Chords for The Who The Real me Live at the Royal Albert Hall
Tempo:
79.65 bpm
Chords used:
C
Cm
G
F
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C] I'm [Cm] [C]
[G] [Bm]
back to [G] the doctor, [Cm] yeah, my [G] machine.
[C] I hear them tellin' about my weekends.
Nobody ever tells [G] me what it means.
[C] I say, [Cm] can't you see the real [C] me, doctor?
Oh, [Cm] can't you see the [C] real me, doctor?
[G] [C] [Eb]
Doctor, [D] I'm back to my mother.
I said, [Bb] I'm [D] crazy, Ma, help me.
I [F] know how it [E] feels, son, to [G] be born in a family.
[C] Can't you see [Cm] the real [C] me, mama?
[F]
[Cm] [C] Mama, [F]
[C] [Cm] [C]
can't you see [Cm] the real me?
[G]
[C] [Cm] [C]
[Cm] [C]
[Cm]
[Cm] [C]
Like between the paving stones,
like there [B] is a flowing river.
[Gb] There's people who know [D] me,
even from [Eb] behind every window [Cm] pane.
[D] Girl, I used to [G] love this Louisiana house.
[C] Now, [D] two days have passed me by.
[G] I'm born again.
[C] [Cm]
[C] Oh, can't you see [C] the real me, baby?
[F] [Cm]
[Eb] [Bb]
[G] [Cm] [C]
[Cm] [C]
[D] [Cm] Can't you see [C] the real [Cm] me?
[G]
[C]
When the preacher, my baby, he is [D] good.
I see him just stay a little.
[Cm] So, I'll get to the [Bb] door again.
[C] [Cm] Can't you see the real me, preacher?
[F] Preacher!
[C] [Eb] Can't you see the real me, preacher?
[G] Preacher!
Can't you see?
[Cm] [C]
[F] [C]
[F] [C] [Cm]
[F] [C]
Oh, [Cm] can't you see the real [C] me?
Can't you?
[F] Can't you?
[Cm] See [C] the real me?
Can't you?
[F] Can't you see?
[Cm] [C]
[G] [Cm]
[C] [Dm] [Cm]
[Dm] [C] [C]
[Cm] [G]
[C] Can't you [Cm] see the real me, doctor? Doctor!
[F] Doctor!
[C] Can't you [Eb] see?
[C]
Preacher!
Can't you [Cm] see the real [F] me?
[B] Preacher!
[G] Oh, [C] can't you see the real me, me, me, me, me, me, me, me?
[N]
Everything in Codifinio ended up very, very, very, very, very loud.
[Db]
[G] [F] Some of the songs that [E] we put together were very [C] internal,
but [Eb] when we took it into the studio, the whole thing turned into
[D] some kind of [Ab] connection with our teenage [E] rage or something.
So many people have [C] connected with it over the years.
[Gb] So many people have said to me,
Eddie Vedder once said to me that Codifinio was one of the most important things
that he heard when he was growing up.
[N] I think it's really interesting that so many who songs are about,
so many who songs are about who
[G] [Bm]
back to [G] the doctor, [Cm] yeah, my [G] machine.
[C] I hear them tellin' about my weekends.
Nobody ever tells [G] me what it means.
[C] I say, [Cm] can't you see the real [C] me, doctor?
Oh, [Cm] can't you see the [C] real me, doctor?
[G] [C] [Eb]
Doctor, [D] I'm back to my mother.
I said, [Bb] I'm [D] crazy, Ma, help me.
I [F] know how it [E] feels, son, to [G] be born in a family.
[C] Can't you see [Cm] the real [C] me, mama?
[F]
[Cm] [C] Mama, [F]
[C] [Cm] [C]
can't you see [Cm] the real me?
[G]
[C] [Cm] [C]
[Cm] [C]
[Cm]
[Cm] [C]
Like between the paving stones,
like there [B] is a flowing river.
[Gb] There's people who know [D] me,
even from [Eb] behind every window [Cm] pane.
[D] Girl, I used to [G] love this Louisiana house.
[C] Now, [D] two days have passed me by.
[G] I'm born again.
[C] [Cm]
[C] Oh, can't you see [C] the real me, baby?
[F] [Cm]
[Eb] [Bb]
[G] [Cm] [C]
[Cm] [C]
[D] [Cm] Can't you see [C] the real [Cm] me?
[G]
[C]
When the preacher, my baby, he is [D] good.
I see him just stay a little.
[Cm] So, I'll get to the [Bb] door again.
[C] [Cm] Can't you see the real me, preacher?
[F] Preacher!
[C] [Eb] Can't you see the real me, preacher?
[G] Preacher!
Can't you see?
[Cm] [C]
[F] [C]
[F] [C] [Cm]
[F] [C]
Oh, [Cm] can't you see the real [C] me?
Can't you?
[F] Can't you?
[Cm] See [C] the real me?
Can't you?
[F] Can't you see?
[Cm] [C]
[G] [Cm]
[C] [Dm] [Cm]
[Dm] [C] [C]
[Cm] [G]
[C] Can't you [Cm] see the real me, doctor? Doctor!
[F] Doctor!
[C] Can't you [Eb] see?
[C]
Preacher!
Can't you [Cm] see the real [F] me?
[B] Preacher!
[G] Oh, [C] can't you see the real me, me, me, me, me, me, me, me?
[N]
Everything in Codifinio ended up very, very, very, very, very loud.
[Db]
[G] [F] Some of the songs that [E] we put together were very [C] internal,
but [Eb] when we took it into the studio, the whole thing turned into
[D] some kind of [Ab] connection with our teenage [E] rage or something.
So many people have [C] connected with it over the years.
[Gb] So many people have said to me,
Eddie Vedder once said to me that Codifinio was one of the most important things
that he heard when he was growing up.
[N] I think it's really interesting that so many who songs are about,
so many who songs are about who
Key:
C
Cm
G
F
D
C
Cm
G
_ _ _ _ _ [C] _ I'm _ _ [Cm] _ _ _ _ [C] _ _
_ _ _ [G] _ _ _ _ [Bm]
back to [G] the doctor, [Cm] yeah, my [G] machine.
[C] I hear them tellin' about my weekends.
Nobody ever tells [G] me what it means.
[C] I say, [Cm] can't you see the real [C] me, doctor? _ _
Oh, [Cm] can't you see the [C] real me, doctor? _ _ _
_ _ _ [G] _ _ [C] _ _ [Eb]
Doctor, [D] I'm back to my mother.
I said, [Bb] I'm [D] crazy, Ma, help me.
I [F] know how it [E] feels, son, to [G] be born in a family. _
_ [C] Can't you see [Cm] the real [C] me, mama?
[F] _
_ _ _ [Cm] _ _ [C] Mama, [F] _
_ [C] _ _ [Cm] _ _ [C] _ _
can't you see [Cm] the real me?
_ _ _ _ [G] _
_ [C] _ _ [Cm] _ _ [C] _ _ _
_ _ _ [Cm] _ _ [C] _ _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ [Cm] _ _ [C] _ _ _
_ Like between the paving stones,
like there [B] is a flowing river.
[Gb] There's people who know [D] me,
even from [Eb] behind every window [Cm] pane.
[D] Girl, I used to [G] love this Louisiana house.
[C] Now, [D] two days have passed me by.
[G] I'm born again.
_ _ [C] _ _ [Cm] _ _ _
[C] _ _ Oh, can't you see [C] the real me, baby?
_ [F] _ _ _ _ [Cm] _ _ _
_ _ [Eb] _ _ _ _ _ [Bb] _
_ [G] _ _ [Cm] _ _ [C] _ _ _
_ _ _ [Cm] _ _ [C] _ _ _
_ [D] _ _ [Cm] Can't you see [C] the _ _ _ real [Cm] me?
_ [G] _ _ _
_ _ _ [C] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ When the preacher, _ my baby, he is [D] good.
I see him just stay a little.
[Cm] So, I'll get to the [Bb] door again.
_ [C] _ [Cm] Can't you see the real me, preacher?
[F] Preacher!
[C] _ [Eb] Can't you see the real me, preacher?
[G] Preacher!
Can't you see?
[Cm] _ _ [C] _
_ [F] _ _ [C] _ _ _ _ _
_ [F] _ _ [C] _ _ [Cm] _ _ _
_ [F] _ _ [C] _ _ _ _ _
_ _ _ Oh, [Cm] can't you see the real [C] me?
Can't you?
[F] Can't you?
[Cm] _ _ See [C] the real me?
Can't you?
[F] Can't you see?
[Cm] _ _ [C] _
_ _ [G] _ _ _ [Cm] _ _ _
[C] _ _ [Dm] _ _ _ [Cm] _ _ _
_ [Dm] _ _ [C] _ _ _ _ [C] _
_ _ _ [Cm] _ _ _ _ [G] _
_ _ _ [C] Can't you [Cm] see the real me, doctor? Doctor!
[F] Doctor!
[C] Can't you [Eb] see?
_ [C] _
_ Preacher!
Can't you [Cm] see the real [F] me?
_ _ _ [B] Preacher!
[G] Oh, [C] can't you see the real me, me, me, me, me, me, me, me?
_ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Everything in Codifinio ended up very, very, very, very, very loud.
[Db] _
_ [G] _ _ [F] Some of the songs that [E] we put together were very _ _ [C] internal,
but [Eb] when we took it into the studio, the whole thing turned into
[D] some kind of [Ab] connection with our teenage [E] rage or something.
So many people have [C] connected with it over the years.
[Gb] So many people have said to me,
Eddie Vedder once said to me that Codifinio was one of the most important things
that he heard when he was growing up.
_ [N] I think it's really interesting that so many who songs are about,
so many who songs are about who
_ _ _ [G] _ _ _ _ [Bm]
back to [G] the doctor, [Cm] yeah, my [G] machine.
[C] I hear them tellin' about my weekends.
Nobody ever tells [G] me what it means.
[C] I say, [Cm] can't you see the real [C] me, doctor? _ _
Oh, [Cm] can't you see the [C] real me, doctor? _ _ _
_ _ _ [G] _ _ [C] _ _ [Eb]
Doctor, [D] I'm back to my mother.
I said, [Bb] I'm [D] crazy, Ma, help me.
I [F] know how it [E] feels, son, to [G] be born in a family. _
_ [C] Can't you see [Cm] the real [C] me, mama?
[F] _
_ _ _ [Cm] _ _ [C] Mama, [F] _
_ [C] _ _ [Cm] _ _ [C] _ _
can't you see [Cm] the real me?
_ _ _ _ [G] _
_ [C] _ _ [Cm] _ _ [C] _ _ _
_ _ _ [Cm] _ _ [C] _ _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ [Cm] _ _ [C] _ _ _
_ Like between the paving stones,
like there [B] is a flowing river.
[Gb] There's people who know [D] me,
even from [Eb] behind every window [Cm] pane.
[D] Girl, I used to [G] love this Louisiana house.
[C] Now, [D] two days have passed me by.
[G] I'm born again.
_ _ [C] _ _ [Cm] _ _ _
[C] _ _ Oh, can't you see [C] the real me, baby?
_ [F] _ _ _ _ [Cm] _ _ _
_ _ [Eb] _ _ _ _ _ [Bb] _
_ [G] _ _ [Cm] _ _ [C] _ _ _
_ _ _ [Cm] _ _ [C] _ _ _
_ [D] _ _ [Cm] Can't you see [C] the _ _ _ real [Cm] me?
_ [G] _ _ _
_ _ _ [C] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ When the preacher, _ my baby, he is [D] good.
I see him just stay a little.
[Cm] So, I'll get to the [Bb] door again.
_ [C] _ [Cm] Can't you see the real me, preacher?
[F] Preacher!
[C] _ [Eb] Can't you see the real me, preacher?
[G] Preacher!
Can't you see?
[Cm] _ _ [C] _
_ [F] _ _ [C] _ _ _ _ _
_ [F] _ _ [C] _ _ [Cm] _ _ _
_ [F] _ _ [C] _ _ _ _ _
_ _ _ Oh, [Cm] can't you see the real [C] me?
Can't you?
[F] Can't you?
[Cm] _ _ See [C] the real me?
Can't you?
[F] Can't you see?
[Cm] _ _ [C] _
_ _ [G] _ _ _ [Cm] _ _ _
[C] _ _ [Dm] _ _ _ [Cm] _ _ _
_ [Dm] _ _ [C] _ _ _ _ [C] _
_ _ _ [Cm] _ _ _ _ [G] _
_ _ _ [C] Can't you [Cm] see the real me, doctor? Doctor!
[F] Doctor!
[C] Can't you [Eb] see?
_ [C] _
_ Preacher!
Can't you [Cm] see the real [F] me?
_ _ _ [B] Preacher!
[G] Oh, [C] can't you see the real me, me, me, me, me, me, me, me?
_ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Everything in Codifinio ended up very, very, very, very, very loud.
[Db] _
_ [G] _ _ [F] Some of the songs that [E] we put together were very _ _ [C] internal,
but [Eb] when we took it into the studio, the whole thing turned into
[D] some kind of [Ab] connection with our teenage [E] rage or something.
So many people have [C] connected with it over the years.
[Gb] So many people have said to me,
Eddie Vedder once said to me that Codifinio was one of the most important things
that he heard when he was growing up.
_ [N] I think it's really interesting that so many who songs are about,
so many who songs are about who