Chords for Tony Williamson plays Wheel Hoss on 1923 Lloyd Loar
Tempo:
43.8 bpm
Chords used:
G
Dm
D
B
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, I'm Tony Williamson of Mandolin Central.
I'm here at the Rubber Room with another exciting mandolin rediscovery.
This is a 1923 Gibson F5 Lloyd-Lohr, signed and dated by Lloyd-Lohr on February 26, 1923.
The serial number of this beautiful mandolin is 72204.
It's in remarkable shape, especially considering that this was a bluegrass war horse for the last 50 years,
in the hands of a man who really knew what to do with it.
It's really been taken care of.
The neck has all the finish missing from playing.
The tuners have been replaced with Waverly tuners, but the originals still work and they are included in the case.
Some interesting points about this mandolin.
This batch was a fairly small batch of mandolins,
but they all seem to have turned up in prominent hands.
Names like Bill Monroe, Joe Bough, and many others are associated with this particular batch.
And the truss rod cover is a piece of mother-of-pearl that's autographed on the back side by one B.
Osborne.
Well, this is a beautiful mandolin indeed, but I think we should step over to the microphones and see how it sounds.
Wow, you might say it's a horse.
[Dm] [G]
It's a horse.
It's a horse.
[D] [B] [G]
I'm here at the Rubber Room with another exciting mandolin rediscovery.
This is a 1923 Gibson F5 Lloyd-Lohr, signed and dated by Lloyd-Lohr on February 26, 1923.
The serial number of this beautiful mandolin is 72204.
It's in remarkable shape, especially considering that this was a bluegrass war horse for the last 50 years,
in the hands of a man who really knew what to do with it.
It's really been taken care of.
The neck has all the finish missing from playing.
The tuners have been replaced with Waverly tuners, but the originals still work and they are included in the case.
Some interesting points about this mandolin.
This batch was a fairly small batch of mandolins,
but they all seem to have turned up in prominent hands.
Names like Bill Monroe, Joe Bough, and many others are associated with this particular batch.
And the truss rod cover is a piece of mother-of-pearl that's autographed on the back side by one B.
Osborne.
Well, this is a beautiful mandolin indeed, but I think we should step over to the microphones and see how it sounds.
Wow, you might say it's a horse.
[Dm] [G]
It's a horse.
It's a horse.
[D] [B] [G]
Key:
G
Dm
D
B
E
G
Dm
D
Hi, I'm Tony Williamson of Mandolin Central.
I'm here at the Rubber Room with another exciting mandolin rediscovery.
This is a 1923 Gibson F5 Lloyd-Lohr, signed and dated by Lloyd-Lohr on February 26, 1923.
The serial number of this beautiful mandolin is 72204.
It's in remarkable shape, especially considering that this was a bluegrass war horse for the last 50 years,
in the hands of a man who really knew what to do with it.
It's really been taken care of.
The neck has all the finish missing from playing.
The tuners have been replaced with Waverly tuners, but the originals still work and they are included in the case.
Some interesting points about this mandolin.
This batch was a fairly small batch of mandolins,
but they all seem to have turned up in prominent hands.
Names like Bill Monroe, Joe Bough, and many others are associated with this particular batch.
And the truss rod cover is a piece of mother-of-pearl that's autographed on the back side by one B.
Osborne.
Well, this is a beautiful mandolin indeed, but I think we should step over to the microphones and see how it sounds. _ _
_ _ _ _ _ _ _ _
_ Wow, you might say it's a horse. _ _ _ _
_ _ [Dm] _ _ _ _ _ [G] _
_ _ _ _ _ It's a horse.
_ _ _ _ _ _ _
It's a horse. _ _ _ _ _ _ _
_ _ _ [D] _ _ [B] _ _ [G] _
_ _ _ _ _ _ _ _
I'm here at the Rubber Room with another exciting mandolin rediscovery.
This is a 1923 Gibson F5 Lloyd-Lohr, signed and dated by Lloyd-Lohr on February 26, 1923.
The serial number of this beautiful mandolin is 72204.
It's in remarkable shape, especially considering that this was a bluegrass war horse for the last 50 years,
in the hands of a man who really knew what to do with it.
It's really been taken care of.
The neck has all the finish missing from playing.
The tuners have been replaced with Waverly tuners, but the originals still work and they are included in the case.
Some interesting points about this mandolin.
This batch was a fairly small batch of mandolins,
but they all seem to have turned up in prominent hands.
Names like Bill Monroe, Joe Bough, and many others are associated with this particular batch.
And the truss rod cover is a piece of mother-of-pearl that's autographed on the back side by one B.
Osborne.
Well, this is a beautiful mandolin indeed, but I think we should step over to the microphones and see how it sounds. _ _
_ _ _ _ _ _ _ _
_ Wow, you might say it's a horse. _ _ _ _
_ _ [Dm] _ _ _ _ _ [G] _
_ _ _ _ _ It's a horse.
_ _ _ _ _ _ _
It's a horse. _ _ _ _ _ _ _
_ _ _ [D] _ _ [B] _ _ [G] _
_ _ _ _ _ _ _ _