Chords for The Producers - What's He Got?

Tempo:
97.55 bpm
Chords used:

C

G

D

A

Em

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
The Producers - What's He Got? chords
Start Jamming...
The way I see this film is very Bergman-esque.
So you think we should go for the belly laugh?
[C] The sound, the music, the lighting.
You [Em] mean like pratfall, flipping [E] on banana peels, walking into walls.
[C] How come I have to hold the phone?
[Bm] Two [A] minutes till showtime.
Some pans [Em] and zooms, close-ups of me very tight on my face.
We gotta [G] keep him laughing.
I can see it now.
I'll have a lot of expression.
I'll sail up with my nose.
Oh, you're thinking like that famous Chaplin [A] scene when he says to Margaret Dumont
No, he's talking about the bit in It's a Mad, Mad, Mad, Mad World.
With Spencer Treci and Milton [C] Bloom and C [D].C. Season and the Three Stooges and Jonathan Winters.
One [G] minute till showtime.
Makeup is very important.
I'm gonna drop this phone.
Look [Bm] at what happened to Fatty Arbuckle.
Nutrition [G] was very important.
Showtime.
[C] [G] Hey!
[D] [C] [G]
[C] [G] [D] [C] [G]
[C] Hey!
[G] [D] [C] [G]
[C] [G] [D] [C] [G]
[Bm] What's he got [F#m] that I ain't [A] got?
Scotch-Ule.
[E] That's what he's got.
That's what he's got.
[Bm] Hey!
What's he got [F#m] that I ain't got?
[A] Scotch-Ule.
[E] That's what he's got.
That's what he's got.
[C] Hey!
[Em] [D] Saw you with that man [C] a little [G]
age.
Big black [D] car, long cigar, [C] sliced your [G]
age.
[C] [Em] Diamonds make [D] you happy [C] for a [G]
while.
[C] [G] But [D] my love is through, [C] won't go [G] out of [A] style.
[Bm] What's he got [F#m] that I ain't got?
[A] Scotch-Ule.
[E] That's what he's got.
That's what he's got.
[C] Hey!
[G] [D] Looking for a [C] place in his [G] will.
[C] [G] [D] Why should you be just [C] a midnight [G] thrill?
[C] [Em] [D] You've been thinking of [C] me every [G] night.
[C] [G] When [D] he turns away, [C] turns [G] out the [A] [Bm] light.
What's he got [F#m] that I ain't got?
[A] Scotch-Ule.
[E] That's what he's got.
That's what he's [Em] got.
Hey!
[D] [C] [G]
[D] [G]
[C] [G] [D] [C] [G]
[C] [Em] [D] [C] [G]
[Bm] What's he got [F#m] that I ain't got?
[A] Scotch-Ule.
[E] That's what he's got.
That's what he's got.
[Bm] Hey!
What's he got [F#m] that I ain't [A] got?
Scotch-Ule.
[E] That's what he's got.
[Em] That's what he's got.
Hey!
[D] [C] [G] [C] [A] [F#m] [G]
Key:  
C
3211
G
2131
D
1321
A
1231
Em
121
C
3211
G
2131
D
1321
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_ _ _ _ _ _ _
The way I see this film is very Bergman-esque.
So you think we should go for the belly laugh?
[C] The sound, the music, the lighting.
You [Em] mean like pratfall, flipping [E] on banana peels, walking into walls.
[C] How come I have to hold the phone?
[Bm] _ Two [A] minutes till showtime.
Some pans [Em] and zooms, close-ups of me very tight on my face.
We gotta [G] keep him laughing.
I can see it now.
I'll have a lot of expression.
I'll sail up with my nose.
Oh, you're thinking like that famous Chaplin [A] scene when he says to Margaret Dumont_
No, he's talking about the bit in It's a Mad, Mad, Mad, Mad World.
With Spencer Treci and Milton [C] Bloom and C [D].C. Season and the Three Stooges and Jonathan Winters.
One [G] minute till showtime.
Makeup is very important.
I'm gonna drop this phone.
Look [Bm] at what happened to Fatty Arbuckle.
Nutrition [G] was very important.
Showtime.
[C] [G] Hey!
[D] _ _ [C] _ _ [G] _
_ [C] _ [G] _ [D] _ _ [C] _ _ [G] _
[C] Hey!
[G] _ [D] _ _ [C] _ _ [G] _
_ [C] _ [G] _ [D] _ _ [C] _ _ [G] _
_ [Bm] What's he got [F#m] that I ain't _ [A] got?
Scotch-Ule.
[E] That's what he's got.
That's what he's got.
[Bm] Hey!
What's he got [F#m] that I ain't got?
_ [A] Scotch-Ule.
_ [E] That's what he's got.
That's what he's got.
[C] Hey!
[Em] [D] Saw you with that man [C] a little [G]
age.
Big black [D] car, long cigar, [C] sliced your [G]
age.
[C] [Em] Diamonds make [D] you happy [C] for a [G]
while.
[C] [G] But [D] my love is through, [C] won't go [G] out of [A] style.
[Bm] What's he got [F#m] that I ain't got? _
[A] Scotch-Ule.
_ [E] That's what he's got.
That's what he's got.
[C] Hey!
[G] [D] Looking for a [C] place in his [G] will.
_ [C] _ [G] [D] Why should you be just [C] a midnight [G] thrill?
_ [C] _ [Em] [D] You've been thinking of [C] me every [G] night.
_ [C] [G] When [D] he turns away, [C] turns [G] out the [A] [Bm] light.
What's he got [F#m] that I ain't got?
[A] Scotch-Ule.
_ [E] That's what he's got.
That's what he's [Em] got.
Hey!
_ [D] _ _ [C] _ _ [G] _
_ _ _ [D] _ _ [G] _ _ _
_ [C] _ [G] _ [D] _ _ [C] _ _ [G] _
_ [C] _ [Em] _ [D] _ _ [C] _ _ [G] _
_ [Bm] What's he got [F#m] that I ain't got?
[A] Scotch-Ule.
_ [E] That's what he's got.
That's what he's got.
[Bm] Hey!
What's he got [F#m] that I ain't _ [A] got?
Scotch-Ule.
_ _ [E] That's what he's got.
[Em] That's what he's got.
Hey!
_ [D] _ _ [C] _ _ [G] _ _ [C] _ [A] _ [F#m] _ _ [G] _ _ _

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