Chords for Tom Keifer - Don't Know What You Got (Till It's Gone) (acoustic, w/ interview)

Tempo:
117.55 bpm
Chords used:

E

A

D

F#m

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Tom Keifer - Don't Know What You Got (Till It's Gone) (acoustic, w/ interview) chords
Start Jamming...
He asked me in the hall, Tom, and I [B] made a reference earlier [D] where I feel like I know you a long time,
and [A] I'm going to take credit for this about
[A#] it's been a while, but
[A#] Jim Pearick and I wrote a song for his first world [A] stage album,
Rick [G#] Nilsson of Cheap Trick on guitar, Bunny [C#] Carlos on drums, and
you were kind enough to do the [F#] vocal on that song, and I never got a chance to thank [G] you in person until now, so
Well, it was
In front of God and his witnesses, [F#] thank you very much, man, for doing that for us.
[C] I had a lot of fun [A] singing that.
Thank you.
[F] Thank you, that meant a lot to me.
I mean, it was [C#] really nice, you have a guy like that, that vocals [G#] on a tune that you wrote,
and I never thought
I always thought it [D#m] was unbelievable.
Your phone's on?
What a [G] professional, ladies and gentlemen.
I thought that was mine.
Let's see who it is.
Who is it?
Is it Jim?
No.
Well, call him.
It might have been Jim.
It might have been.
I was looking to see.
[D#] Sorry.
But at any rate, true story, and I
I'm going to be the worst [G] etiquette ever, right?
No, that's all right.
Just leave your [B] phone on during a live
No, but you could do that at another station, but we're perfectly cool with that.
I thought it was my phone
I apologize for my poor
My poor [C#] radio etiquette there.
Anyway, once again, thank you for that.
Oh, yeah, I had a blast doing it.
Thank you very much.
Hey, we really dug that.
What do you think of that version of [B] Shake Me?
Sound like, Senator?
Pretty good band you have here, Todd.
You want to introduce them to us?
[A] I want to
We've talked about my lovely wife Savannah and her role in the [G#] record,
and [A] I want to introduce the [F#] band now.
And [A] Billy Mercer on [C] bass guitar.
Paul [G]
Simmons [B] on the drums normally, but he's pounding a [C] box or something today.
[A] He's doing a good job with it, too.
[A] Tony Higbee on the guitar.
[G#] [A] And of course, [F#] Savannah is going to sing this next song with me.
[D#]
And live, we [A] have one other member who didn't come tonight.
Mr.
[G] Paul Taylor, who's an [F#m] old friend of mine, plays keyboards with us on the road here.
But [G#m] he's got the night off.
[A]
Well, you get to see him [G] tomorrow night at Viper Alley, though, right?
We'll tell [N] him what he missed.
Well, want to do one more Cinderella song for us?
Sure, yeah.
[A] All right, your choice.
This is another one that [G#] I did for the [B] VH1 Stripped Records,
and Savannah [G] actually recorded this song [A] with me and did the background,
[G] [E]
and actually co-produced it.
[A] So there it is.
One, two, three, four.
I
[E] [F#m] [E]
[D]
[A]
[E] can't tell you, baby, what [F#m] went wrong.
[E] I can't make you feel what [F#m] you felt [E] so [D] long ago.
Now that [A] it's shown.
[E]
Can't give you back what's [F#m] been earned.
[C#] [E]
Highlights come and go.
[F#] Now that's [E] left [D] all the words I [A] can't let go.
[Bm] If we take some time [F#m] thinking over, baby.
[Bm] Take some time, [F#] let me know.
[E] If you really want to [D] go.
[A] Don't know [E] what you got [D] till it's gone.
[Bm]
[A] Don't know what [E] it is I did [F#] so [E] wrong.
[D]
[A] Now I know [E] all I've got is just this song.
[D] [A] It ain't [E] easy to get back, takes so [D] long.
[A]
[E] Can't feel the things that [F#m] cause you pain.
[E]
[E] I can't clear my heart of [F#m] your [E] love.
It's [D] all black rain.
It [A] ain't the same.
[E]
I hear you calling far [F#m]
away.
[C#] [E] I'm tearing through my soul.
Just [F#m] can't [E] take [D] another day.
[A] Lose the blame.
[Bm] If we take some time [F#m] thinking over, baby.
[Bm] Take some time, let [F#m] me know.
[E] If you really want to [D] go.
[A] Don't know [E] what you got [D] till it's gone.
[B] [Bm]
[A] Don't know [E] what it is I [F#m] did so [E] [D] wrong.
[A] Now I know all [E] I've got is just this song.
[D] [A] It ain't [E] easy to get back, [F#m] takes so [E]
[D] long.
[C#m] Do you want to see me beggin', [E] baby?
Can't you give me just one more [C#m] day?
Can't you see my heart's been dragging, [E] baby?
I've been looking for the words to [D]
say.
[A]
Don't know [E] what you got [D] till it's gone.
[C#] [B] [Bm] [A]
Don't know what [E] it is I did so wrong.
[D]
[A] Now I know [E] all I've got is [F#m] just this [E] song.
[D]
[A] It ain't [E] easy to get back, takes [F#m] so [E] long.
[D]
It ain't easy.
[N]
Key:  
E
2311
A
1231
D
1321
F#m
123111112
G
2131
E
2311
A
1231
D
1321
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He asked me in the hall, Tom, and I [B] made a reference earlier [D] where I feel like I know you a long time,
and [A] I'm going to take credit for this about_
[A#] it's been a while, but
[A#] Jim Pearick and I wrote a song for his first world [A] stage album,
Rick [G#] Nilsson of Cheap Trick on guitar, Bunny [C#] Carlos on drums, and
you were kind enough to do the [F#] vocal on that song, and I never got a chance to thank [G] you in person until now, so_
Well, it was_
In front of God and his witnesses, [F#] thank you very much, man, for doing that for us.
[C] I had a lot of fun [A] singing that.
Thank you.
[F] Thank you, that meant a lot to me.
I mean, it was [C#] really nice, you have a guy like that, that vocals [G#] on a tune that you wrote,
and I never thought_
I always thought it [D#m] was unbelievable.
Your phone's on?
What a [G] professional, ladies and gentlemen.
I thought that was mine.
Let's see who it is.
Who is it?
Is it Jim?
No.
Well, call him.
It might have been Jim.
It might have been.
I was looking to see.
[D#] Sorry.
But at any rate, true story, and I_
I'm going to be the worst [G] etiquette ever, right?
No, that's all right.
Just leave your [B] phone on during a live_
No, but you could do that at another station, but we're perfectly cool with that.
I thought it was my phone_
I apologize for my poor_
My poor [C#] radio etiquette there.
_ Anyway, once again, thank you for that.
Oh, yeah, I had a blast doing it.
Thank you very much.
Hey, we really dug that.
What do you think of that version of [B] Shake Me?
Sound like, Senator?
_ Pretty good band you have here, Todd.
You want to introduce them to us?
[A] I want to_
We've talked about my lovely wife Savannah and her role in the [G#] record,
and [A] I want to introduce the [F#] band now.
And [A] Billy Mercer on [C] bass guitar.
Paul _ [G] _
_ _ Simmons [B] on the drums normally, but he's pounding a [C] box or something today. _ _ _
[A] _ _ _ _ He's doing a good job with it, too.
_ [A] Tony Higbee on the guitar. _ _
[G#] _ _ _ [A] _ And of course, [F#] Savannah is going to sing this next song with me.
_ _ _ [D#]
And live, we [A] have one other member who didn't come tonight.
Mr.
[G] Paul Taylor, who's an [F#m] old friend of mine, plays keyboards with us on the road here.
But [G#m] he's got the night off.
[A]
Well, you get to see him [G] tomorrow night at Viper Alley, though, right?
We'll tell [N] him what he missed.
Well, want to do one more Cinderella song for us?
Sure, yeah.
[A] All right, your choice.
This is another one that [G#] I did for the [B] VH1 Stripped Records,
and Savannah [G] actually recorded this song [A] with me and did the background,
_ [G] _ [E]
and actually co-produced it.
[A] So there it is.
One, two, three, four.
I _
_ [E] _ _ _ _ [F#m] _ _ [E] _
_ [D] _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ [E] _ _ can't tell you, baby, what [F#m] went wrong. _ _ _ _
[E] _ _ I can't make you feel what [F#m] you felt [E] so [D] long ago.
_ _ _ Now that [A] it's shown.
_ _ _ _ _ [E] _ _
Can't give you back what's [F#m] been earned.
_ _ _ [C#] _ _ [E] _ _
Highlights come and go.
[F#] Now that's [E] left [D] all the words I _ [A] can't let go. _ _ _
_ [Bm] If we take some time [F#m] thinking over, baby. _
_ _ [Bm] Take _ some time, [F#] let me know.
_ [E] If you really want to [D] go. _ _ _ _ _
_ _ [A] _ Don't know [E] what you got _ [D] till it's gone.
_ _ [Bm] _
_ _ [A] Don't know what [E] it is I did [F#] so [E] wrong.
[D] _ _ _
_ _ _ _ _ _ [A] Now I know [E] all I've got is just this song.
_ [D] _ _ _ _ [A] It ain't [E] easy to get back, takes so _ _ [D] long. _ _ _ _ _
_ _ [A] _ _ _ _ _ _
_ _ [E] _ _ Can't feel the things that [F#m] cause you pain.
_ _ _ [E] _
_ _ [E] I can't clear my heart of [F#m] your [E] love.
It's [D] all black rain.
_ _ It [A] ain't the same.
_ _ _ _ _ _ [E] _
I hear you calling far [F#m] _
away.
_ _ _ [C#] _ [E] I'm tearing through my soul.
Just [F#m] can't [E] take [D] another day. _ _ _
_ [A] Lose the blame. _ _ _
_ [Bm] If we take some time [F#m] thinking over, baby. _
_ _ [Bm] Take _ some time, let [F#m] me know.
_ [E] If you really want to _ [D] go. _ _ _ _
_ _ [A] Don't know [E] what you got _ [D] till it's gone.
_ [B] _ _ [Bm] _
_ [A] _ Don't know [E] what it is I [F#m] did so [E] _ [D] wrong. _ _ _
_ _ _ _ [A] _ Now I know all [E] I've got is just this song.
[D] _ _ _ _ [A] It ain't [E] easy to get back, [F#m] takes so _ [E] _
[D] long. _ _ _ _ _ _ _
[C#m] _ Do you want to see me beggin', [E] baby?
Can't you give me just one more [C#m] day?
Can't you see my heart's been dragging, [E] baby?
_ I've been looking for the words to [D] _
say.
_ _ _ _ _ [A] _
Don't know [E] what you got _ [D] till it's gone.
[C#] _ [B] _ _ [Bm] _ _ [A]
Don't know what [E] it is I did so wrong.
[D] _ _ _ _ _ _
_ _ [A] Now I know [E] all I've got is [F#m] just this [E] song.
_ [D] _ _
_ _ [A] It ain't [E] easy to get back, takes [F#m] so _ [E] long.
_ [D] _
_ It ain't easy. _ _ _ _
_ _ _ _ _ _ [N] _ _