Chords for The Production of "Dolly Dagger" with Eddie Kramer

_ Dolly Dagger probably took_ _ _
_ _ _ _ _ _ I think he cut it twice.
_ _ This is the second time he cut it.
He cut a rough version of it, I think, at the record plant.
And then when the studio was finished and built, _ _
we came in and cut it.
I think the track was cut in one evening, this whole long section.
As you can see, it goes on and on and on.
_ _ _ [Am] _ _
_ _ _ _ _ [F#] _ _ _
_ _ [D] _ _ Here [B] comes Dolly _ _ _ Dagger
_ [Am] Well, I'm so [E] happy, [B] gonna make you stagger
What I'm gonna do here is I'm gonna show you
_ how Dolly Dagger was broken down.
_ [D] I'll show you how _
[Am] it's broken down into bass, [B] drums, [F#] guitar,
Jimmy's basic rhythm guitar.
_ _ _ [D] One of the lead vocal [B] tracks was put on
at the same time as the guitar was put on.
[F#m] _ _ _ There was percussion at the same [B] time as the basic track was cut.
_ And then there was a lot of overdubbing.
Fuzz bass, extra percussion tracks,
another lead guitar track, drum overdubs,
foot stomping, background voices.
_ _ Here's the drums.
_ _ _ _ _ _ _ _
[G#] _ _ _ _ [B] _ _ _ _
_ _ And now the bass, _ _ _
[Am] _ [B] _ which is taken direct, _
direct feed from the bass guitar right into the [E] console.
And there's an amplifier [B] track,
_ which is usually quite distorted, but we use it for that effect.
_ _ And then Jimmy's basic guitar, _ _ _ _ _ _ _
_ [Bm] _ which is taken in stereo,
[A] with a direct feed on his guitar and an amplifier.
[F#] Here's the direct, which is very clean. _
_ [D] _ _ [B] And you can hear the difference between that and this. _ _ _ _
_ And in stereo it sounds pretty neat.
We have the bass back in.
_ _ _ See, the bass and the bass [F#] in the guitar
are playing basically the same line [B] together.
_ It kind of locks the rhythm in. _
_ And then at the same time we have this percussion track going on,
_ _ _ _ _ _ as well as a conga track. _ _ _ _ _ _
_ _ _ _ This is cut live. _
Pretty good separation.
Thank you, Electric Lady.
There's a plug if ever I heard one. _ _ _ _ _
_ _ _ _ _ Now, we'll try and find the fuzz bass guitar overdub.
_ If we can find it.
_ _ [F] _ [B] No, _ _
_ [B] _ it hasn't come up yet.
_ It'll be somewhere around.
Here's the lead guitar.
_ _ [F#] _ _
And the lead.
[Dm] Jimmy put on a lead vocal at the same time [C] as putting on this lead guitar,
so he can get into the mood of the vocal as well as [B] putting on the guitar.
_ _ [Bm] I'll split that for you.
_ _ _ _ _ _ [F#] _ _
_ _ That's the leakage you're hearing.
Jimmy's standing in the studio with a huge bank of Marshalls,
and there's a vocal mic on him too, so you're hearing that on his [B] vocal mic.
_ _ [Bm] _ _ _
_ _ [D] Here's the fuzz bass.
_ [F#] _ _
_ _ _ _ _ _ [D] _ _
_ [Bm] _ _ [E] _ _ [B] _ _ _
_ [Bm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ [E] _ _ _ [B] _ _ _
I'm just going to wind back and find the point where the _ background vocals come in.
That was yet another overdub. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ Jimmy is singing in there [F#] with the ghetto fighters,
and [Bm] _ _
_ _ _ _ _ _ _ _
another vocal track which we never used. _ _ _
_ [B] Back to the old cougar track. _ _ _
_ _ _ _ _ _ Here's the foot stomping track we overdubbed.
It was kind of an interesting trail.
Add some echo to it. _
_ _ _ [Am] _ _ _ [B] _ _
_ [A] _ _ _ [E] _ _ _ _
_ [B] _ _ _ _ [E] _ _ _
[Am] _ [B] _ _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ _ _
_ [E] _ _ _ _ [Am] _ _ _
_ _ [D] _ _ _ [Am] _ _ _
_ _ There's a [B] nice line in there, tribute to Devin.
_ Jimmy says, _ well you'll hear it, I'll play it to you.
I'll just pull the tracks down so you can hear what he's saying.
Because I think Devin was in the control room at the same time that he was doing this.
I think the song was _ [Am] obviously dedicated to her.
Here it [E] is. _
_ _ [Am] _ _ _ [D] _ _ _
_ _ [Am] _ _ It's kind of a nice touch.
[D] _ _ _ _ _ _ _ _
_ _ [A] _ _ _ _ _ _
_ [F#] _ _ _ _ _ [Bm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ _ _
_ _ _ _ [E] _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ _ _ As you can see, it's a very complex track.
_ _ Many, many layers of sounds.
_ _ Jimmy's lead guitar somehow floats through the