Chords for Tori Amos - Trouble's Lament

Tempo:
81.25 bpm
Chords used:

C#m

C#

F#

A

E

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Tori Amos - Trouble's Lament chords
Start Jamming...
[C#m]
[C#] [C#m] [C#] [C#m] [C] [C#m]
[C#] [C#m] [C#] Trouble [C#m] needs a home, girls, [C#] trouble [C#m] needs a home.
She [C#] fell out [C#m] with Satan, now she's on the run.
But I [F#] have found her quite straightforward in her contracts and her deals.
She warns me when [C#] danger is [E] loose behind [F#] his wings.
And [C#] he is loose [E] behind [F#] his wheels.
[E] Don't [C#m] cry, baby.
Trouble got evicted from the devil's lair.
[C] I [C#m] wager she got betrayed [C#] by her [C#m] friend, the spell.
[F#] Now the flames from Satan's tongue are charged and licking at her heels.
She whispers, agent, [C#] danger's loose [E] behind [F#] his wheels.
And [C#] Satan knows [E] how danger makes [F#] you feel.
What will [E] be, will [C#m] be, baby.
[D] You [A] don't [G#m] [A] need to [D] cry.
[A] There are [G#m] tears [A] in my eyes.
[F#] Danger wants to [A] find me.
I'll let [F#] him know he can [G#] find me.
[C#] Trouble [C#m] needs a home, [C] girls, [C#] a [C#m] covert abode.
[G#] From Tucson [C#m] to Ohio, back through Tobacco Road.
And [F#] she is armed and will fight for the souls of girls around the world.
Standing up to Satan, [C#] dancing, I'll [E] save my [F#] ghoul's soul.
I'm on [C#] her side, [E] this [F#] brutal world.
[E] Don't cry, [C#m] baby.
[D] You [A] don't, you [G#m] don't [A] need to [D] cry.
[A] There are [G#m] tears [A] in my eyes.
[F#] Danger wants to [A] find me.
I'll let [F#] him know he can [G#] find me.
[D#] [C#] Trouble [C#m] needs a [G#] home, [C#m] girls, trouble needs a home.
Trouble needs a home, girls, will you give a warm?
[G#] Trouble [C#m] needs a [C#] home, [C#m]
[C] trouble [C#] needs a home.
Key:  
C#m
13421114
C#
12341114
F#
134211112
A
1231
E
2311
C#m
13421114
C#
12341114
F#
134211112
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Chords
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To learn Tori Amos - Troubles Lament chords, focus on the sequence of these chords: E, F#, C#, A, D, A, G#m, C#, C#m and C#. To master the tempo, it's wise to start at 40 BPM before aiming for the song's 81 BPM. Given the song's key of C# Minor, adjust the capo to align with your vocal range and chord preference.

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[C#m] _ _ _ _ _ _ _ _
[C#] _ [C#m] _ _ _ [C#] _ [C#m] _ [C] _ [C#m] _
[C#] _ [C#m] _ _ [C#] Trouble [C#m] needs a home, girls, [C#] trouble [C#m] needs a home.
She [C#] fell out [C#m] with Satan, now she's on the run.
But I [F#] have found her quite straightforward in her contracts and her deals.
She warns me when [C#] danger is [E] loose behind [F#] his wings.
And [C#] he is loose [E] behind [F#] his wheels.
_ [E] Don't [C#m] cry, baby. _ _ _ _ _ _
_ _ _ _ _ _ _
Trouble got evicted from the devil's lair.
[C] I [C#m] wager she got betrayed [C#] by her [C#m] friend, the spell.
[F#] Now the flames from Satan's tongue are charged and licking at her heels.
She whispers, agent, [C#] danger's loose [E] behind [F#] his wheels.
And [C#] Satan knows [E] how danger makes [F#] you feel.
What will [E] be, will [C#m] be, baby. _
_ _ [D] You [A] _ _ don't [G#m] _ [A] need to [D] cry.
[A] There are _ [G#m] tears [A] in my eyes.
[F#] Danger wants to [A] find me.
I'll let [F#] him know he can [G#] find me.
_ _ _ [C#] Trouble [C#m] needs a home, [C] girls, [C#] a [C#m] covert abode.
[G#] From Tucson [C#m] to Ohio, back through Tobacco Road.
_ _ And [F#] she is armed and will fight for the souls of girls around the world.
Standing up to Satan, [C#] dancing, I'll [E] save my [F#] ghoul's soul.
I'm on [C#] her side, [E] this [F#] brutal world.
_ [E] Don't cry, [C#m] baby. _
_ _ _ [D] You [A] don't, you [G#m] don't [A] need to [D] cry.
[A] There are _ [G#m] tears [A] in my eyes. _
[F#] _ Danger wants to [A] find me.
I'll let [F#] him know he can [G#] find me.
_ _ [D#] _ [C#] Trouble [C#m] needs a [G#] home, [C#m] girls, trouble needs a home.
Trouble needs a home, girls, will you give a warm?
[G#] Trouble [C#m] needs a [C#] home, [C#m]
[C] trouble [C#] needs a home. _ _ _

Facts about this song

This song was authored by Ellen Amos.

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