Chords for The Two Sides Of Life
Tempo:
75.25 bpm
Chords used:
D
A
G
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Just a picture [A] of the two [D] sides of love.
Many years ago an artist was hired to paint the Lord's Supper [G] scene.
He selected live models to pose for each one, [D] so he had to have thirteen.
Each man was [A] carefully chosen according to personal traits.
Yes, the artist took great [D] caution in [D] painting this portrait of grace.
[G] Eleven were finished in a very short time, from Andrew to Bartholomew.
Each figure was [A] skillfully brushed into place, but it is all [D] except two.
Then a search began that took some years, in [D] which dozens were interviewed each week.
[G] When the man for Jesus was finally found, a man undefiled and meek,
he was clean of [A] body, mind and soul.
His eyes were gentle [B] and clear.
The [D] artist rejoiced and the great painting grew as the figure of Jesus [G] was put there.
That left only Judas, the betrayer, to do, and the painting would [A] be complete.
But [D] where could a face be found to resemble the master of deceit?
A face that told of treachery and greed, such loss of character [G] and sin?
As of one who pretended to live uprightly, [D] then betrayed with a kiss his best friend.
[A]
Five years passed [D] by, and the aging artist was viewing his work one day,
when [G] a man walked in from off the streets, and his face caused the painter to say,
Sir, before [A] us here is an unfinished painting.
[D] There's a blank space, as you can see.
I have yet to paint the portrait of Judas.
Would you mind posing for me?
[G]
The man consented, and soon it was done.
[D] The masterpiece was finished at last.
Each face [A] was detailed and told its own story of that sacred event [D] in the past.
Then the man from the street said, [G] Don't you know me?
You've seen me before, you know.
I'm the one who posed [A] for Jesus just four [D] or five years ago.
But I took the wrong road of life somehow, and ignored each warning sign.
[G] I didn't know it would change me so, but the life you [D] painted is mine.
I wonder if there might [A] be a chance for me to regain part of what I've [D] lost.
The devil has paid me in counterfeit money, [G] and I'm gonna change, whatever the cost.
Just a picture of [A] the two [D] sides of love.
[N]
Many years ago an artist was hired to paint the Lord's Supper [G] scene.
He selected live models to pose for each one, [D] so he had to have thirteen.
Each man was [A] carefully chosen according to personal traits.
Yes, the artist took great [D] caution in [D] painting this portrait of grace.
[G] Eleven were finished in a very short time, from Andrew to Bartholomew.
Each figure was [A] skillfully brushed into place, but it is all [D] except two.
Then a search began that took some years, in [D] which dozens were interviewed each week.
[G] When the man for Jesus was finally found, a man undefiled and meek,
he was clean of [A] body, mind and soul.
His eyes were gentle [B] and clear.
The [D] artist rejoiced and the great painting grew as the figure of Jesus [G] was put there.
That left only Judas, the betrayer, to do, and the painting would [A] be complete.
But [D] where could a face be found to resemble the master of deceit?
A face that told of treachery and greed, such loss of character [G] and sin?
As of one who pretended to live uprightly, [D] then betrayed with a kiss his best friend.
[A]
Five years passed [D] by, and the aging artist was viewing his work one day,
when [G] a man walked in from off the streets, and his face caused the painter to say,
Sir, before [A] us here is an unfinished painting.
[D] There's a blank space, as you can see.
I have yet to paint the portrait of Judas.
Would you mind posing for me?
[G]
The man consented, and soon it was done.
[D] The masterpiece was finished at last.
Each face [A] was detailed and told its own story of that sacred event [D] in the past.
Then the man from the street said, [G] Don't you know me?
You've seen me before, you know.
I'm the one who posed [A] for Jesus just four [D] or five years ago.
But I took the wrong road of life somehow, and ignored each warning sign.
[G] I didn't know it would change me so, but the life you [D] painted is mine.
I wonder if there might [A] be a chance for me to regain part of what I've [D] lost.
The devil has paid me in counterfeit money, [G] and I'm gonna change, whatever the cost.
Just a picture of [A] the two [D] sides of love.
[N]
Key:
D
A
G
B
D
A
G
B
Just a picture [A] of the two [D] sides of love. _ _
_ Many years ago an artist was hired to paint the Lord's Supper [G] scene.
He selected live models to pose for each one, [D] so he had to have thirteen.
Each man was [A] carefully chosen according to personal traits.
Yes, the artist took great [D] caution in [D] painting this portrait of grace.
[G] Eleven were finished in a very short time, from Andrew to Bartholomew.
_ Each figure was [A] skillfully brushed into place, but it is all [D] except two. _
Then a search began that took some years, in [D] which dozens were interviewed each week.
[G] When the man for Jesus was finally found, a man undefiled and meek,
he was clean of [A] body, mind and soul.
His eyes were gentle [B] and clear.
The [D] artist rejoiced and the great painting grew as the figure of Jesus [G] was put there. _
That left only Judas, the betrayer, to do, and the painting would [A] be complete.
But [D] where could a face be found to resemble the master of deceit?
A face that told of treachery and greed, such loss of character [G] and sin?
As of one who pretended to live uprightly, [D] then betrayed with a kiss his best friend.
[A] _ _
_ Five years passed [D] by, and the aging artist was viewing his work one day,
when [G] a man walked in from off the streets, and his face caused the painter to say,
Sir, before [A] us here is an unfinished painting.
[D] There's a blank space, as you can see.
I have yet to paint the portrait of Judas.
Would you mind posing for me?
[G] _
The man consented, and soon it was done.
[D] The masterpiece was finished at last.
Each face [A] was detailed and told its own story of that sacred event [D] in the past.
Then the man from the street said, [G] Don't you know me?
You've seen me before, you know.
I'm the one who posed [A] for Jesus just four [D] or five years ago.
_ But I took the wrong road of life somehow, and ignored each warning sign.
_ [G] I didn't know it would change me so, but the life you [D] painted is mine.
_ I wonder if there might [A] be a chance for me to regain part of what I've [D] lost.
The devil has paid me in counterfeit money, [G] and I'm gonna change, whatever the cost.
Just a picture of [A] the two [D] sides of love.
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ [N] _ _
_ Many years ago an artist was hired to paint the Lord's Supper [G] scene.
He selected live models to pose for each one, [D] so he had to have thirteen.
Each man was [A] carefully chosen according to personal traits.
Yes, the artist took great [D] caution in [D] painting this portrait of grace.
[G] Eleven were finished in a very short time, from Andrew to Bartholomew.
_ Each figure was [A] skillfully brushed into place, but it is all [D] except two. _
Then a search began that took some years, in [D] which dozens were interviewed each week.
[G] When the man for Jesus was finally found, a man undefiled and meek,
he was clean of [A] body, mind and soul.
His eyes were gentle [B] and clear.
The [D] artist rejoiced and the great painting grew as the figure of Jesus [G] was put there. _
That left only Judas, the betrayer, to do, and the painting would [A] be complete.
But [D] where could a face be found to resemble the master of deceit?
A face that told of treachery and greed, such loss of character [G] and sin?
As of one who pretended to live uprightly, [D] then betrayed with a kiss his best friend.
[A] _ _
_ Five years passed [D] by, and the aging artist was viewing his work one day,
when [G] a man walked in from off the streets, and his face caused the painter to say,
Sir, before [A] us here is an unfinished painting.
[D] There's a blank space, as you can see.
I have yet to paint the portrait of Judas.
Would you mind posing for me?
[G] _
The man consented, and soon it was done.
[D] The masterpiece was finished at last.
Each face [A] was detailed and told its own story of that sacred event [D] in the past.
Then the man from the street said, [G] Don't you know me?
You've seen me before, you know.
I'm the one who posed [A] for Jesus just four [D] or five years ago.
_ But I took the wrong road of life somehow, and ignored each warning sign.
_ [G] I didn't know it would change me so, but the life you [D] painted is mine.
_ I wonder if there might [A] be a chance for me to regain part of what I've [D] lost.
The devil has paid me in counterfeit money, [G] and I'm gonna change, whatever the cost.
Just a picture of [A] the two [D] sides of love.
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ [N] _ _