Chords for Toadies re-arrange "Tyler" on The Texas Music Scene

[D] _ _ _ _ _ _ _ _
_ _ _ [N] _ _ _ _ _
_ _ _ [A] _ Heretics from the Toadies, released in September of 2015, is an album that [D] connected a fresh
approach to brand new original tunes as well as stripped down classic songs.
[Am] [D] Here's one example.
It's Tyler from Fort Worth, Texas, [E] rock and roll [A] icon, the Toadies.
I think what's going to strike people about that one, that was one of the first ones that
I picked up the mandolin on.
_ [E] And that just kind of, [Bm] right [G#] out of the gate, everything [D] just went upside down.
My [C] belief has always been if you have a [A] good song, you can play it on whatever arrangement
and it still comes across.
And so I guess we went out of our way to test that theory.
So that's what started this whole process.
And it really revealed itself as this way prettier song [G] than I ever thought it was. _
[G#] _ [D] _ _ [A] _ _ _ _ [D] _
_ _ _ [Am] _ _ [F#m] _ _ [D] _
_ _ _ _ [F#m] _ _ _ [G] _
[D] _ _ _ _ [F#m] _ _ _ [D] _
_ _ [F#m] _ _ _ _ [D] The Toadies, [F#m] with a smile _ [D] on her face.
[Am] And she [F#m] runs [D] and she [A] waves and I wave.
[D] _ _
_ _ _ [F#m] _ _ _ [G] _ [D] _
_ _ [Bm] _ [F#m] _ _ _ [D] _ _
[F#m] We can drive to [D] any place, [Am] day [F#m] and night, to cross [D] this state.
[A] [F#m] In the morning, _ [G] into [D]
Mexico, [A] we [F#m] will wake up.
[D] Yeah, yeah.
_ We [F#m] _ _ _ [G] [D] will wake up.
_ _ [F#m] _ _ [D] We will. _
_ _ _ [F#m] _ _ _ [D] _
I [F#m] will be with her.
[E] Yeah, [D]
yeah.
_ [Bm] _ [F#] _ _ _ [G] _ [D] _
_ _ [B] _ [F#] _ _ _ [G] [D] Yeah, yeah.
[Bm] _ [F#] _ _ _ [C] _ [D] _
_ _ [Bm] _ [F#] _ _ [G] Yeah, [D] yeah.
_ [Bm] I [F#] _ _ _ [G] _ [D] _
_ _ [Bm] _ [F#] _ _ _ [A] _ [D] _
_ _ _ [F#m] _ _ _ [G] _ _
[D] _ _ [Bm] _ [F#m] _ _ _ [G] _ _
[D] burned a window [Bm] in [F#] the kitchen where I let [A] myself [D] in.
Run me through the [F#m] refrigerator, find [C#] myself [D] a beer.
I can't believe [F#] I'm really here.
And [A] she's lying in [D] that bed.
I can almost feel [C#m] her touch and [G] her [D] anxious breath.
I stumble in [C#m] the hallway.
I shout [D] open the door.
I hear her calling [F#] to me.
I hear [G] the fear [D] in her voice.
She pulls the [F#m] covers tighter.
I press [D] against the door.
I will [Bm] be [F#m] with [C#m] her tonight.
[D] I will be [F#m] with her tonight.
[G] _ [D]
I will be [F#m] with her [G] tonight.
[D] Yeah, yeah.
I will be with [F#m] her tonight.
[G] _ [D]
I will [Bm] be [F#m] with her.
[G] Hey, [D]
yeah.
_ _ [F#m] _ _ [D] Yeah, _ yeah.
Uh [F#m]-huh.
_ [D] Yeah, _ yeah.
Uh [F#m]-huh.
_ [D] Yeah, yeah.
I will be with [F#m] her.
_ [G] _ [D]
I will be _ [F#m] _ _ [D] _ _ _
_ _ _ [F#m] _ _ _ [E] _ _
_ _ [A#m] _ _ _ [D] with her.
Thank you so [N] much.
Thanks for having us.
Thank you for having us. _ _ _ _