Chords for Tove Lo - Evolution Of Talking Body (Vevo LIFT)

_ _ _ _ _ _ _ [D] _
_ [G] _ _ [C] _ _ _ _ [D] _
_ [Em] _ [E] Usually when I _ write, sometimes I do everything from scratch myself and I have a project set up.
_ [Em] I always travel with my very tiny studio, which is this keyboard, _ my microphone [B]
and headphones,
and my duet, like a sound card, or interface, that's the word in English, interface.
And I _ _ do some sort of small production [Gm]
and I take it to the Struts, my production team,
and they _ help me [A] piece it together.
But with Talking Body, for instance, they had a really great track,
or just basically a few chords that I really liked.
I had a verse that _ sounded like this.
[Eb] _
_ [Ab] _ _ _ _ _ _ [Cm] _
_ _ _ _ _ [Bb] _ _ [Eb] _
_ [Ab] Which is very different from how it turned [Bb] out later on.
[Cm] _
_ _ _ _ [Bb] So they played me the [Ab] track, I came up with this verse, and we _ _ [Bb] _ liked it,
but [C] we didn't really know where to go to the chorus after that.
It just felt really [Ab] like it was hard to find a new _ [Eb] melody coming [Cm] out of the verse.
_ _ _ [Bb] So I took the [Ab] track with me and _ I sat down at _ my little space that I have at home,
it's just like a little corner, when I'm not here, when I'm travelling.
_ And I _ worked on it for a bit and I tried tons of different ideas
and I did the first draft for the chorus, which sounds like this.
[Bb] _ _
[Cm] Talking Body
_ _ _ _ [Eb] _
_ [Ab] _ _ _ _ _ _ [Cm] _
_ _ _ _ _ [Bb] _ _ [Eb] _
_ [Ab] _ _ _ _ [Bb] _ [Cm] So it's very nearly there.
[C] _ _ _ [Ab] _
_ _ I took it to the Struts and they [Bb] listened and they loved it,
and they were like, [C] ok, we need to change this [Cm] around, it's something,
[Bb] let's repeat [C] the part where, _ for example, where I go_
[N] _
Listen to me breathe, you got me coming, going.
So instead of just letting that little piece of melody go, _ _ Ludwig, one of the guys,
said that you should really repeat that section, so it becomes_
Listen to me breathe, na na na, on and on and on. _ _ _ _
After he came up with that idea, I said that's great, now I'm going to write the lyrics.
_ I wrote the full lyrics first, I had the Talking Body idea,
but then I came up with the_
First I had actually, if you fuck me right, we fuck for life.
But _ I felt that was a little bit too harsh, so I changed it to,
if you love me right, we fuck for life. _ _
_ _ After that we kind of felt like we had the whole body of the song,
it was there, it was just something that really didn't feel fully 100%,
so we took the song up a few keys, just to make it fit my voice better.
_ _ _ _ _ And then we kind of_
Hang on one second, I just need to find where it's at now.
[G] There we go.
So we brought [C] it kind of up to here.
[D] _ _ [Em] _ _ _ [D] So [G] you can hear there's a lot more [C] push in my voice,
_ which makes it [E] feel like a better chorus.
But then we realised the old verse didn't really [D] work,
_ [G] _
[Em] because that became a different kind of key level for me,
and it didn't sound as good with the chorus.
So then we wrote the verse, and _ then we had the song.
So it's a lot of [E] _ work [D] behind four minutes.
_ _ [C] _ _ _ _ [D] _ _ [Em] _ _ _ _ _ _ [D] _
_ [G] _ _ [C] _ _ _ _ [Em] _