Chords for Tom Coster CX3

Tempo:
88.15 bpm
Chords used:

Bb

Dm

G

D

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Tom Coster CX3 chords
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I am Tom Foster and [Bb] I've been a Corrigan Dorsey for [Eb] 15 years and I absolutely [Bb] love the keyboards.
And I currently have replaced my Hammond three with the stage three for many, many reasons.
One being that it's incredibly predictable.
Every night I can I can predict it to sound exactly what I want it to.
What I basically did is turn my Hammond on in my studio and went inside the menu and found a variety of tone generators in which to choose from.
I found one that basically sounded very, very close to my organ.
I built my sounds on that tone generator, which as far as I'm concerned is the heart of the instrument.
And what I've done is I've, you've got many banks in which to save sounds,
but I basically used one through eight so that I can toggle back and forth and simulate simulate having two keyboards.
[E] [Bb]
So what I've done is in the up in seven and eight, I put my car and then one and two are my solo samples, which involve percussion.
And then right next to the solo sounds is my full organ sound, which is basically all your drama.
Because when I'm soloing on percussion and I want to build the solo to a climax, I'll basically want to pull all the dropouts.
So I have that to my disposal, immediate disposal.
The other thing that's brilliant is because you have to use both hands in this concept,
your hands are always moving to simulate the two.
Unless you want to use a foot [Eb] pedal, which is a [Bb] great idea.
What I've done because the instrument is capable of, I've programmed the Leslie simulator to be on and off in various in various presets so [G] that I don't have to deal with that part [Bb] of it.
I can concentrate mainly [D] on playing.
[F]
[Dm]
[Gm]
[Dm] [G]
[Dm]
[F]
Oh,
[G] [Dm]
[D]
[G] [Dm]
Oh,
[D]
[Dm]
[Bm] [D]
[Dm]
[D]
[Dm] Oh,
[Bbm]
I'm going to do [Bb] a similar type of thing, a little faster tempo, different key and try to share with you maybe a little different approach.
[D] [C] [G]
[F] Oh,
[Bb]
[C] [B] [G]
[Bb]
[Fm] [N]
Oh,
[Bm]
[B] [C]
[F] Oh,
[E] [Bb]
[B]
[Ab] [Bb]
Oh,
[Bbm] Oh,
[Bb]
[C] [F] [Bb]
Oh,
[E] [F]
[Db] [B] [Bb]
[C] Oh,
Key:  
Bb
12341111
Dm
2311
G
2131
D
1321
F
134211111
Bb
12341111
Dm
2311
G
2131
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_ _ _ _ _
I am Tom Foster and [Bb] I've been a Corrigan Dorsey for [Eb] 15 years and I absolutely [Bb] love the keyboards.
And I currently have replaced my Hammond three with the stage three for many, many reasons.
One being that it's incredibly predictable.
_ Every night I can I can predict it to sound exactly what I want it to.
What I basically did is turn my Hammond on in my studio and went inside the menu and found a variety of tone generators in which to choose from.
I found one that basically sounded very, very close to my organ.
I built my sounds on that _ tone generator, which as far as I'm concerned is the heart of the instrument.
And what I've done is I've, you've got many banks in which to save sounds,
but I basically used one through eight so that I can toggle back and forth and simulate _ simulate having two keyboards.
[E] _ _ [Bb] _
_ _ _ _ So what I've done is in the up in seven and eight, I put my car and _ _ then one and two are my solo samples, which involve percussion.
And then right next to the solo sounds is my full organ sound, which is basically all your drama.
Because when I'm soloing on percussion and I want to build the solo to a climax, I'll basically want to pull all the dropouts.
So I have that to my disposal, immediate disposal.
The other thing that's brilliant is because you have to _ use both hands in this concept,
your hands are always moving to simulate the two.
Unless you want to use a foot [Eb] pedal, which is a [Bb] great idea.
What I've done because the instrument is capable of, I've programmed the Leslie simulator to be on and off in various in various _ presets so [G] that I don't have to deal with that part [Bb] of it.
I can concentrate mainly [D] on playing. _ _ _
_ _ _ _ _ [F] _
[Dm] _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ [Gm] _
_ [Dm] _ _ _ _ [G] _
_ _ _ _ [Dm] _ _
_ _ _ _ _ [F] _
Oh,
[G] _ _ [Dm] _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ [D] _
_ _ _ [G] _ _ [Dm] _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ Oh,
[D] _
_ _ _ _ _ [Dm] _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [Bm] _ _ _ [D] _
_ _ _ _ [Dm] _ _
[D] _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ [Dm] Oh,
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ [Bbm] _ _ _
_ I'm going to do [Bb] a similar type of thing, a little faster tempo, different key and try to share with you maybe a little different approach.
[D] _ _ _ [C] _ _ [G] _
_ [F] _ Oh, _ _
_ _ _ _ _ [Bb] _
_ [C] _ _ [B] _ _ [G] _
_ _ _ [Bb] _ _ _
_ [Fm] _ _ _ [N] _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
Oh, _ _ _ _
_ [Bm] _ _ _ _ _
_ [B] _ _ _ [C] _
[F] Oh, _ _ _ _ _
_ _ [E] _ _ _ [Bb] _
_ _ _ _ _ [B] _
_ _ [Ab] _ _ [Bb] _ _
_ _ _ _ _ _
_ Oh, _ _ _
[Bbm] _ _ _ Oh,
[Bb] _
_ _ _ _ _ _
[C] _ _ _ [F] _ _ [Bb]
Oh,
_ [E] _ _ _ [F] _
_ [Db] _ _ [B] _ _ [Bb] _
_ _ _ _ _
[C] Oh, _ _ _ _ _