shit right.
Start off with a high hat.
[G]
Me and G could always use a cool little knock to come in between different types of sounds.
You know what I'm saying?
Switch it up.
So we got the baseball bat sound.
[C#]
[G] [F#]
[D#] I knew I just wanted to add a little [N] sound to it.
Slice it up a little bit.
You can't do that on the record.
[F#]
[D#]
[G#m] A [C#] lot of times when we're playing, I like to do the bass line.
It's more personal authority.
The other person will go in right after [G] and kind of fix it up.
[D#] But switch around notes.
So it's like this [B] part is kind of my crease and that part is kind of his crease.
So it [G] just sounds crazy overall.
[D#] So we won't get bored of it.
And then D go ahead and ride it.
Fill it out a little [N] bit.
Just start adding different sounds.
[C#m] Fill it up.
So [D#] yeah.
Just put a half-time.
[G#] Groove speed.
The same sound.
[C#] Kind of brought the whole beat [C#m] down.
Got it going down low.
[D#m] So when it [C#m] comes back up, we can take the [C#] drums out for the first part and just kind of fix it back up.
[C#m] [G#] We like getting a little fake drop.
You know what I'm saying?
Switch it up.
[F#m] [C#m]
We got a little automation going.
On the emulator.
We can change it up.
[F#] Just switch it up all the time.
So I just started with a little melody.
[G]
[A] [C#] [A]
[F#]
[A]
[C#] [A] [C#m]
[F#] [F#m]
[F#] All that tied in.
[A] [C#] We have the cat-a-bob going with the [A] snaps.
[C#m] Have it going with.
[F#] First thing to do is a little hi-hat.
[C#m] [C#] You know what I'm saying?
Pick it up.
[C#m] A little open hats.
[F#] And then we just have to like [A] drop it into the [C#]
whole thing.
808.
[A] [C#m] You want 100, so let me and you be my stoutest [F#] baby.
Got a lot of [C#m] shit to show you.
I'm going to be doing it right away today.
You know what I'm saying?
[A] I got you.
You got it.
[F#] [E] Keep it [G#m] 100, baby.
Was that it?
[C#m] Almost.
Slippery.
Excuse me.
Please me.
Oh.
It's not that [B] low.
It starts at this C sharp.
[F#m] [C#]
[D#] [F#m]
[C#m]
[F#m] You [G#] [F#m] know, G's in the studio.
[G] [N] We wanted to get shit right.
Start off with a high hat.
[G]
Me and G could always use a cool little knock to come in between different types of sounds.
You know what I'm saying?
Switch it up.
So we got the baseball bat sound.
[C#]
[G] [F#]
[D#] I knew I just wanted to add a little [N] sound to it.
Slice it up a little bit.
You can't do that on the record.
[F#]
[D#]
[G#m] A [C#] lot of times when we're playing, I like to do the bass line.
It's more personal authority.
The other person will go in right after [G] and kind of fix it up.
[D#] But switch around notes.
So it's like this [B] part is kind of my crease and that part is kind of his crease.
So it [G] just sounds crazy overall.
[D#] So we won't get bored of it.
And then D go ahead and ride it.
Fill it out a little [N] bit.
Just start adding different sounds.
[C#m] Fill it up.
So [D#] yeah.
Just put a half-time.
[G#] Groove speed.
The same sound.
[C#] Kind of brought the whole beat [C#m] down.
Got it going down low.
[D#m] So when it [C#m] comes back up, we can take the [C#] drums out for the first part and just kind of fix it back up.
[C#m] [G#] We like getting a little fake drop.
You know what I'm saying?
Switch it up.
[F#m] [C#m]
We got a little automation going.
On the emulator.
We can change it up.
[F#] Just switch it up all the time.
So I just started with a little melody.
[G]
[A] [C#] [A]
[F#]
[A]
[C#] [A] [C#m]
[F#] [F#m]
[F#] All that tied in.
[A] [C#] We have the cat-a-bob going with the [A] snaps.
[C#m] Have it going with.
[F#] First thing to do is a little hi-hat.
[C#m] [C#] You know what I'm saying?
Pick it up.
[C#m] A little open hats.
[F#] And then we just have to like [A] drop it into the [C#]
whole thing.
808.
[A] [C#m] You want 100, so let me and you be my stoutest [F#] baby.
Got a lot of [C#m] shit to show you.
I'm going to be doing it right away today.
You know what I'm saying?
[A] I got you.
You got it.
[F#] [E] Keep it [G#m] 100, baby.
Key:
C#m
C#
F#
A
G
C#m
C#
F#
_ [G] Was that it?
Was that it?
[C#m] Almost.
Slippery.
Excuse me.
Please me.
Oh.
_ It's not that [B] low.
It starts at this C sharp.
[F#m] _ _ _ [C#] _ _ _ _
_ [D#] _ _ [F#m] _ _ _ _ _
_ _ _ _ _ _ _ [C#m] _
_ _ _ _ _ _ [F#m] You _ _ [G#] _ _ [F#m] _ know, G's in the studio.
_ [G] _ _ _ _ _ [N] We wanted to get shit right.
Start off with a high hat.
[G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Me and G could always use a cool little knock to come in between different types of sounds.
You know what I'm saying?
Switch it up.
_ So we got the baseball bat sound. _ _ _
_ _ _ _ _ [C#] _ _ _
[G] _ _ _ _ _ _ _ [F#] _
_ _ _ _ _ _ _ _
[D#] I knew I just wanted to add a little [N] sound to it.
Slice it up a little bit.
You can't do that on the record.
_ _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ [D#] _
_ _ _ _ _ [G#m] _ A [C#] lot of times when we're playing, I like to do the bass line.
It's more personal authority.
The other person will go in right after [G] and kind of fix it up.
[D#] But switch around notes.
So it's like this [B] part is kind of my crease and that part is kind of his crease.
So it [G] just sounds crazy overall.
[D#] So we won't get bored of it.
And then D go ahead and ride it.
Fill it out a little [N] bit.
Just start adding different sounds.
[C#m] Fill it up. _ _
So [D#] yeah.
Just put a half-time.
[G#] Groove speed.
The same sound.
[C#] Kind of brought the whole beat [C#m] down.
Got it going down low.
[D#m] So when it [C#m] comes back up, we can take the _ [C#] drums out for the first part and just kind of fix it back up.
_ _ [C#m] _ _ _ [G#] We like getting a little fake drop.
You know what I'm saying?
Switch it up.
[F#m] _ _ [C#m] _
_ We got a little automation going.
On the emulator.
We can change it up. _ _ _ _ _
[F#] _ Just switch it up all the time.
So I just started with a little melody. _
_ [G] _ _ _ _ _ _ _
[A] _ _ [C#] _ _ _ _ [A] _ _
_ _ _ [F#] _ _ _ _ _
_ _ _ [A] _ _ _ _ _
[C#] _ _ _ [A] _ _ [C#m] _ _ _
_ _ [F#] _ _ [F#m] _ _ _ _
_ _ _ [F#] _ All that tied in.
_ _ _ [A] _ _ [C#] We have the cat-a-bob going with the [A] snaps.
_ [C#m] Have it going with. _ _
[F#] _ First thing to do is a little hi-hat.
[C#m] _ [C#] You know what I'm saying?
Pick it up.
[C#m] A little open hats. _ _
[F#] And then we just have to like [A] _ drop it into the [C#]
whole thing.
808.
[A] _ _ [C#m] _ You want 100, so let me and you be my stoutest [F#] baby.
Got a lot of [C#m] shit to show you.
I'm going to be doing it right away today.
You know what I'm saying?
[A] I got you.
You got it. _
[F#] _ _ _ [E] _ _ Keep it [G#m] 100, baby.
Was that it?
[C#m] Almost.
Slippery.
Excuse me.
Please me.
Oh.
_ It's not that [B] low.
It starts at this C sharp.
[F#m] _ _ _ [C#] _ _ _ _
_ [D#] _ _ [F#m] _ _ _ _ _
_ _ _ _ _ _ _ [C#m] _
_ _ _ _ _ _ [F#m] You _ _ [G#] _ _ [F#m] _ know, G's in the studio.
_ [G] _ _ _ _ _ [N] We wanted to get shit right.
Start off with a high hat.
[G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Me and G could always use a cool little knock to come in between different types of sounds.
You know what I'm saying?
Switch it up.
_ So we got the baseball bat sound. _ _ _
_ _ _ _ _ [C#] _ _ _
[G] _ _ _ _ _ _ _ [F#] _
_ _ _ _ _ _ _ _
[D#] I knew I just wanted to add a little [N] sound to it.
Slice it up a little bit.
You can't do that on the record.
_ _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ [D#] _
_ _ _ _ _ [G#m] _ A [C#] lot of times when we're playing, I like to do the bass line.
It's more personal authority.
The other person will go in right after [G] and kind of fix it up.
[D#] But switch around notes.
So it's like this [B] part is kind of my crease and that part is kind of his crease.
So it [G] just sounds crazy overall.
[D#] So we won't get bored of it.
And then D go ahead and ride it.
Fill it out a little [N] bit.
Just start adding different sounds.
[C#m] Fill it up. _ _
So [D#] yeah.
Just put a half-time.
[G#] Groove speed.
The same sound.
[C#] Kind of brought the whole beat [C#m] down.
Got it going down low.
[D#m] So when it [C#m] comes back up, we can take the _ [C#] drums out for the first part and just kind of fix it back up.
_ _ [C#m] _ _ _ [G#] We like getting a little fake drop.
You know what I'm saying?
Switch it up.
[F#m] _ _ [C#m] _
_ We got a little automation going.
On the emulator.
We can change it up. _ _ _ _ _
[F#] _ Just switch it up all the time.
So I just started with a little melody. _
_ [G] _ _ _ _ _ _ _
[A] _ _ [C#] _ _ _ _ [A] _ _
_ _ _ [F#] _ _ _ _ _
_ _ _ [A] _ _ _ _ _
[C#] _ _ _ [A] _ _ [C#m] _ _ _
_ _ [F#] _ _ [F#m] _ _ _ _
_ _ _ [F#] _ All that tied in.
_ _ _ [A] _ _ [C#] We have the cat-a-bob going with the [A] snaps.
_ [C#m] Have it going with. _ _
[F#] _ First thing to do is a little hi-hat.
[C#m] _ [C#] You know what I'm saying?
Pick it up.
[C#m] A little open hats. _ _
[F#] And then we just have to like [A] _ drop it into the [C#]
whole thing.
808.
[A] _ _ [C#m] _ You want 100, so let me and you be my stoutest [F#] baby.
Got a lot of [C#m] shit to show you.
I'm going to be doing it right away today.
You know what I'm saying?
[A] I got you.
You got it. _
[F#] _ _ _ [E] _ _ Keep it [G#m] 100, baby.