Chords for Tony Bennett - The Best Is Yet to Come (from Duets: The Making Of An American Classic)

_ One, _ two, three. _
[G] _ _ _ _ _ _ [Em] _ [A] _
_ _ _ [C] _ [Eb] _ _ _ [G] _
[C] _ [F] _ [A] _ _ _ _ _ [Gm] _
_ [G] [A] The Best Is Yet To Come, we talked about it over dinner.
And it's a song I've known for a long time and I've always wanted to record it.
I was listening to it forever.
It's by Coleman and Carol Lee.
It's a great song, one of my favorite songs.
So to be able to sing it with you. _
It's tricky, it's trickier than I thought, a little bit. _
_ [E] Out of the tree of life, I just picked me a plum.
_ [Gm] _ [Am] _ [E] _ _ [Em] _
_ You came along and everything started to hum.
_ _ [Bb] _ [Am] _ _ [Ab] _ [Em]
Still _ it's a real good bet.
The Best Is Yet To [E] Come.
[Gbm] _ _ [E] _ [Abm] _
_ The best is yet to come, babe, won't it be fine?
[Ab] _ [Db] _ _ [Ab] _ _
[Abm] You [Gb] think you've seen [Ab] the sun, but you ain't [B] seen it shine. _ _ _
[Dbm] Wait till the warm up's underway.
[Gbm] _ [Dbm] Wait till [Gbm] our lips [G] have met.
[Dbm] _ _
Wait till you [A] see that sunshine day.
[Dbm] You ain't seen nothing [F] yet.
_ [E] _
_ [G] The best [C] is yet to come and babe, won't [Db] that be fine?
The best is [A] yet to [Db] come. _
[Gb] The best is yet [C] to come, [E] come the [G] day you're [C] mine.
_ Come the [Am] day you're mine.
_ _ I'm [D] gonna teach you [Am] to fly.
[F] _ _ [Bm] We've [F] only tasted [C] the wine.
[Ab] _ [A] _ We're gonna [Abm]
drain the [C] cup dry.
_ _ [Ab] _ _ [C] _
_ [Am] Wait till you've found [Ab] the right for [C] these arms to surround.
You sure nobody else [E] can do no.
[C] You [A] think you've flown the far but [Db] you ain't left [D] the ground.
[C] _ _ _ [D] _ _
_ [Gm] Wait till [Am] you're lost [Bb] in my [G]
embrace.
Wait till I draw you [F] [Bb] near. _
Wait till [Am] you see [Bb] that [F] sunshine face.
Ain't nothing like it here.
[Gb] _
_ [Fm] The [Abm] best is yet to come and [Db] Tony, [D] won't it [Abm] be [Fm] fine?
_ Diana.
_ [Db] The best [Gb] is yet to come, [Ab] come the day you're mine.
[Db] _ [Bb] _ [Db] _ [Ab] I love [Db] to record this way because we're [Eb] all [Bb] together.
[Ab] We're not [Bbm] worried about headphones and being separated and not [Eb] being able to see the [Ab] musicians [Bbm] and the artists that you're singing with.
I [Gbm] think [Ab] it's [Db] great.
It's more spontaneous.
It's just spontaneous.
Is there any other way to record?
_ [Bb] Wait till you've found [A] the right for these arms [Bbm] to surround.
[Bb] _ _ _ _ [Ebm] _
[Db] You [Bb] think you've flown the far but you ain't left [Cm] the ground.
[Db] _ _ [Cm] _ _ [Eb] _
_ [Abm] Wait [Ebm] till you're lost in my embrace.
[Ab] Wait till I draw you [Gb] near.
[Abm] _
_ Wait [Bbm] till you see [B] that sunshine [Gb]
face.
Ain't nothing like it here.
[Em] _
[Gbm] _ [A] The [Gb] best is yet to come, babe, [Dbm] won't it be [Am] [Dbm] fine?
_ [Ebm] _ [G] _
_ The best is yet to come.
[A] Come the day [Gbm] you're mine.
[Ab] _ _ _ [G] [Ebm] Come the day [Gbm] you're mine.
[Ab] _ _ [G] _ Come the day [D] you're mine.
[C] _ [Db] _ It is more natural when you can see each other.
For me, I'm a piano player too, so it's important for me to lock in with the other musicians and you're all together.
It feels more comfortable and I think it sounds more organic when you record that way, especially if you're singing together.
Come the day [Eb] you're mine.
_ _ [C] _ _ _ [Gm] _ _ _ _ [A] _ _ _ [D] _ _ _
_ _ _ _ _ _ _ _