Chords for Thomas Dolby - Sole Inhabitant Podcast (#1 - Leipzig)
Tempo:
127.85 bpm
Chords used:
D
C
Ab
Db
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E] [G] [E]
[G] [E] [G] The first two songs I ever recorded in a real studio were Leipzig and Urges, and the studio
was on a barge in Little Venice in North London, and it was a weird little studio.
[N] We had a strange experience and we met a lock keeper who said to watch out for a body that
was floating in the canal, and I remember while I was doing my vocals something didn't
smell quite right and it sort of spooked me out.
It turned out that the assistant engineer had actually left an open carton of Chinese
food in the tape store, so things were cool.
I sang this song, Leipzig, and it's about a guy, 39 years old, who reaches out for a
new job somewhere in Eastern Europe and gets there and finds that really every place is
just the same.
[Bb]
[Ab]
[Fm] [Db]
[Bb]
[Ab]
[Eb]
[Ab] [Db]
[Ab] [Db]
[Db]
[E] [C] [D]
[C] [D]
[C] [D]
[C] [D]
[C] 39 and [D] you need some leeway, [C] [D]
[C] soon you're eyeing [D] the overseas [C] page.
[D]
[C] The trains [D] are running late, [C] as you close [D] the garden gate.
[C] Stepping through [D] your steel front door frame, [Dm] dinner's in [E] the microwave, [F] sweetie.
Leipzig [Db] is calling you, [Ab] Henry.
[Bb]
[F] Leipzig [Db] is calling you, [Cm] Jane.
[Ab]
[Db] [F] Leipzig is calling you, [Ab] Leonard.
[Bb]
[F] Leipzig [Db] is calling you, [Cm] Nathan.
[Ab]
[Db] Cars were burning [Ab]
[Db] on yellow [Ab] lines.
[Db] Wheels turning, [Ab]
[Db] [Gb] the traffic lights [C]
changed.
[D] [C]
[D] [C]
Another misty [D] bus queue warning.
[C]
[D] [C]
Faces smile [D] down from a hoard [C] to
[D] [C]
the [D] bin.
[C] Drop something in, [D] well [C] you'll soon feel [D] yourself again.
[G]
[Dm] Every place [E] is just the same, isn't [F] it?
Leipzig [Db] is calling you, [Ab] Henry.
[Bb] [F]
Leipzig [Db] is calling you, [Ab] Jane.
[Cm] [Ab] [Db] [F]
Leipzig [Db] is calling you, [Ab] Leonard.
[Bb] [F]
Leipzig [Db] is calling you, [Ab] Nate.
[Cm] [Ab] [Db] Like the sound of taxi brakes, the sound of a dentist's drill, the color of skates on ice,
under [C] cling film, [D] it's calling.
[C] Leipzig [D] is calling you, [C] Nate.
Hear it [D] calling.
[Dm] Every place is [E] just the same, isn't [F] it?
Leipzig is calling you, [Ab] Henry.
[Bb]
[F] Leipzig [Db] is calling you, [Cm] Jane.
[Ab]
[F] Leipzig [Db] is calling you, [Ab] Leonard.
[Bb]
[F] Leipzig is calling you, [Ab] Nate.
[F]
[Ab] [Db]
[N]
I hope you've enjoyed [Gb] this week's podcast.
[Eb] Here is a sneak [Gb] preview of what you have to look forward to next week.
This is Thomas Dolby [G] saying, see you later.
[C] [E] [G] [E]
[D] [E]
[A] [E] [Em]
[D] [G] [E]
[G] [E]
[G] [E]
[N]
[G] [E] [G] The first two songs I ever recorded in a real studio were Leipzig and Urges, and the studio
was on a barge in Little Venice in North London, and it was a weird little studio.
[N] We had a strange experience and we met a lock keeper who said to watch out for a body that
was floating in the canal, and I remember while I was doing my vocals something didn't
smell quite right and it sort of spooked me out.
It turned out that the assistant engineer had actually left an open carton of Chinese
food in the tape store, so things were cool.
I sang this song, Leipzig, and it's about a guy, 39 years old, who reaches out for a
new job somewhere in Eastern Europe and gets there and finds that really every place is
just the same.
[Bb]
[Ab]
[Fm] [Db]
[Bb]
[Ab]
[Eb]
[Ab] [Db]
[Ab] [Db]
[Db]
[E] [C] [D]
[C] [D]
[C] [D]
[C] [D]
[C] 39 and [D] you need some leeway, [C] [D]
[C] soon you're eyeing [D] the overseas [C] page.
[D]
[C] The trains [D] are running late, [C] as you close [D] the garden gate.
[C] Stepping through [D] your steel front door frame, [Dm] dinner's in [E] the microwave, [F] sweetie.
Leipzig [Db] is calling you, [Ab] Henry.
[Bb]
[F] Leipzig [Db] is calling you, [Cm] Jane.
[Ab]
[Db] [F] Leipzig is calling you, [Ab] Leonard.
[Bb]
[F] Leipzig [Db] is calling you, [Cm] Nathan.
[Ab]
[Db] Cars were burning [Ab]
[Db] on yellow [Ab] lines.
[Db] Wheels turning, [Ab]
[Db] [Gb] the traffic lights [C]
changed.
[D] [C]
[D] [C]
Another misty [D] bus queue warning.
[C]
[D] [C]
Faces smile [D] down from a hoard [C] to
[D] [C]
the [D] bin.
[C] Drop something in, [D] well [C] you'll soon feel [D] yourself again.
[G]
[Dm] Every place [E] is just the same, isn't [F] it?
Leipzig [Db] is calling you, [Ab] Henry.
[Bb] [F]
Leipzig [Db] is calling you, [Ab] Jane.
[Cm] [Ab] [Db] [F]
Leipzig [Db] is calling you, [Ab] Leonard.
[Bb] [F]
Leipzig [Db] is calling you, [Ab] Nate.
[Cm] [Ab] [Db] Like the sound of taxi brakes, the sound of a dentist's drill, the color of skates on ice,
under [C] cling film, [D] it's calling.
[C] Leipzig [D] is calling you, [C] Nate.
Hear it [D] calling.
[Dm] Every place is [E] just the same, isn't [F] it?
Leipzig is calling you, [Ab] Henry.
[Bb]
[F] Leipzig [Db] is calling you, [Cm] Jane.
[Ab]
[F] Leipzig [Db] is calling you, [Ab] Leonard.
[Bb]
[F] Leipzig is calling you, [Ab] Nate.
[F]
[Ab] [Db]
[N]
I hope you've enjoyed [Gb] this week's podcast.
[Eb] Here is a sneak [Gb] preview of what you have to look forward to next week.
This is Thomas Dolby [G] saying, see you later.
[C] [E] [G] [E]
[D] [E]
[A] [E] [Em]
[D] [G] [E]
[G] [E]
[G] [E]
[N]
Key:
D
C
Ab
Db
E
D
C
Ab
_ _ _ _ _ _ _ _
_ _ [E] _ _ [G] _ _ [E] _ _
[G] _ _ [E] _ _ [G] _ The first two songs I ever recorded in a real studio were Leipzig and Urges, and the studio
was on a barge in Little Venice in North London, and it was a weird little studio.
[N] _ _ We had a strange experience and we met a lock keeper who said to watch out for a body that
was floating in the canal, and I remember while I was doing my vocals something didn't
smell quite right and it sort of spooked me out.
It turned out that the assistant engineer had actually left an open carton of Chinese
food in the tape store, so things were cool.
I sang this song, Leipzig, and it's about a guy, 39 years old, who _ _ _ _ reaches out for a
new job somewhere in Eastern Europe and gets there and finds that really every place is
just the same. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bb] _ _ _ _ _ _
_ _ [Ab] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Fm] _ _ _ _ [Db] _ _ _
_ _ _ _ _ _ _ _
_ [Bb] _ _ _ _ _ _ _
_ _ [Ab] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Ab] _ _ [Db] _ _ _ _
_ _ [Ab] _ _ _ [Db] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Db] _ _ _ _
_ _ [E] _ _ [C] _ _ [D] _ _
_ _ [C] _ _ _ _ [D] _ _
_ _ [C] _ _ _ _ [D] _ _
_ _ [C] _ _ _ _ [D] _ _
_ _ [C] 39 and [D] you need some leeway, [C] _ _ _ _ [D] _ _
_ _ [C] _ soon you're eyeing [D] the overseas [C] page.
_ _ _ [D] _ _
_ _ [C] _ The trains [D] are running late, _ _ [C] _ as you close [D] the garden gate.
_ _ [C] _ Stepping through [D] your steel front door frame, [Dm] _ dinner's in [E] the microwave, [F] sweetie.
_ Leipzig [Db] is calling you, [Ab] Henry.
_ _ _ _ [Bb] _
_ _ [F] _ Leipzig [Db] is calling you, [Cm] Jane.
_ _ _ [Ab] _ _
[Db] _ _ [F] _ Leipzig is calling you, [Ab] Leonard.
_ _ _ [Bb] _ _
_ _ [F] _ Leipzig [Db] is calling you, [Cm] _ Nathan.
_ [Ab] _ _
[Db] _ _ Cars were burning [Ab] _ _
[Db] _ on yellow _ [Ab] lines. _
[Db] _ _ Wheels turning, [Ab] _ _
[Db] _ [Gb] the traffic lights [C] _ _
changed.
[D] _ _ _ _ [C] _ _
_ _ [D] _ _ _ _ [C] _
Another misty [D] bus queue warning.
_ [C] _ _
_ _ [D] _ _ _ _ [C] _
Faces smile [D] down from a hoard [C] to _
_ _ [D] _ _ _ _ [C] _ _
the [D] bin.
_ _ _ [C] Drop something in, [D] _ _ well [C] you'll soon feel [D] yourself again.
_ [G] _
[Dm] Every place [E] is just the same, isn't [F] it?
Leipzig [Db] is calling you, [Ab] Henry. _
_ _ [Bb] _ _ _ _ [F] _
Leipzig [Db] is calling you, [Ab] Jane. _
[Cm] _ _ [Ab] _ _ [Db] _ _ [F] _
Leipzig [Db] is calling you, [Ab] Leonard. _
_ _ [Bb] _ _ _ _ [F] _ _
Leipzig [Db] is calling you, [Ab] Nate. _
[Cm] _ _ [Ab] _ _ [Db] _ _ Like the sound of taxi brakes, _ the sound of a dentist's drill, _ the color of skates on ice, _
under [C] cling film, [D] it's calling.
_ [C] _ Leipzig [D] is calling you, [C] Nate.
Hear it [D] calling.
_ _ [Dm] _ Every place is [E] just the same, isn't [F] it?
Leipzig is calling you, [Ab] Henry.
_ _ _ [Bb] _ _
_ _ [F] _ Leipzig [Db] is calling you, [Cm] Jane.
_ _ _ [Ab] _ _
_ [F] _ _ Leipzig [Db] is calling you, [Ab] Leonard.
_ _ _ [Bb] _ _
_ _ [F] _ Leipzig is calling you, _ [Ab] Nate. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ _ _
_ [Ab] _ _ [Db] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ I hope you've enjoyed [Gb] this week's podcast.
[Eb] Here is a sneak [Gb] preview of what you have to look forward to next week.
This is Thomas Dolby [G] saying, see you later. _ _ _ _ _
_ _ _ _ _ _ _ _
[C] _ _ [E] _ _ _ [G] _ _ [E] _
_ _ [D] _ [E] _ _ _ _ _
_ _ [A] _ [E] _ _ _ _ [Em] _
_ _ [D] _ _ [G] _ _ [E] _ _
_ _ _ _ [G] _ _ [E] _ _
[G] _ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ [E] _ _ [G] _ _ [E] _ _
[G] _ _ [E] _ _ [G] _ The first two songs I ever recorded in a real studio were Leipzig and Urges, and the studio
was on a barge in Little Venice in North London, and it was a weird little studio.
[N] _ _ We had a strange experience and we met a lock keeper who said to watch out for a body that
was floating in the canal, and I remember while I was doing my vocals something didn't
smell quite right and it sort of spooked me out.
It turned out that the assistant engineer had actually left an open carton of Chinese
food in the tape store, so things were cool.
I sang this song, Leipzig, and it's about a guy, 39 years old, who _ _ _ _ reaches out for a
new job somewhere in Eastern Europe and gets there and finds that really every place is
just the same. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bb] _ _ _ _ _ _
_ _ [Ab] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Fm] _ _ _ _ [Db] _ _ _
_ _ _ _ _ _ _ _
_ [Bb] _ _ _ _ _ _ _
_ _ [Ab] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Ab] _ _ [Db] _ _ _ _
_ _ [Ab] _ _ _ [Db] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Db] _ _ _ _
_ _ [E] _ _ [C] _ _ [D] _ _
_ _ [C] _ _ _ _ [D] _ _
_ _ [C] _ _ _ _ [D] _ _
_ _ [C] _ _ _ _ [D] _ _
_ _ [C] 39 and [D] you need some leeway, [C] _ _ _ _ [D] _ _
_ _ [C] _ soon you're eyeing [D] the overseas [C] page.
_ _ _ [D] _ _
_ _ [C] _ The trains [D] are running late, _ _ [C] _ as you close [D] the garden gate.
_ _ [C] _ Stepping through [D] your steel front door frame, [Dm] _ dinner's in [E] the microwave, [F] sweetie.
_ Leipzig [Db] is calling you, [Ab] Henry.
_ _ _ _ [Bb] _
_ _ [F] _ Leipzig [Db] is calling you, [Cm] Jane.
_ _ _ [Ab] _ _
[Db] _ _ [F] _ Leipzig is calling you, [Ab] Leonard.
_ _ _ [Bb] _ _
_ _ [F] _ Leipzig [Db] is calling you, [Cm] _ Nathan.
_ [Ab] _ _
[Db] _ _ Cars were burning [Ab] _ _
[Db] _ on yellow _ [Ab] lines. _
[Db] _ _ Wheels turning, [Ab] _ _
[Db] _ [Gb] the traffic lights [C] _ _
changed.
[D] _ _ _ _ [C] _ _
_ _ [D] _ _ _ _ [C] _
Another misty [D] bus queue warning.
_ [C] _ _
_ _ [D] _ _ _ _ [C] _
Faces smile [D] down from a hoard [C] to _
_ _ [D] _ _ _ _ [C] _ _
the [D] bin.
_ _ _ [C] Drop something in, [D] _ _ well [C] you'll soon feel [D] yourself again.
_ [G] _
[Dm] Every place [E] is just the same, isn't [F] it?
Leipzig [Db] is calling you, [Ab] Henry. _
_ _ [Bb] _ _ _ _ [F] _
Leipzig [Db] is calling you, [Ab] Jane. _
[Cm] _ _ [Ab] _ _ [Db] _ _ [F] _
Leipzig [Db] is calling you, [Ab] Leonard. _
_ _ [Bb] _ _ _ _ [F] _ _
Leipzig [Db] is calling you, [Ab] Nate. _
[Cm] _ _ [Ab] _ _ [Db] _ _ Like the sound of taxi brakes, _ the sound of a dentist's drill, _ the color of skates on ice, _
under [C] cling film, [D] it's calling.
_ [C] _ Leipzig [D] is calling you, [C] Nate.
Hear it [D] calling.
_ _ [Dm] _ Every place is [E] just the same, isn't [F] it?
Leipzig is calling you, [Ab] Henry.
_ _ _ [Bb] _ _
_ _ [F] _ Leipzig [Db] is calling you, [Cm] Jane.
_ _ _ [Ab] _ _
_ [F] _ _ Leipzig [Db] is calling you, [Ab] Leonard.
_ _ _ [Bb] _ _
_ _ [F] _ Leipzig is calling you, _ [Ab] Nate. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ _ _
_ [Ab] _ _ [Db] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ I hope you've enjoyed [Gb] this week's podcast.
[Eb] Here is a sneak [Gb] preview of what you have to look forward to next week.
This is Thomas Dolby [G] saying, see you later. _ _ _ _ _
_ _ _ _ _ _ _ _
[C] _ _ [E] _ _ _ [G] _ _ [E] _
_ _ [D] _ [E] _ _ _ _ _
_ _ [A] _ [E] _ _ _ _ [Em] _
_ _ [D] _ _ [G] _ _ [E] _ _
_ _ _ _ [G] _ _ [E] _ _
[G] _ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _