Chords for TOP 20 ACOUSTIC GUITAR INTROS OF ALL TIME

Tempo:
76.325 bpm
Chords used:

E

G

D

F

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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TOP 20 ACOUSTIC GUITAR INTROS OF ALL TIME chords
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Crafting the introduction of a song with a memorable guitar part is a difficult thing to do.
There should be an identifiable
instrumental hook called the signature that begins the song.
It's usually a combination of a melodic line and the chord progression.
Now,
I don't mean songs like Landslide that just [D#] picks through the chords.
[A#] [Cm] [A#]
[D#] That's a [N] great part on its own, but it's not really a melodic hook.
In this video,
I'm going to count down my top 20 acoustic guitar intros of all time.
Coming in at number 20 is a song that actually strums the chords,
but the strumming part is really the entire hook of the song.
It [F#] also uses [D#] these sus chords, sus 2 and sus 4 [F] chords.
[A#]
[F]
[A#]
[F] [A#]
[F] [N] Coming in at number 19 was a
1974 [G] number one hit and the song is in the Grammy [F] Hall of Fame.
[A#] [C] [D#] [F]
[N] Coming in at number 18 is from this particular artist's debut record, and it's the only song in the entire list
that's in an [F#] odd time signature.
[E] [B] [E] [F#] [B]
[E] [F#] [E] [B] [A#m]
[C#] [E] [B] [N] Coming in at number 17 is a song that was released in
1973 and it was from this artist's record entitled You Don't Mess [D] Around With Jim.
[Dm] [G] [Gm]
[A] [Gm] [Dm] [E] [Dm] [Em]
[N] Coming in at number 16 is a song that is actually a little bit obscure unless you know Alice in Chains,
but it really sounds like the grunge era and it's a killer intro.
[C#]
[F#] [C#]
[B] [F#] [C#]
[G#m] [F#] [C#] [B]
[F#] [C#]
Coming in [N] at number 15 is from the 1969 rock opera Tommy, where Pete Townshend demonstrates
how many chords you can play in a [A] row with F sharp in [Bm] the bass.
[F#]
[F#m] [G]
[F#] [A] [B]
[N] Coming in at number 14,
I don't even dare play it.
I'm gonna actually use the video of this next artist who happens to be the only person that I've actually met [Am] on this entire list.
[A] [Am]
[C] [Am] [A] [Am]
[E] [Em] [Am]
[A] [D] [Em] [Am]
[A] [G] [E] [N] Coming in at number 13 is a
1970 release by one of the finest acoustic guitarists ever in pop music.
The song was written as a reaction to a friend's [C] suicide.
[Gm]
[C] [G]
[A#] [C]
[N] Coming in at number 12 is from the 1969 release Abbey Road.
It's one of George Harrison's two contributions to the album and one of the finest examples [A] of a signature introduction hook.
[D]
[A] [D]
[E] [N] Intro 11 began as an instrumental guitar suite in search of a song.
Well that song which came out in
1972 ended up being one of the most famous progressive rock songs [E] of all time.
[Em]
[F#] [Em]
[F#] [Bm] [C] [Am] [E]
[Em] [F#m] [D]
[F#] [Bm] [Am] [F#m] [E]
Coming in at [N] number 10 is a song from the mid-1960s and [F#] is also by one of the greatest fingerstyle guitarists of all [E] time.
[D]
[E] [D] [E] [D] [E]
[D] [E]
[N] Coming in at number 9 is a song off Led Zeppelin's first album and it's one of my favorite songs [Am] to play.
[G] [D] [F]
[E] [Am] [Em] [D]
[F] [E] [Dm] [F] [E]
[Dm] [F] [E] [A] [G]
[D] [F] [E] [Am]
[Dm] [Am]
[Dm] [Am] [Dm]
[Am] [N] Coming in at number 8 is a song that was released in 1975 and is one of the most recognizable 12-string guitar [G] parts [A] ever.
[D] [Em]
[G] [D]
[Em] [G]
[Em] [A]
[G] [Em] [G]
[A] [G]
[D] [D#] Coming in at number 7 is from [A#m] a song that I featured in [A#] one of my episodes of What [N] Makes This Sun Great.
It was released in the mid-70s and is from one of the biggest trios of all [F#m] time.
[G] [D]
[F] [A]
Coming in at number 6 [N] is actually kind of a tricky part to play.
Because of the pull-offs, but you will recognize it immediately.
[G]
[D] [G]
[D] [G]
[D] [C] [G]
[Gm] [G]
[N] Coming in at number 5 is a song from 1976 off this band's debut record.
When I was growing up, it's a song that everyone had to [D] learn how to play.
[C] [G]
[D] [F] [G] [D]
[G] [D] [C] [G]
[D] Coming in at [N] number 4 is a song that uses the entire verse melody in the introduction guitar part.
[E]
[F#m] [E] [A] [E]
[F#m] [E]
[A] [E] [A#] Coming in at number 3 [B] is a song that I always say is my favorite ballad of all time.
And I will eventually do a What Makes This Sun Great on [Am] this.
[E] [G#] [E] [C]
[F] [C] [G] [Am]
[N] Coming in at number 2 is a song that I can't play or say the name of, otherwise it will take the video down.
But I can play the chords and you'll know what it is.
[Bm] Check it out.
[F#] [Bm] [A]
[Bm] [E] [G]
[D] [Em]
[F#] [N] Before we get to number 1, here's a few honorable mentions that I thought really hard about putting on the list, but they didn't quite [Cm] make it.
[Fm] [Dm] [F] [A#] [F]
[Cm] [Dm] [Fm]
[F] [A#] [F]
[A#] [N]
Key:  
E
2311
G
2131
D
1321
F
134211111
A
1231
E
2311
G
2131
D
1321
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Crafting the introduction of a song with a memorable guitar part is a difficult thing to do.
There should be an identifiable
instrumental hook called the signature that begins the song.
It's usually a combination of a melodic line and the chord progression.
Now,
I don't mean songs like Landslide that just [D#] picks through the chords.
_ [A#] _ [Cm] _ _ [A#] _ _
[D#] That's a [N] great part on its own, but it's not really a melodic hook.
In this video,
I'm going to count down my top 20 acoustic guitar intros of all time.
Coming in at number 20 is a song that actually strums the chords,
but the strumming part is really the entire hook of the song.
It [F#] also uses [D#] these sus chords, sus 2 and sus 4 [F] chords.
[A#] _
_ _ [F] _ _ _ _ _ _
_ _ _ _ _ _ [A#] _ _
_ [F] _ _ _ _ _ [A#] _ _
_ [F] _ _ _ _ [N] Coming in at number 19 was a
1974 [G] number one hit and the song is in the Grammy [F] Hall of Fame. _
_ [A#] _ [C] _ _ _ [D#] _ [F] _ _
_ _ _ _ _ [N] Coming in at number 18 is from this particular artist's debut record, and it's the only song in the entire list
that's in an [F#] odd time signature.
[E] _ _ [B] _ [E] _ [F#] _ [B] _ _ _
[E] _ [F#] _ [E] _ _ [B] _ _ [A#m] _ _
[C#] _ [E] _ [B] _ _ [N] Coming in at number 17 is a song that was released in
1973 and it was from this artist's record entitled You Don't Mess [D] Around With Jim.
[Dm] _ _ _ _ _ [G] _ [Gm] _ _
[A] _ [Gm] _ [Dm] _ [E] _ [Dm] _ [Em] _ _
[N] Coming in at number 16 is a song that is actually a little bit obscure unless you know Alice in Chains,
but it really sounds like the grunge era and it's a killer intro.
[C#] _
_ _ _ [F#] _ _ _ [C#] _ _
[B] _ _ _ [F#] _ _ _ [C#] _ _
_ [G#m] _ _ [F#] _ _ _ [C#] _ [B] _
_ _ [F#] _ _ _ [C#] _ _ _
_ _ Coming in [N] at number 15 is from the 1969 rock opera Tommy, where Pete Townshend demonstrates
how many chords you can play in a [A] row with F sharp in [Bm] the bass.
_ _ _ _ _ _ _ [F#] _
_ [F#m] _ _ [G] _ _ _ _ _
[F#] _ _ _ _ [A] _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [N] Coming in at number 14,
I don't even dare play it.
I'm gonna actually use the video of this next artist who happens to be the only person that I've actually met [Am] on this entire list.
_ [A] _ _ _ [Am] _ _
[C] _ [Am] _ _ [A] _ _ _ [Am] _ _
_ [E] _ [Em] _ _ [Am] _ _ _ _
_ _ [A] _ [D] _ _ [Em] _ [Am] _ _
[A] _ _ _ [G] _ _ _ [E] [N] Coming in at number 13 is a
1970 release by one of the finest acoustic guitarists ever in pop music.
The song was written as a reaction to a friend's [C] suicide.
_ [Gm] _
_ _ _ [C] _ _ _ _ [G] _
_ [A#] _ _ _ _ [C] _ _ _
_ [N] Coming in at number 12 is from the 1969 release Abbey Road.
It's one of George Harrison's two contributions to the album and one of the finest examples [A] of a signature introduction hook.
_ _ _ [D] _ _ _ _
_ _ [A] _ _ _ _ [D] _ _
[E] _ _ _ [N] Intro 11 began as an instrumental guitar suite in search of a song.
Well that song which came out in
1972 ended up being one of the most famous progressive rock songs [E] of all time.
_ [Em] _ _
_ [F#] _ _ _ _ [Em] _ _ _
_ [F#] _ [Bm] _ [C] _ _ _ [Am] _ [E] _
[Em] _ _ _ _ [F#m] _ _ _ [D] _
_ [F#] _ [Bm] _ [Am] _ [F#m] _ [E] _ _ _
Coming in at [N] number 10 is a song from the mid-1960s and [F#] is also by one of the greatest fingerstyle guitarists of all [E] time.
[D] _ _ _ _
[E] _ _ [D] _ [E] _ _ [D] _ [E] _ _
[D] _ _ _ _ _ _ [E] _ _
_ [N] Coming in at number 9 is a song off Led Zeppelin's first album and it's one of my favorite songs [Am] to play.
_ _ [G] _ _ [D] _ _ [F] _
_ [E] _ [Am] _ _ [Em] _ _ [D] _ _
_ [F] _ [E] _ [Dm] _ _ [F] _ [E] _ _
[Dm] _ [F] _ [E] _ _ [A] _ _ _ [G] _
_ [D] _ _ [F] _ _ [E] _ [Am] _ _
_ _ _ _ [Dm] _ _ _ [Am] _
_ [Dm] _ _ [Am] _ _ _ [Dm] _ _
[Am] _ _ _ [N] Coming in at number 8 is a song that was released in 1975 and is one of the most recognizable 12-string guitar [G] parts [A] ever.
[D] _ [Em] _
_ _ _ [G] _ _ _ _ [D] _
[Em] _ _ _ _ _ [G] _ _ _
_ _ [Em] _ _ _ _ [A] _ _
[G] _ _ _ [Em] _ _ _ [G] _ _
[A] _ _ _ _ [G] _ _ _ _
_ _ _ _ [D] [D#] Coming in at number 7 is from [A#m] a song that I featured in [A#] one of my episodes of What [N] Makes This Sun Great.
It was released in the mid-70s and is from one of the biggest trios of all [F#m] time. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ [D] _ _
[F] _ _ [A] _ _ _ _ _ _
_ _ _ Coming in at number 6 [N] is actually kind of a tricky part to play.
Because of the pull-offs, but you will recognize it immediately.
[G] _
_ _ _ _ [D] _ _ _ [G] _
_ _ _ [D] _ _ _ _ [G] _
_ _ [D] _ _ _ [C] _ [G] _ _
_ [Gm] _ _ _ _ [G] _ _ _
_ _ _ _ _ _ [N] Coming in at number 5 is a song from 1976 off this band's debut record.
When I was growing up, it's a song that everyone had to [D] learn how to play.
_ _ [C] _ [G] _ _
[D] _ _ [F] _ [G] _ _ [D] _ _ _
[G] _ _ [D] _ _ _ [C] _ [G] _ _
[D] _ _ _ Coming in at [N] number 4 is a song that uses the entire verse melody in the introduction guitar part.
[E] _ _
_ _ [F#m] _ [E] _ _ [A] _ [E] _ _
_ _ _ _ _ [F#m] _ [E] _ _
[A] _ [E] _ _ _ _ [A#] Coming in at number 3 [B] is a song that I always say is my favorite ballad of all time.
And I will eventually do a What Makes This Sun Great on [Am] this. _ _ _ _ _
_ [E] _ _ [G#] _ [E] _ [C] _ _ _
[F] _ _ _ [C] _ _ [G] _ [Am] _ _
_ _ [N] Coming in at number 2 is a song that I can't play or say the name of, otherwise it will take the video down.
But I can play the chords and you'll know what it is.
[Bm] Check it out. _ _
_ _ [F#] _ _ _ [Bm] _ [A] _ _
_ [Bm] _ [E] _ _ _ [G] _ _ _
_ [D] _ _ _ _ _ [Em] _ _
_ _ [F#] _ _ _ [N] _ Before we get to number 1, here's a few honorable mentions that I thought really hard about putting on the list, but they didn't quite [Cm] make it.
_ _ [Fm] _ _ [Dm] _ _ [F] _ _ _ _ [A#] _ _ [F] _ _
[Cm] _ _ _ _ [Dm] _ _ [Fm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ [A#] _ [F] _
_ [A#] _ _ [N] _ _ _ _ _
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