Chords for The Rolling Stones - No Expectations (Live) - With Ana Moura
Tempo:
78.4 bpm
Chords used:
E
A
D
B
D#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
The first time I ever met her, he brought her up to my hotel room and just said,
Okay Anna, sing for Ronnie.
And I was going, oh come on, don't embarrass the girl.
And she just started to sing like this beautiful creature and
[E]
[D#] [E] Tim [B] Rees.
Who is an incredibly indefatigable talent scout.
[E] He found Anna Mara.
Hello, I am Anna Mara and I am a fellow singer.
[A] [E]
[A] [E]
[A] [E]
[D] [A]
[E] [A] [E]
So [F#] then Tim says, would you like to [E] come out and hear some [A] Portuguese singers?
You've got to see this chick, she's incredible.
So we go to the Fado club and it's very smoky.
[E] And then out comes this beautiful, beautiful girl dressed in black.
[D] She winds up her dress like this, something they all [A] do.
And then they close their eyes [E] and start emoting.
She ended up with [B] no expectations and Mick [A] had this idea [F#m] over time.
[E] Because she's very, very pretty too.
[A] [E]
[A] You're free, [E] you're my love.
I [D] did it, I did it.
I spent [E] the night alone.
Normally she sings Fado, which is kind of, let [A] me say,
kind of your Portuguese [E] blues, you know.
Fado I think is fate.
[A] And it's all about lost [E] love and it's very dramatic.
[A] I've got no [B] words to [E] say.
[D] Just to [A] forget [E] about you.
I love this song because Fado, it's a very inside music.
And no expectations, it has that atmosphere that the Fado has.
[A] Your heart is like a diamond.
You [E] throw [A] your [B] pearls [E] aswine.
[C#] Many people watching and it's a big, [D#] big, big stage.
And I'm singing there with all the [D] band, with Mick Jagger in [E] my side.
[A] [E]
[D] [A]
[B] [E]
[A] [E]
[E] [N]
Portugal, the people of Fado, our music.
Ana Moura.
Okay Anna, sing for Ronnie.
And I was going, oh come on, don't embarrass the girl.
And she just started to sing like this beautiful creature and
[E]
[D#] [E] Tim [B] Rees.
Who is an incredibly indefatigable talent scout.
[E] He found Anna Mara.
Hello, I am Anna Mara and I am a fellow singer.
[A] [E]
[A] [E]
[A] [E]
[D] [A]
[E] [A] [E]
So [F#] then Tim says, would you like to [E] come out and hear some [A] Portuguese singers?
You've got to see this chick, she's incredible.
So we go to the Fado club and it's very smoky.
[E] And then out comes this beautiful, beautiful girl dressed in black.
[D] She winds up her dress like this, something they all [A] do.
And then they close their eyes [E] and start emoting.
She ended up with [B] no expectations and Mick [A] had this idea [F#m] over time.
[E] Because she's very, very pretty too.
[A] [E]
[A] You're free, [E] you're my love.
I [D] did it, I did it.
I spent [E] the night alone.
Normally she sings Fado, which is kind of, let [A] me say,
kind of your Portuguese [E] blues, you know.
Fado I think is fate.
[A] And it's all about lost [E] love and it's very dramatic.
[A] I've got no [B] words to [E] say.
[D] Just to [A] forget [E] about you.
I love this song because Fado, it's a very inside music.
And no expectations, it has that atmosphere that the Fado has.
[A] Your heart is like a diamond.
You [E] throw [A] your [B] pearls [E] aswine.
[C#] Many people watching and it's a big, [D#] big, big stage.
And I'm singing there with all the [D] band, with Mick Jagger in [E] my side.
[A] [E]
[D] [A]
[B] [E]
[A] [E]
[E] [N]
Portugal, the people of Fado, our music.
Ana Moura.
Key:
E
A
D
B
D#
E
A
D
_ _ _ _ _ _ The first time I ever met her, he brought her up to my hotel room and just said,
Okay Anna, sing for Ronnie.
And I was going, oh come on, don't embarrass the girl.
And she just started to sing like this beautiful creature and_
_ _ _ [E] _ _ _ _
_ [D#] _ _ [E] Tim [B] Rees. _
Who is an incredibly indefatigable talent scout.
[E] He found Anna Mara. _ _ _ _ _ _ _
Hello, I am Anna Mara and I am a fellow singer. _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ _ [D] _ _ _ [A] _ _ _
_ _ [E] _ _ _ [A] _ [E] _
So [F#] then Tim says, would you like to [E] come out and hear some [A] Portuguese singers?
You've got to see this chick, she's incredible.
So we go to the Fado club and it's very smoky.
[E] And then out comes this beautiful, beautiful girl dressed in black.
[D] She winds up her dress like this, something they all [A] do.
And then they close their eyes _ [E] and start emoting.
She ended up with [B] no expectations and Mick [A] had this idea [F#m] over time.
[E] Because she's very, very pretty too.
_ [A] _ _ _ _ [E] _ _ _
[A] You're free, [E] _ you're my love.
I [D] did it, I did it.
I spent [E] the night alone. _ _ _ _ _
Normally she sings Fado, which is kind of, let [A] me say,
kind of your Portuguese [E] blues, you know.
Fado I think is fate.
[A] And it's all about lost [E] love and it's very dramatic.
[A] I've got no [B] words to [E] say.
_ _ [D] Just _ to [A] forget _ _ [E] about you. _
_ I love this song because Fado, it's a very inside music.
And no expectations, it has that atmosphere that the Fado has.
[A] Your heart is like a diamond.
You [E] _ throw [A] your [B] pearls _ [E] aswine.
[C#] Many people watching and it's a big, [D#] big, big stage.
And I'm singing there with all the [D] band, with Mick Jagger in [E] my side.
_ [A] _ _ _ _ [E] _
_ _ [D] _ _ _ [A] _ _ _
_ [B] _ [E] _ _ _ _ _ _
_ _ _ [A] _ _ [E] _ _ _
_ [E] _ _ _ _ _ _ [N]
Portugal, the people of Fado, our music.
Ana Moura. _ _ _
Okay Anna, sing for Ronnie.
And I was going, oh come on, don't embarrass the girl.
And she just started to sing like this beautiful creature and_
_ _ _ [E] _ _ _ _
_ [D#] _ _ [E] Tim [B] Rees. _
Who is an incredibly indefatigable talent scout.
[E] He found Anna Mara. _ _ _ _ _ _ _
Hello, I am Anna Mara and I am a fellow singer. _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ _ [D] _ _ _ [A] _ _ _
_ _ [E] _ _ _ [A] _ [E] _
So [F#] then Tim says, would you like to [E] come out and hear some [A] Portuguese singers?
You've got to see this chick, she's incredible.
So we go to the Fado club and it's very smoky.
[E] And then out comes this beautiful, beautiful girl dressed in black.
[D] She winds up her dress like this, something they all [A] do.
And then they close their eyes _ [E] and start emoting.
She ended up with [B] no expectations and Mick [A] had this idea [F#m] over time.
[E] Because she's very, very pretty too.
_ [A] _ _ _ _ [E] _ _ _
[A] You're free, [E] _ you're my love.
I [D] did it, I did it.
I spent [E] the night alone. _ _ _ _ _
Normally she sings Fado, which is kind of, let [A] me say,
kind of your Portuguese [E] blues, you know.
Fado I think is fate.
[A] And it's all about lost [E] love and it's very dramatic.
[A] I've got no [B] words to [E] say.
_ _ [D] Just _ to [A] forget _ _ [E] about you. _
_ I love this song because Fado, it's a very inside music.
And no expectations, it has that atmosphere that the Fado has.
[A] Your heart is like a diamond.
You [E] _ throw [A] your [B] pearls _ [E] aswine.
[C#] Many people watching and it's a big, [D#] big, big stage.
And I'm singing there with all the [D] band, with Mick Jagger in [E] my side.
_ [A] _ _ _ _ [E] _
_ _ [D] _ _ _ [A] _ _ _
_ [B] _ [E] _ _ _ _ _ _
_ _ _ [A] _ _ [E] _ _ _
_ [E] _ _ _ _ _ _ [N]
Portugal, the people of Fado, our music.
Ana Moura. _ _ _