Chords for The Ozone - Bee Gees Play Crazy Golf
Tempo:
102.5 bpm
Chords used:
F#
F#m
B
A
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
When top pop stars reach that certain [B] level of megastardom and spend half their time in sunny acclaims,
they [N] like nothing better than a good [F#m] afternoon relaxing on the golf course.
[F#] So when the Bee Gees asked if they could [F#] appear on the Ozone, we thought, have we got an afternoon that you'll remember.
[B] Not quite the shot you had before.
Don't you understand how important that moment was?
It may be an important part, but excuse me, but where are your plus [F#] fours?
I beg your pardon?
In my coat.
Oh, I'm wearing them under the [B] hat.
I thought you might prepare for the occasion.
Well, were you not questioned by the police [F#m] on the way here today?
Put it this way, they get a few strange looks.
When we thought about [A#m] the Bee Gees and we thought we were going to have them on the Ozone,
golf seemed to spring to mind.
I mean, did it not for you?
[F#] I'm sure it did.
I can just imagine you all in the office thinking, Bee Gees, golf.
That's what it is.
And you all rushed out in different directions to sort of get [A] the acquired stuff.
In your case, you went straight to wardrobe.
Exactly.
So here we [G#] are, yeah.
I [B] love the outfit.
But it's not like we're not enjoying ourselves, you [F#] know.
It's just this is the wrong iron for me.
[F#m]
[C#m] Well, here we are, chaps.
We're [F#m] pondering the second hole here.
This looks like it could be [G#] an interesting strategy to hole this one, I think, in one.
Yes.
Because there are [F#m] some definite obstacles in the way, as [E] we'll see in a moment.
[F#m] Pyramid-shaped obstacles here.
Ancient Egyptian holes.
[C#] I must ask you, you've all got [B] children, right?
Yes.
How do you explain to them how famous you are?
We just tell them we're very famous.
And they go, shut up, [Bm] Dan.
[F#m] Let's have a cup of tea.
No, no.
Actually, no, they don't really think of it that way.
Even at school, they don't.
You know, [G#] when some of the kids would say, you know, like,
I saw your dad on the TV [A] or something like [F#] that.
And he goes, oh, yeah, he's always doing that.
Then they're so used to being [G#] with dad.
Dad is not [G] a star [F#m] or a pop star or anything like that.
He's just dad.
Yeah.
[F#] There have been the Osmonds and the Jacksons who have [F#m] been
[C#m] Other sort of family-oriented groups.
Yes.
They've [C#] not managed to stay together, but you have.
So what's the secret behind the Bee Gees staying together for such a long time?
I think our sense of humor.
There's not as many of us.
Yeah, well, it's only
I think that's definitely a factor, because if there's too many,
[F#m] you do have a lot of conflict.
You have a lot of brothers in a group, you know.
[B] With us three, we find it easy to work things out rather quickly,
because [F#] there's only three of us.
Right.
But if there was, like, five or six or [F#m] seven,
I think that's why you have these groups splintering.
We've been making music all our lives,
so we're sort of musical colleagues as well, you know, not just brothers.
We're also, before anything else, songwriters.
And I [B] think the other group that you're talking about,
their core work is not songwriting.
The Osmonds were a singing group,
and the [B] Jacksons are basically a singing group, yeah.
But [G] we have one common factor, and that is that we write [C] songs.
Would you please keep that [C#] noise down?
Yes, thank you.
[F#m] Staying alive, feeling silly,
Breaking and everybody shaking,
I'm just staying alive, staying alive,
Staying alive, staying alive.
[E] [F#] Staying alive, staying alive. LAUGHTER
[C#] Who's got the highest-pitched [F#] voice?
Who can go the [G#] furthest?
I guess it's me, yeah.
Yeah, I guess Barry [C#] and
It's like, yeah, Robin, too.
I've got a high voice.
We've all got sort of a similar range,
but the falsetto range is much higher with Barry and Robin.
Mm.
You know, [E] but normally in high harmonies or three-part harmony,
I sometimes take the high harmony
or sometimes below the [F#] middle or the melody harmony.
And then [F] Robin may take a high harmony,
[G#] but never the falsetto.
[C#] They're the falsetto experience.
[F]
LAUGHTER
We are searchers of the truth.
[G] Every man's a boy, every girl.
Got to say it, how you mean it.
Fill the night
[G] Yes, you've guessed it.
It's the world-famous Bee Gees,
who have sold more records than any other group called the Bee Gees
in the entire history of the world.
Since, obviously, the 70s [Em] days,
when [E] all the flares were in everything else,
many years afterwards, people like Kenny [C] Everett
or various other comedians would lampoon. Oh, yeah.
What were your [D] reactions to that?
Oh, we were knocked out.
I mean, it's [Am] nice to get
And, yeah, [C] especially Kenny, who's a good mate as well.
So it was for him to do that [E] impression, if you like.
But he didn't just do it to us, he did it to lots of people.
[D] Oh, yeah, he did it to lots of [N] people.
They always say you're flasher, you know, when people can impersonate you.
You know, it's flasher.
There's some things we didn't particularly like.
[D#] Like the song that the Heebie Jeebies did,
it was [F#] called Meaningless Song, felt a little bit, you know, spicy,
because we don't think our songs [D#] are meaningless.
But the impression was very good.
We [A] thought it was very clever.
[C#m]
[F#m] [D] [A] [C#m]
[D] Well, this is the last hole.
[B] This is the last hole, OK.
I'm [C#m] afraid to say, because I know you [F#] looked excited all the [D] way round me.
No, no, [A] and I must [G#] ask you, Robin, [Bm] to step up first.
Oh, try the volcano.
OK.
Try your luck.
[A] Try my luck.
Oh, [C#] very clever indeed.
Barry.
Barry.
Will do.
[D#] Oh.
[C] Oh.
[B] [A] [F#m]
[B] [C#m] Oh.
[G]
He's the county.
You watch [C] the whole thing, Gary, you watch.
[Bm]
[G] You've been [D] practising.
[F#] You've been practising before we got here.
This is a practice game, you know.
This is fixed.
This is [A] fixed.
You've never [F] fixed anything on the open.
I saw the volcano move when he hit the [C] ball.
Well, chaps, it must have been the plus fours that did it,
because I'm the only one to take the ball from the hole.
And the best [A] man won.
Yes, I said.
Thank you very much. [D] Congratulations.
Thank you very much indeed.
Well done.
A super gentlemanly game of [A] golf.
Thank you, sir.
It was [F#] fabulous.
Same time tomorrow?
Absolutely.
[B] Nine holes tomorrow.
Nine.
That would be nice.
they [N] like nothing better than a good [F#m] afternoon relaxing on the golf course.
[F#] So when the Bee Gees asked if they could [F#] appear on the Ozone, we thought, have we got an afternoon that you'll remember.
[B] Not quite the shot you had before.
Don't you understand how important that moment was?
It may be an important part, but excuse me, but where are your plus [F#] fours?
I beg your pardon?
In my coat.
Oh, I'm wearing them under the [B] hat.
I thought you might prepare for the occasion.
Well, were you not questioned by the police [F#m] on the way here today?
Put it this way, they get a few strange looks.
When we thought about [A#m] the Bee Gees and we thought we were going to have them on the Ozone,
golf seemed to spring to mind.
I mean, did it not for you?
[F#] I'm sure it did.
I can just imagine you all in the office thinking, Bee Gees, golf.
That's what it is.
And you all rushed out in different directions to sort of get [A] the acquired stuff.
In your case, you went straight to wardrobe.
Exactly.
So here we [G#] are, yeah.
I [B] love the outfit.
But it's not like we're not enjoying ourselves, you [F#] know.
It's just this is the wrong iron for me.
[F#m]
[C#m] Well, here we are, chaps.
We're [F#m] pondering the second hole here.
This looks like it could be [G#] an interesting strategy to hole this one, I think, in one.
Yes.
Because there are [F#m] some definite obstacles in the way, as [E] we'll see in a moment.
[F#m] Pyramid-shaped obstacles here.
Ancient Egyptian holes.
[C#] I must ask you, you've all got [B] children, right?
Yes.
How do you explain to them how famous you are?
We just tell them we're very famous.
And they go, shut up, [Bm] Dan.
[F#m] Let's have a cup of tea.
No, no.
Actually, no, they don't really think of it that way.
Even at school, they don't.
You know, [G#] when some of the kids would say, you know, like,
I saw your dad on the TV [A] or something like [F#] that.
And he goes, oh, yeah, he's always doing that.
Then they're so used to being [G#] with dad.
Dad is not [G] a star [F#m] or a pop star or anything like that.
He's just dad.
Yeah.
[F#] There have been the Osmonds and the Jacksons who have [F#m] been
[C#m] Other sort of family-oriented groups.
Yes.
They've [C#] not managed to stay together, but you have.
So what's the secret behind the Bee Gees staying together for such a long time?
I think our sense of humor.
There's not as many of us.
Yeah, well, it's only
I think that's definitely a factor, because if there's too many,
[F#m] you do have a lot of conflict.
You have a lot of brothers in a group, you know.
[B] With us three, we find it easy to work things out rather quickly,
because [F#] there's only three of us.
Right.
But if there was, like, five or six or [F#m] seven,
I think that's why you have these groups splintering.
We've been making music all our lives,
so we're sort of musical colleagues as well, you know, not just brothers.
We're also, before anything else, songwriters.
And I [B] think the other group that you're talking about,
their core work is not songwriting.
The Osmonds were a singing group,
and the [B] Jacksons are basically a singing group, yeah.
But [G] we have one common factor, and that is that we write [C] songs.
Would you please keep that [C#] noise down?
Yes, thank you.
[F#m] Staying alive, feeling silly,
Breaking and everybody shaking,
I'm just staying alive, staying alive,
Staying alive, staying alive.
[E] [F#] Staying alive, staying alive. LAUGHTER
[C#] Who's got the highest-pitched [F#] voice?
Who can go the [G#] furthest?
I guess it's me, yeah.
Yeah, I guess Barry [C#] and
It's like, yeah, Robin, too.
I've got a high voice.
We've all got sort of a similar range,
but the falsetto range is much higher with Barry and Robin.
Mm.
You know, [E] but normally in high harmonies or three-part harmony,
I sometimes take the high harmony
or sometimes below the [F#] middle or the melody harmony.
And then [F] Robin may take a high harmony,
[G#] but never the falsetto.
[C#] They're the falsetto experience.
[F]
LAUGHTER
We are searchers of the truth.
[G] Every man's a boy, every girl.
Got to say it, how you mean it.
Fill the night
[G] Yes, you've guessed it.
It's the world-famous Bee Gees,
who have sold more records than any other group called the Bee Gees
in the entire history of the world.
Since, obviously, the 70s [Em] days,
when [E] all the flares were in everything else,
many years afterwards, people like Kenny [C] Everett
or various other comedians would lampoon. Oh, yeah.
What were your [D] reactions to that?
Oh, we were knocked out.
I mean, it's [Am] nice to get
And, yeah, [C] especially Kenny, who's a good mate as well.
So it was for him to do that [E] impression, if you like.
But he didn't just do it to us, he did it to lots of people.
[D] Oh, yeah, he did it to lots of [N] people.
They always say you're flasher, you know, when people can impersonate you.
You know, it's flasher.
There's some things we didn't particularly like.
[D#] Like the song that the Heebie Jeebies did,
it was [F#] called Meaningless Song, felt a little bit, you know, spicy,
because we don't think our songs [D#] are meaningless.
But the impression was very good.
We [A] thought it was very clever.
[C#m]
[F#m] [D] [A] [C#m]
[D] Well, this is the last hole.
[B] This is the last hole, OK.
I'm [C#m] afraid to say, because I know you [F#] looked excited all the [D] way round me.
No, no, [A] and I must [G#] ask you, Robin, [Bm] to step up first.
Oh, try the volcano.
OK.
Try your luck.
[A] Try my luck.
Oh, [C#] very clever indeed.
Barry.
Barry.
Will do.
[D#] Oh.
[C] Oh.
[B] [A] [F#m]
[B] [C#m] Oh.
[G]
He's the county.
You watch [C] the whole thing, Gary, you watch.
[Bm]
[G] You've been [D] practising.
[F#] You've been practising before we got here.
This is a practice game, you know.
This is fixed.
This is [A] fixed.
You've never [F] fixed anything on the open.
I saw the volcano move when he hit the [C] ball.
Well, chaps, it must have been the plus fours that did it,
because I'm the only one to take the ball from the hole.
And the best [A] man won.
Yes, I said.
Thank you very much. [D] Congratulations.
Thank you very much indeed.
Well done.
A super gentlemanly game of [A] golf.
Thank you, sir.
It was [F#] fabulous.
Same time tomorrow?
Absolutely.
[B] Nine holes tomorrow.
Nine.
That would be nice.
Key:
F#
F#m
B
A
G#
F#
F#m
B
_ _ When top pop stars reach that certain [B] level of megastardom and spend half their time in sunny acclaims,
they [N] like nothing better than a good [F#m] afternoon relaxing on the golf course.
[F#] So when the Bee Gees asked if they could [F#] appear on the Ozone, we thought, have we got an afternoon that you'll remember.
[B] Not quite the shot you had before.
Don't you understand how important that moment was?
It may be an important part, but excuse me, but where are your plus [F#] fours?
I beg your pardon?
In my coat.
Oh, I'm wearing them under the [B] hat. _
I thought you might prepare for the occasion.
Well, were you not questioned by the police [F#m] on the way here today?
Put it this way, they get a few strange looks.
When we thought about [A#m] the Bee Gees and we thought we were going to have them on the Ozone,
golf seemed to spring to mind.
I mean, did it not for you?
[F#] I'm sure it did.
I can just imagine you all in the office thinking, Bee Gees, golf.
That's what it is.
And you all rushed out in different directions to sort of get [A] the acquired stuff.
In your case, you went straight to wardrobe.
Exactly.
_ So here we [G#] are, yeah.
I [B] love the outfit.
But it's not like we're not enjoying ourselves, you [F#] know.
It's just this is the wrong iron for me.
[F#m] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C#m] _ _ Well, here we are, chaps.
We're [F#m] pondering the second hole here.
This looks like it could be [G#] an interesting strategy to hole this one, I think, in one.
Yes.
Because there are [F#m] some definite obstacles in the way, as [E] we'll see in a moment.
[F#m] Pyramid-shaped obstacles here.
Ancient Egyptian holes.
[C#] I must ask you, you've all got [B] children, right?
Yes.
How do you explain to them how famous you are?
We just tell them we're very famous. _
_ And they go, shut up, [Bm] Dan.
[F#m] Let's have a cup of tea.
No, no.
Actually, no, they don't really think of it that way.
Even at school, they don't.
You know, [G#] when some of the kids would say, you know, like,
I saw your dad on the TV [A] or something like [F#] that.
And he goes, oh, yeah, he's always doing that.
Then they're so used to being [G#] with dad.
Dad is not [G] a star [F#m] or a pop star or anything like that.
He's just dad.
Yeah.
[F#] There have been the Osmonds and the Jacksons who have [F#m] been_
[C#m] Other sort of family-oriented groups.
Yes.
They've [C#] not managed to stay together, but you have.
So what's the secret behind the Bee Gees staying together for such a long time?
I think our sense of humor.
_ There's not as many of us.
Yeah, well, it's only_
I think that's definitely a factor, because if there's too many,
[F#m] you do have a lot of conflict.
You have a lot of brothers in a group, you know.
[B] With us three, we find it easy to work things out rather quickly,
because [F#] there's only three of us.
Right.
But if there was, like, five or six or [F#m] seven,
I think that's why you have these groups splintering.
We've been making music all our lives,
so we're sort of musical colleagues as well, you know, not just brothers.
We're also, before anything else, songwriters.
And I [B] think the other group that you're talking about,
their core work is not songwriting.
The Osmonds were a singing group,
and the [B] Jacksons are basically a singing group, yeah.
But [G] we have one common factor, and that is that we write [C] songs.
Would you please keep that [C#] noise down?
Yes, thank you.
[F#m] _ Staying alive, feeling silly,
Breaking and everybody shaking,
I'm just staying alive, staying alive,
_ _ _ Staying alive, staying alive.
_ [E] _ [F#] Staying alive, staying alive. LAUGHTER _
[C#] Who's got the highest-pitched [F#] voice?
Who can go the [G#] furthest?
I guess it's me, yeah.
Yeah, I guess Barry [C#] and_
It's like, yeah, Robin, too.
I've got a high voice.
We've all got sort of a similar range,
but the falsetto range is much higher with Barry and Robin.
Mm.
You know, [E] but normally in high harmonies or three-part harmony,
I sometimes take the high harmony
or sometimes below the [F#] middle or the melody harmony.
And then [F] Robin may take a high harmony,
[G#] but never the falsetto.
[C#] They're the falsetto experience.
[F] _
LAUGHTER
We are searchers of the truth. _
[G] Every man's a boy, every girl. _
Got to say it, how you mean it.
Fill the night_ _
[G] _ _ _ Yes, you've guessed it.
It's the world-famous Bee Gees,
who have sold more records than any other group called the Bee Gees
in the entire history of the world.
Since, obviously, the 70s [Em] days,
when [E] all the flares were in everything else,
many years afterwards, people like Kenny [C] Everett
or various other comedians would lampoon. Oh, yeah.
What were your [D] reactions to that?
Oh, we were knocked out.
I mean, it's [Am] nice to get_
And, yeah, [C] especially Kenny, who's a good mate as well.
So it was for him to do that [E] impression, if you like.
But he didn't just do it to us, he did it to lots of people.
[D] Oh, yeah, he did it to lots of [N] people.
They always say you're flasher, you know, when people can impersonate you.
You know, it's flasher.
There's some things we didn't particularly like.
_ [D#] Like the song that the Heebie Jeebies did,
it was [F#] called Meaningless Song, felt a little bit, you know, spicy,
because we don't think our songs [D#] are meaningless.
But the impression was very good.
We [A] thought it was very clever.
_ _ [C#m] _ _
[F#m] _ _ [D] _ _ [A] _ _ [C#m] _ _
[D] _ Well, this is the last hole.
[B] This is the last hole, OK.
I'm [C#m] afraid to say, because I know you [F#] looked excited all the [D] way round me.
No, no, [A] and I must _ [G#] ask you, Robin, [Bm] to step up first.
Oh, try the volcano.
OK.
Try your luck.
[A] Try my luck.
_ _ _ Oh, [C#] very clever indeed.
Barry.
Barry.
Will do.
_ [D#] Oh. _
_ _ _ _ [C] _ _ Oh.
_ [B] _ _ _ [A] _ _ [F#m] _ _
[B] _ _ _ _ [C#m] Oh.
[G] _ _
He's the county.
You watch [C] the whole thing, Gary, you watch.
_ [Bm] _ _
[G] _ _ You've been [D] practising.
[F#] You've been practising before we got here.
This is a practice game, you know.
This is fixed.
This is [A] fixed.
You've never [F] fixed anything on the open.
I saw the volcano move when he hit the [C] ball.
Well, chaps, it must have been the plus fours that did it,
because I'm the only one to take the ball from the hole.
And the best [A] man won.
Yes, I said.
Thank you very much. [D] Congratulations.
Thank you very much indeed.
Well done.
A super gentlemanly game of [A] golf.
Thank you, sir.
It was [F#] fabulous.
Same time tomorrow?
Absolutely.
[B] Nine holes tomorrow.
Nine.
That would be nice.
they [N] like nothing better than a good [F#m] afternoon relaxing on the golf course.
[F#] So when the Bee Gees asked if they could [F#] appear on the Ozone, we thought, have we got an afternoon that you'll remember.
[B] Not quite the shot you had before.
Don't you understand how important that moment was?
It may be an important part, but excuse me, but where are your plus [F#] fours?
I beg your pardon?
In my coat.
Oh, I'm wearing them under the [B] hat. _
I thought you might prepare for the occasion.
Well, were you not questioned by the police [F#m] on the way here today?
Put it this way, they get a few strange looks.
When we thought about [A#m] the Bee Gees and we thought we were going to have them on the Ozone,
golf seemed to spring to mind.
I mean, did it not for you?
[F#] I'm sure it did.
I can just imagine you all in the office thinking, Bee Gees, golf.
That's what it is.
And you all rushed out in different directions to sort of get [A] the acquired stuff.
In your case, you went straight to wardrobe.
Exactly.
_ So here we [G#] are, yeah.
I [B] love the outfit.
But it's not like we're not enjoying ourselves, you [F#] know.
It's just this is the wrong iron for me.
[F#m] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C#m] _ _ Well, here we are, chaps.
We're [F#m] pondering the second hole here.
This looks like it could be [G#] an interesting strategy to hole this one, I think, in one.
Yes.
Because there are [F#m] some definite obstacles in the way, as [E] we'll see in a moment.
[F#m] Pyramid-shaped obstacles here.
Ancient Egyptian holes.
[C#] I must ask you, you've all got [B] children, right?
Yes.
How do you explain to them how famous you are?
We just tell them we're very famous. _
_ And they go, shut up, [Bm] Dan.
[F#m] Let's have a cup of tea.
No, no.
Actually, no, they don't really think of it that way.
Even at school, they don't.
You know, [G#] when some of the kids would say, you know, like,
I saw your dad on the TV [A] or something like [F#] that.
And he goes, oh, yeah, he's always doing that.
Then they're so used to being [G#] with dad.
Dad is not [G] a star [F#m] or a pop star or anything like that.
He's just dad.
Yeah.
[F#] There have been the Osmonds and the Jacksons who have [F#m] been_
[C#m] Other sort of family-oriented groups.
Yes.
They've [C#] not managed to stay together, but you have.
So what's the secret behind the Bee Gees staying together for such a long time?
I think our sense of humor.
_ There's not as many of us.
Yeah, well, it's only_
I think that's definitely a factor, because if there's too many,
[F#m] you do have a lot of conflict.
You have a lot of brothers in a group, you know.
[B] With us three, we find it easy to work things out rather quickly,
because [F#] there's only three of us.
Right.
But if there was, like, five or six or [F#m] seven,
I think that's why you have these groups splintering.
We've been making music all our lives,
so we're sort of musical colleagues as well, you know, not just brothers.
We're also, before anything else, songwriters.
And I [B] think the other group that you're talking about,
their core work is not songwriting.
The Osmonds were a singing group,
and the [B] Jacksons are basically a singing group, yeah.
But [G] we have one common factor, and that is that we write [C] songs.
Would you please keep that [C#] noise down?
Yes, thank you.
[F#m] _ Staying alive, feeling silly,
Breaking and everybody shaking,
I'm just staying alive, staying alive,
_ _ _ Staying alive, staying alive.
_ [E] _ [F#] Staying alive, staying alive. LAUGHTER _
[C#] Who's got the highest-pitched [F#] voice?
Who can go the [G#] furthest?
I guess it's me, yeah.
Yeah, I guess Barry [C#] and_
It's like, yeah, Robin, too.
I've got a high voice.
We've all got sort of a similar range,
but the falsetto range is much higher with Barry and Robin.
Mm.
You know, [E] but normally in high harmonies or three-part harmony,
I sometimes take the high harmony
or sometimes below the [F#] middle or the melody harmony.
And then [F] Robin may take a high harmony,
[G#] but never the falsetto.
[C#] They're the falsetto experience.
[F] _
LAUGHTER
We are searchers of the truth. _
[G] Every man's a boy, every girl. _
Got to say it, how you mean it.
Fill the night_ _
[G] _ _ _ Yes, you've guessed it.
It's the world-famous Bee Gees,
who have sold more records than any other group called the Bee Gees
in the entire history of the world.
Since, obviously, the 70s [Em] days,
when [E] all the flares were in everything else,
many years afterwards, people like Kenny [C] Everett
or various other comedians would lampoon. Oh, yeah.
What were your [D] reactions to that?
Oh, we were knocked out.
I mean, it's [Am] nice to get_
And, yeah, [C] especially Kenny, who's a good mate as well.
So it was for him to do that [E] impression, if you like.
But he didn't just do it to us, he did it to lots of people.
[D] Oh, yeah, he did it to lots of [N] people.
They always say you're flasher, you know, when people can impersonate you.
You know, it's flasher.
There's some things we didn't particularly like.
_ [D#] Like the song that the Heebie Jeebies did,
it was [F#] called Meaningless Song, felt a little bit, you know, spicy,
because we don't think our songs [D#] are meaningless.
But the impression was very good.
We [A] thought it was very clever.
_ _ [C#m] _ _
[F#m] _ _ [D] _ _ [A] _ _ [C#m] _ _
[D] _ Well, this is the last hole.
[B] This is the last hole, OK.
I'm [C#m] afraid to say, because I know you [F#] looked excited all the [D] way round me.
No, no, [A] and I must _ [G#] ask you, Robin, [Bm] to step up first.
Oh, try the volcano.
OK.
Try your luck.
[A] Try my luck.
_ _ _ Oh, [C#] very clever indeed.
Barry.
Barry.
Will do.
_ [D#] Oh. _
_ _ _ _ [C] _ _ Oh.
_ [B] _ _ _ [A] _ _ [F#m] _ _
[B] _ _ _ _ [C#m] Oh.
[G] _ _
He's the county.
You watch [C] the whole thing, Gary, you watch.
_ [Bm] _ _
[G] _ _ You've been [D] practising.
[F#] You've been practising before we got here.
This is a practice game, you know.
This is fixed.
This is [A] fixed.
You've never [F] fixed anything on the open.
I saw the volcano move when he hit the [C] ball.
Well, chaps, it must have been the plus fours that did it,
because I'm the only one to take the ball from the hole.
And the best [A] man won.
Yes, I said.
Thank you very much. [D] Congratulations.
Thank you very much indeed.
Well done.
A super gentlemanly game of [A] golf.
Thank you, sir.
It was [F#] fabulous.
Same time tomorrow?
Absolutely.
[B] Nine holes tomorrow.
Nine.
That would be nice.