Chords for The New York Hardcore Chronicles 10 Questions w/ Brian "Mitts" Daniels (Madball / Skarhead)
Tempo:
125.5 bpm
Chords used:
G
D
B
Ab
Abm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] [B]
[Ab]
I gotta say Agnostic Front at CB's in 85 [N] or 80 no wait a minute it was 87 so
Agnostic Front at CBGB's in 87.
Instead of saying a slam dancer to pick one
particular person I'm gonna go with a band and say that when I was a kid the
band that [Ab] you didn't go in the pit unless you were [N] unless you were you had
your big boy pants on was Sheer Terror that was a different pit than all the
other pits that for [G] every other show I ever went to [Abm] the one that you really
you weren't going in [N] there unless you were prepared for it was Sheer Terror
because that's that was some of the first real hard dancing that you started
to see in the scene before that it was a lot of push mosh and skank and stuff
like that Sheer Terror was some serious danger.
The craziest show I ever saw I
saw the Cro-Mags play at LeMoire out in Brooklyn and it was it wasn't the
original five guys from the record it was just after Mackie left and Petey
Petey was playing drums and they I remember them coming on stage and taking
forever to get set up and Harley just kind of walking out and just talking to
the crowd as they're getting set up and then they finally kicked in and John you
didn't see John anywhere and the minute they kicked into the first note John
came from backstage and did a double flip or how many flips in the air went
face-first into the crowd and it just it was like you know you talk about
shows and there's a pit there was no pit at the show it was from the edge of the
stage to the back bar for the entire show just bedlam.
One of the one of the
nights of the Rangers in the Stanley Cup in 94 was that legendary Roseland show
when everybody played with Biohazard there was a Crown of Thorns, Sub-Zero,
Madball everybody played that show and I couldn't go to that because I was at the
Ranger game.
As a guitar player playing what as a musician I was influenced by
metal stuff so like Iron Maiden, Black Sabbath, Judas Priest and that kind of
stuff.
As a hardcore player I was a bass player before I was a guitar player and
when I started to move over to more guitar just on my own before I was
playing with with Ezek or with with Madball or anything I started just
playing along to the records so I started playing along to like Sick of
it All records, Madball records, any of the old like Crumbsuckers, Chro-Mags all
that stuff is what I just got my right hand up to speed playing hardcore with.
So three guitar players AJ, Leeway, probably Paris and Doug you know the duo
of them from the Chro-Mags and whoever was in Agnostic Front at the time you
know up from from the older guys from Vinny obviously being the first and
going up to Matty you know at that point.
Sure I think anything where they're not
spoiled like you got Eastern Europe you've got South America the places where
bands don't get as often as the other areas you know we're [D] spoiled here in the
States [B] because there's there's six seven shows every week [C] so people don't it's
not special to people I [G] think a lot of times unless your favorite band comes
but you [Bb] go to Eastern Europe and those those people they don't get [G] bands coming
through that often [Gb] so when they do they go bananas.
Mitz came from Lou DiBella from Sub-Zero.
I in the 90s in the early 90s I worked
in a recording studio and [N] at nighttime when they would when there'd be no
session in the room they'd let you bring a project in so long as they kind of
looked the other way and I was doing a demo for Sub-Zero kind of engineering
producing working with them and me and Richie Kenan their guitar player were
[E] getting into a very creative argument over how a guitar part should be played
and so Richie would play how he wanted it and I'd take the guitar and I'd play
how I wanted it and kept going back and forth and losing the other corner of the
room and I hear him pipe up after a minute he goes look at how he always got
to get his mitts on the guitar he's always got to get his [N] mitts on that guitar
[Ab]
I gotta say Agnostic Front at CB's in 85 [N] or 80 no wait a minute it was 87 so
Agnostic Front at CBGB's in 87.
Instead of saying a slam dancer to pick one
particular person I'm gonna go with a band and say that when I was a kid the
band that [Ab] you didn't go in the pit unless you were [N] unless you were you had
your big boy pants on was Sheer Terror that was a different pit than all the
other pits that for [G] every other show I ever went to [Abm] the one that you really
you weren't going in [N] there unless you were prepared for it was Sheer Terror
because that's that was some of the first real hard dancing that you started
to see in the scene before that it was a lot of push mosh and skank and stuff
like that Sheer Terror was some serious danger.
The craziest show I ever saw I
saw the Cro-Mags play at LeMoire out in Brooklyn and it was it wasn't the
original five guys from the record it was just after Mackie left and Petey
Petey was playing drums and they I remember them coming on stage and taking
forever to get set up and Harley just kind of walking out and just talking to
the crowd as they're getting set up and then they finally kicked in and John you
didn't see John anywhere and the minute they kicked into the first note John
came from backstage and did a double flip or how many flips in the air went
face-first into the crowd and it just it was like you know you talk about
shows and there's a pit there was no pit at the show it was from the edge of the
stage to the back bar for the entire show just bedlam.
One of the one of the
nights of the Rangers in the Stanley Cup in 94 was that legendary Roseland show
when everybody played with Biohazard there was a Crown of Thorns, Sub-Zero,
Madball everybody played that show and I couldn't go to that because I was at the
Ranger game.
As a guitar player playing what as a musician I was influenced by
metal stuff so like Iron Maiden, Black Sabbath, Judas Priest and that kind of
stuff.
As a hardcore player I was a bass player before I was a guitar player and
when I started to move over to more guitar just on my own before I was
playing with with Ezek or with with Madball or anything I started just
playing along to the records so I started playing along to like Sick of
it All records, Madball records, any of the old like Crumbsuckers, Chro-Mags all
that stuff is what I just got my right hand up to speed playing hardcore with.
So three guitar players AJ, Leeway, probably Paris and Doug you know the duo
of them from the Chro-Mags and whoever was in Agnostic Front at the time you
know up from from the older guys from Vinny obviously being the first and
going up to Matty you know at that point.
Sure I think anything where they're not
spoiled like you got Eastern Europe you've got South America the places where
bands don't get as often as the other areas you know we're [D] spoiled here in the
States [B] because there's there's six seven shows every week [C] so people don't it's
not special to people I [G] think a lot of times unless your favorite band comes
but you [Bb] go to Eastern Europe and those those people they don't get [G] bands coming
through that often [Gb] so when they do they go bananas.
Mitz came from Lou DiBella from Sub-Zero.
I in the 90s in the early 90s I worked
in a recording studio and [N] at nighttime when they would when there'd be no
session in the room they'd let you bring a project in so long as they kind of
looked the other way and I was doing a demo for Sub-Zero kind of engineering
producing working with them and me and Richie Kenan their guitar player were
[E] getting into a very creative argument over how a guitar part should be played
and so Richie would play how he wanted it and I'd take the guitar and I'd play
how I wanted it and kept going back and forth and losing the other corner of the
room and I hear him pipe up after a minute he goes look at how he always got
to get his mitts on the guitar he's always got to get his [N] mitts on that guitar
Key:
G
D
B
Ab
Abm
G
D
B
_ _ _ [D] _ [B] _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ [Ab] _
_ _ _ _ I gotta say Agnostic Front at CB's in _ 85 [N] or 80 no wait a minute it was 87 so
Agnostic Front at CBGB's in 87. _
_ _ _ _ _ _
_ _ Instead of saying a slam dancer to pick one
particular person I'm gonna go with a band and say that when I was a kid the
band that [Ab] you didn't go in the pit unless you were [N] unless you were you had
your big boy pants on was Sheer Terror that was a different pit than all the
other pits that for [G] every other show I ever went to [Abm] the one that you really
you weren't going in [N] there unless you were prepared for it was Sheer Terror
because that's that was some of the first real hard dancing that you started
to see in the scene before that it was a lot of push mosh and skank and stuff
like that Sheer Terror was some serious danger. _ _
_ _ _ _ _ _
_ _ _ The craziest show I ever saw I
saw the Cro-Mags play at LeMoire out in Brooklyn and it was it wasn't the
original five guys from the record it was just after Mackie left and Petey
Petey was playing drums and _ they I remember them coming on stage and taking
forever to get set up and Harley just kind of walking out and just talking to
the crowd as they're getting set up and then they finally kicked in and John you
didn't see John anywhere and the minute they kicked into the first note John
came from backstage and did a double flip or how many flips in the air went
face-first into the crowd and it just it was like you know you talk about
shows and there's a pit there was no pit at the show it was from the edge of the
stage to the back bar for the entire show just bedlam. _ _ _
_ _ _ _ _ _
One of the one of the
nights of the Rangers in the Stanley Cup in 94 was that legendary Roseland show
when everybody played with Biohazard there was a Crown of Thorns, Sub-Zero,
Madball _ everybody played that show and I couldn't go to that because I was at the
Ranger game. _
_ _ _ _ _ _
_ _ _ _ _
As a guitar player playing what as a musician I was influenced by
metal stuff so like Iron Maiden, Black Sabbath, _ Judas Priest and that kind of
stuff.
As a hardcore player _ _ I was a bass player before I was a guitar player and
when I started to move over to more guitar just on my own before I was
playing with with Ezek or with with Madball or anything I started just
playing along to the records so I started playing along to like Sick of
it All records, Madball records, _ any of the old like Crumbsuckers, Chro-Mags all
that stuff is what I just got my right hand up to speed playing hardcore with.
So three guitar players _ AJ, Leeway, _ _ _ probably Paris and Doug you know the duo
of them from the Chro-Mags and _ _ whoever _ was in Agnostic Front at the time you
know up from from the older guys from Vinny obviously being the first and
going up to Matty you know at that point. _ _
_ _ _ _ _ _
_ _ _ _ Sure I think anything _ where they're not
spoiled like you got Eastern Europe you've got South America the places where
bands don't get as often as the other areas you know we're [D] spoiled here in the
States [B] because there's there's six seven shows every week [C] so people don't it's
not special to people I [G] think a lot of times unless your favorite band comes
but you [Bb] go to Eastern Europe and those those people they don't get [G] bands coming
through that often [Gb] so when they do they go bananas. _ _
_ _ _ _ _ _
_ Mitz came from Lou DiBella from Sub-Zero.
_ _ I in the 90s in the early 90s I worked
in a recording studio and [N] at nighttime when they would when there'd be no
session in the room they'd let you bring a project in so long as they kind of
looked the other way and I was doing a demo for Sub-Zero kind of engineering
producing working with them and me and Richie Kenan their guitar player were
[E] getting into a very creative argument over how a guitar part should be played
and so Richie would play how he wanted it and I'd take the guitar and I'd play
how I wanted it and kept going back and forth and losing the other corner of the
room and I hear him pipe up after a minute he goes look at how he always got
to get his mitts on the guitar he's always got to get his [N] mitts on that guitar _
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_ _ _ _ _ [Ab] _
_ _ _ _ I gotta say Agnostic Front at CB's in _ 85 [N] or 80 no wait a minute it was 87 so
Agnostic Front at CBGB's in 87. _
_ _ _ _ _ _
_ _ Instead of saying a slam dancer to pick one
particular person I'm gonna go with a band and say that when I was a kid the
band that [Ab] you didn't go in the pit unless you were [N] unless you were you had
your big boy pants on was Sheer Terror that was a different pit than all the
other pits that for [G] every other show I ever went to [Abm] the one that you really
you weren't going in [N] there unless you were prepared for it was Sheer Terror
because that's that was some of the first real hard dancing that you started
to see in the scene before that it was a lot of push mosh and skank and stuff
like that Sheer Terror was some serious danger. _ _
_ _ _ _ _ _
_ _ _ The craziest show I ever saw I
saw the Cro-Mags play at LeMoire out in Brooklyn and it was it wasn't the
original five guys from the record it was just after Mackie left and Petey
Petey was playing drums and _ they I remember them coming on stage and taking
forever to get set up and Harley just kind of walking out and just talking to
the crowd as they're getting set up and then they finally kicked in and John you
didn't see John anywhere and the minute they kicked into the first note John
came from backstage and did a double flip or how many flips in the air went
face-first into the crowd and it just it was like you know you talk about
shows and there's a pit there was no pit at the show it was from the edge of the
stage to the back bar for the entire show just bedlam. _ _ _
_ _ _ _ _ _
One of the one of the
nights of the Rangers in the Stanley Cup in 94 was that legendary Roseland show
when everybody played with Biohazard there was a Crown of Thorns, Sub-Zero,
Madball _ everybody played that show and I couldn't go to that because I was at the
Ranger game. _
_ _ _ _ _ _
_ _ _ _ _
As a guitar player playing what as a musician I was influenced by
metal stuff so like Iron Maiden, Black Sabbath, _ Judas Priest and that kind of
stuff.
As a hardcore player _ _ I was a bass player before I was a guitar player and
when I started to move over to more guitar just on my own before I was
playing with with Ezek or with with Madball or anything I started just
playing along to the records so I started playing along to like Sick of
it All records, Madball records, _ any of the old like Crumbsuckers, Chro-Mags all
that stuff is what I just got my right hand up to speed playing hardcore with.
So three guitar players _ AJ, Leeway, _ _ _ probably Paris and Doug you know the duo
of them from the Chro-Mags and _ _ whoever _ was in Agnostic Front at the time you
know up from from the older guys from Vinny obviously being the first and
going up to Matty you know at that point. _ _
_ _ _ _ _ _
_ _ _ _ Sure I think anything _ where they're not
spoiled like you got Eastern Europe you've got South America the places where
bands don't get as often as the other areas you know we're [D] spoiled here in the
States [B] because there's there's six seven shows every week [C] so people don't it's
not special to people I [G] think a lot of times unless your favorite band comes
but you [Bb] go to Eastern Europe and those those people they don't get [G] bands coming
through that often [Gb] so when they do they go bananas. _ _
_ _ _ _ _ _
_ Mitz came from Lou DiBella from Sub-Zero.
_ _ I in the 90s in the early 90s I worked
in a recording studio and [N] at nighttime when they would when there'd be no
session in the room they'd let you bring a project in so long as they kind of
looked the other way and I was doing a demo for Sub-Zero kind of engineering
producing working with them and me and Richie Kenan their guitar player were
[E] getting into a very creative argument over how a guitar part should be played
and so Richie would play how he wanted it and I'd take the guitar and I'd play
how I wanted it and kept going back and forth and losing the other corner of the
room and I hear him pipe up after a minute he goes look at how he always got
to get his mitts on the guitar he's always got to get his [N] mitts on that guitar _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
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