Thin Line Between Love And Hate Chords by The Persuaders
Tempo:
59.025 bpm
Chords used:
C#m
F#
G#
D#m
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F#] [D#m] [C#] [G#m] [C#m]
[D#m] [C#m] [G#] [C#]
[G#] [F#] It's a thin line [G#] [C#m] between [G#] love and [C#m] hate.
[G#m] [F#] It's a thin line [C#m] between [G#] love and [C#m] hate.
[G#] [D#m] It's 5 [C#m] on in.
[G#] [C#m] I'm just getting [F#] in.
I knock on the door.
[C#m] A voice, [G#] sweet and [C#m] low.
Says, [G#] [F#] who is it?
She opened up the door [C#m] and let me in.
[C#m] Never once did she say, [F#] where have you been?
She said, are you hungry?
[C#m] Are you hungry, honey?
Did you eat yet?
[F#] Let me [D#m] hang up your [C#m] coat.
The woman tells me, pass me your [F#] hat.
All the time she's [C#m] smiling.
Never raises [F#] a voice.
It's [D#m] 5 o [C#m]'clock in the morning.
I don't give it a second thought.
[F#] [B] It's a thin [F#] line [C#m] between love [C#] and hate.
Don't [C#m] think you can.
[F#] [G#] [C#m] Between love [C#m] and hate.
And she'll sit back [E] and enjoy it.
[D#m] It's a thin line.
Yes, it is.
Yes, it [G#m] is.
[C#m] It's a thin line between [G#] love and hate.
[C#m] She's going to fool [F#] you one day.
[G#m] The sweetest [D] woman in the [D#m] world.
Could be the meanest woman in the world.
[E] If you make her that way.
[C#] [E] You keep hurting her.
She keeps being [C#m] quiet.
She might be holding something inside.
That [F#] will really, really hurt you one day.
[F#] [D#m] Here I [F#] am laying in [C#m] the hospital.
[B]
[C#m] Bandage from feet [F#] to head.
In a state of shock.
[C#m] Just that [B] much from [C#m] being dead.
[D#m] I didn't think my woman would do [C#m] something like this to me.
Didn't think my girl had the [F#] nerve.
[B] Here I [C#m] am.
I guess action speaks louder than [B] words.
It's a thin line [C#m] between [G#] love and hate.
[C#m] You can [E] keep treating your woman.
[F#] [D#m] [G#] [C#m] Between love and hate.
[C#m] And she won't ever get [F#] mad.
It's a thin [D#m] line.
Yes, it [C#m] is.
Between [G#] love and hate.
[C#m] She's going to
[D#m] [C#m] [G#] [C#]
[G#] [F#] It's a thin line [G#] [C#m] between [G#] love and [C#m] hate.
[G#m] [F#] It's a thin line [C#m] between [G#] love and [C#m] hate.
[G#] [D#m] It's 5 [C#m] on in.
[G#] [C#m] I'm just getting [F#] in.
I knock on the door.
[C#m] A voice, [G#] sweet and [C#m] low.
Says, [G#] [F#] who is it?
She opened up the door [C#m] and let me in.
[C#m] Never once did she say, [F#] where have you been?
She said, are you hungry?
[C#m] Are you hungry, honey?
Did you eat yet?
[F#] Let me [D#m] hang up your [C#m] coat.
The woman tells me, pass me your [F#] hat.
All the time she's [C#m] smiling.
Never raises [F#] a voice.
It's [D#m] 5 o [C#m]'clock in the morning.
I don't give it a second thought.
[F#] [B] It's a thin [F#] line [C#m] between love [C#] and hate.
Don't [C#m] think you can.
[F#] [G#] [C#m] Between love [C#m] and hate.
And she'll sit back [E] and enjoy it.
[D#m] It's a thin line.
Yes, it is.
Yes, it [G#m] is.
[C#m] It's a thin line between [G#] love and hate.
[C#m] She's going to fool [F#] you one day.
[G#m] The sweetest [D] woman in the [D#m] world.
Could be the meanest woman in the world.
[E] If you make her that way.
[C#] [E] You keep hurting her.
She keeps being [C#m] quiet.
She might be holding something inside.
That [F#] will really, really hurt you one day.
[F#] [D#m] Here I [F#] am laying in [C#m] the hospital.
[B]
[C#m] Bandage from feet [F#] to head.
In a state of shock.
[C#m] Just that [B] much from [C#m] being dead.
[D#m] I didn't think my woman would do [C#m] something like this to me.
Didn't think my girl had the [F#] nerve.
[B] Here I [C#m] am.
I guess action speaks louder than [B] words.
It's a thin line [C#m] between [G#] love and hate.
[C#m] You can [E] keep treating your woman.
[F#] [D#m] [G#] [C#m] Between love and hate.
[C#m] And she won't ever get [F#] mad.
It's a thin [D#m] line.
Yes, it [C#m] is.
Between [G#] love and hate.
[C#m] She's going to
Key:
C#m
F#
G#
D#m
B
C#m
F#
G#
[F#] _ _ [D#m] _ [C#] _ _ _ [G#m] _ [C#m] _
[D#m] _ _ _ _ [C#m] _ _ [G#] _ [C#] _
[G#] [F#] It's a thin line [G#] [C#m] between [G#] love and [C#m] hate.
[G#m] [F#] It's a thin line _ [C#m] between [G#] love and [C#m] hate.
[G#] _ [D#m] _ It's 5 [C#m] on in.
[G#] [C#m] I'm just getting [F#] in.
I knock on the door.
[C#m] A voice, [G#] sweet and [C#m] low.
Says, [G#] [F#] who is it?
She opened up the door [C#m] and let me in.
[C#m] Never once did she say, [F#] where have you been?
She said, are you hungry?
[C#m] Are you hungry, honey?
Did you eat yet?
[F#] _ Let me [D#m] hang up your [C#m] coat.
The woman tells me, pass me your [F#] hat.
All the time she's [C#m] _ smiling.
Never raises [F#] a voice.
It's [D#m] 5 o [C#m]'clock in the morning.
I don't give it a second thought.
[F#] [B] It's a thin [F#] line [C#m] between love [C#] and hate.
Don't [C#m] think you can.
[F#] _ _ _ _ [G#] [C#m] Between love [C#m] and hate.
And she'll sit back [E] and enjoy it.
[D#m] It's a thin line.
Yes, it is.
Yes, it [G#m] is.
[C#m] It's a thin line between [G#] love and hate.
[C#m] She's going to fool [F#] you one day.
[G#m] _ The sweetest [D] woman in the [D#m] world.
Could be the meanest woman in the world.
[E] If you make her that way.
[C#] _ [E] You keep hurting her.
She keeps being [C#m] quiet.
She might be holding something inside.
That [F#] will really, really hurt you one day.
[F#] _ [D#m] _ Here I [F#] am laying in [C#m] the hospital.
_ [B]
[C#m] Bandage from feet [F#] to head.
In a state of shock.
[C#m] Just that [B] much from [C#m] being dead.
[D#m] _ I didn't think my woman would do [C#m] something like this to me.
Didn't think my girl had the [F#] nerve.
[B] Here I [C#m] am.
I guess action speaks louder than [B] words.
It's a thin line _ [C#m] between [G#] love and hate.
[C#m] You can [E] keep treating your woman.
[F#] _ _ [D#m] _ [G#] [C#m] Between love and hate.
[C#m] And she won't ever get [F#] mad.
It's a thin [D#m] line.
Yes, it [C#m] is.
Between [G#] love and hate.
[C#m] She's going to
[D#m] _ _ _ _ [C#m] _ _ [G#] _ [C#] _
[G#] [F#] It's a thin line [G#] [C#m] between [G#] love and [C#m] hate.
[G#m] [F#] It's a thin line _ [C#m] between [G#] love and [C#m] hate.
[G#] _ [D#m] _ It's 5 [C#m] on in.
[G#] [C#m] I'm just getting [F#] in.
I knock on the door.
[C#m] A voice, [G#] sweet and [C#m] low.
Says, [G#] [F#] who is it?
She opened up the door [C#m] and let me in.
[C#m] Never once did she say, [F#] where have you been?
She said, are you hungry?
[C#m] Are you hungry, honey?
Did you eat yet?
[F#] _ Let me [D#m] hang up your [C#m] coat.
The woman tells me, pass me your [F#] hat.
All the time she's [C#m] _ smiling.
Never raises [F#] a voice.
It's [D#m] 5 o [C#m]'clock in the morning.
I don't give it a second thought.
[F#] [B] It's a thin [F#] line [C#m] between love [C#] and hate.
Don't [C#m] think you can.
[F#] _ _ _ _ [G#] [C#m] Between love [C#m] and hate.
And she'll sit back [E] and enjoy it.
[D#m] It's a thin line.
Yes, it is.
Yes, it [G#m] is.
[C#m] It's a thin line between [G#] love and hate.
[C#m] She's going to fool [F#] you one day.
[G#m] _ The sweetest [D] woman in the [D#m] world.
Could be the meanest woman in the world.
[E] If you make her that way.
[C#] _ [E] You keep hurting her.
She keeps being [C#m] quiet.
She might be holding something inside.
That [F#] will really, really hurt you one day.
[F#] _ [D#m] _ Here I [F#] am laying in [C#m] the hospital.
_ [B]
[C#m] Bandage from feet [F#] to head.
In a state of shock.
[C#m] Just that [B] much from [C#m] being dead.
[D#m] _ I didn't think my woman would do [C#m] something like this to me.
Didn't think my girl had the [F#] nerve.
[B] Here I [C#m] am.
I guess action speaks louder than [B] words.
It's a thin line _ [C#m] between [G#] love and hate.
[C#m] You can [E] keep treating your woman.
[F#] _ _ [D#m] _ [G#] [C#m] Between love and hate.
[C#m] And she won't ever get [F#] mad.
It's a thin [D#m] line.
Yes, it [C#m] is.
Between [G#] love and hate.
[C#m] She's going to