Chords for Trent Reznor Before Nine Inch Nails
Tempo:
124.55 bpm
Chords used:
F#m
C#m
G#
B
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
off the air and you'll be off for a great evening at the theater.
Now wait until six o'clock please and good luck.
Finally over the last ten weeks
we've introduced you to many talented local musicians in our Cleveland Breakout Concert Series.
This week's trio is no exception.
On our final edition of the Breakout, our man on
music Dave Tarver shows you how the exotic birds have made modern music
very popular in this area.
[F#] [F#m]
[C#m] Modern [F#] technology has changed the way we all work and play.
It has even changed the way the human art form of music is made.
Computer
composer Thomas Dolby blinded us with science in 1982 with his computerized
high-tech sound.
He defends the accusation that his synthesized style
takes the human element out of [G#] music.
I'm just using the most up-to [B]-date tools available to make my music.
It's almost as though the computer is my instrument the way the piano is Elton
Johns or the guitar is Jonny Mitchells.
You know, it's my accompaniment for my songs.
For six years talented Cleveland band Exotic Birds have produced their unique
electric dance music with the aid of computers.
They use [A] a technique known as
sampling which entails [Bm] programming sequences of sounds [C] into the computer to
be recalled during the performance.
Like Thomas Dolby, the birds contend that for
their style the computer is an essential [B] element of the music.
Our particular style of music is a very dance-oriented kind of thing that
that is an element of the song.
It would sound bad if a human was trying to play
[G#] sixteenth notes throughout a song.
It doesn't make any difference [F#m] how a song is played.
If it's a good song and people like the song, whether it's a rock and roll song,
whether it's a disco song, whether it's, you know, a polka, it doesn't matter.
We just use different instruments than other people and I refer to the computers as instruments.
The misconception Andy and Trent feel most people have about their
computer is that it creates the music itself.
In fact, just [B] like any computer,
the [F#m] musical computer must be programmed.
It doesn't create, it recreates.
It's only as talented as its programmer.
[C#m] When you mention talent and creativity,
[F#m] that blend equals the exotic [D] bird.
[E] [D]
[E] [C#m]
[C#]
[F#m]
[E] [F#m]
The exotic birds caught the eye and ear of the music industry when they opened
for the Culture Club in 84 at the Coliseum.
This [G#] year promises to soar the
birds to new heights.
The past 10 weeks we've seen a great example of the
musical talent in our [F] city.
Hopefully in 87 we'll let the rest of the nation in
on our secret.
I'm the man on music Dave Tarbert for Live on 5.
[N]
Now wait until six o'clock please and good luck.
Finally over the last ten weeks
we've introduced you to many talented local musicians in our Cleveland Breakout Concert Series.
This week's trio is no exception.
On our final edition of the Breakout, our man on
music Dave Tarver shows you how the exotic birds have made modern music
very popular in this area.
[F#] [F#m]
[C#m] Modern [F#] technology has changed the way we all work and play.
It has even changed the way the human art form of music is made.
Computer
composer Thomas Dolby blinded us with science in 1982 with his computerized
high-tech sound.
He defends the accusation that his synthesized style
takes the human element out of [G#] music.
I'm just using the most up-to [B]-date tools available to make my music.
It's almost as though the computer is my instrument the way the piano is Elton
Johns or the guitar is Jonny Mitchells.
You know, it's my accompaniment for my songs.
For six years talented Cleveland band Exotic Birds have produced their unique
electric dance music with the aid of computers.
They use [A] a technique known as
sampling which entails [Bm] programming sequences of sounds [C] into the computer to
be recalled during the performance.
Like Thomas Dolby, the birds contend that for
their style the computer is an essential [B] element of the music.
Our particular style of music is a very dance-oriented kind of thing that
that is an element of the song.
It would sound bad if a human was trying to play
[G#] sixteenth notes throughout a song.
It doesn't make any difference [F#m] how a song is played.
If it's a good song and people like the song, whether it's a rock and roll song,
whether it's a disco song, whether it's, you know, a polka, it doesn't matter.
We just use different instruments than other people and I refer to the computers as instruments.
The misconception Andy and Trent feel most people have about their
computer is that it creates the music itself.
In fact, just [B] like any computer,
the [F#m] musical computer must be programmed.
It doesn't create, it recreates.
It's only as talented as its programmer.
[C#m] When you mention talent and creativity,
[F#m] that blend equals the exotic [D] bird.
[E] [D]
[E] [C#m]
[C#]
[F#m]
[E] [F#m]
The exotic birds caught the eye and ear of the music industry when they opened
for the Culture Club in 84 at the Coliseum.
This [G#] year promises to soar the
birds to new heights.
The past 10 weeks we've seen a great example of the
musical talent in our [F] city.
Hopefully in 87 we'll let the rest of the nation in
on our secret.
I'm the man on music Dave Tarbert for Live on 5.
[N]
Key:
F#m
C#m
G#
B
E
F#m
C#m
G#
off the air and you'll be off for a great evening at the theater.
Now wait until six o'clock please and good luck.
_ Finally over the last ten weeks
we've introduced you to many talented local musicians in our Cleveland Breakout Concert Series.
This week's trio is no exception.
On our final edition of the Breakout, our man on
music Dave Tarver shows you how the exotic birds have made modern music
very popular in this area.
_ [F#] _ _ [F#m] _ _ _ _
[C#m] _ Modern [F#] technology has changed the way we all work and play.
It has even changed the way the human art form of music is made.
Computer
composer Thomas Dolby blinded us with science in 1982 with his computerized
high-tech sound.
He defends the accusation that his synthesized style
takes the human element out of [G#] music.
I'm just using the most up-to [B]-date tools available to make my music.
It's almost as though the computer is my instrument the way the piano is Elton
Johns or the guitar is Jonny Mitchells.
You know, it's my accompaniment for my songs. _ _ _ _ _ _ _
_ _ For six years talented Cleveland band Exotic Birds have produced their unique
electric dance music with the aid of computers.
They use [A] a technique known as
sampling which entails [Bm] programming sequences of sounds [C] into the computer to
be recalled during the performance.
Like Thomas Dolby, the birds contend that for
their style the computer is an essential [B] element of the music.
Our particular style of music is a very dance-oriented kind of thing that
that _ is an element of the song.
It would sound bad if a human was trying to play
[G#] sixteenth notes throughout a song.
It doesn't make any difference [F#m] how a song is played.
If it's a good song and people like the song, whether it's a rock and roll song,
whether it's a disco song, whether it's, you know, a polka, it doesn't matter.
We just use different instruments than other people and I refer to the computers as instruments.
The misconception Andy and Trent feel most people have about their
computer is that it creates the music itself.
In fact, just [B] like any computer,
the [F#m] musical computer must be programmed.
It doesn't create, it recreates.
It's only as talented as its programmer.
[C#m] When you mention talent and creativity,
[F#m] that blend equals the exotic [D] bird. _ _
_ [E] _ _ _ [D] _ _ _ _
[E] _ _ _ _ _ _ _ [C#m] _
_ _ _ _ _ _ _ [C#] _
_ [F#m] _ _ _ _ _ _ _
_ _ _ _ [E] _ _ [F#m] _ _
_ _ _ _ _ _ _ _
The exotic birds caught the eye and ear of the music industry when they opened
for the Culture Club in 84 at the Coliseum.
This [G#] year promises to soar the
birds to new heights.
The past 10 weeks we've seen a great example of the
musical talent in our [F] city.
Hopefully in 87 we'll let the rest of the nation in
on our secret.
I'm the man on music Dave Tarbert for Live on 5.
[N] _ _ _ _ _
Now wait until six o'clock please and good luck.
_ Finally over the last ten weeks
we've introduced you to many talented local musicians in our Cleveland Breakout Concert Series.
This week's trio is no exception.
On our final edition of the Breakout, our man on
music Dave Tarver shows you how the exotic birds have made modern music
very popular in this area.
_ [F#] _ _ [F#m] _ _ _ _
[C#m] _ Modern [F#] technology has changed the way we all work and play.
It has even changed the way the human art form of music is made.
Computer
composer Thomas Dolby blinded us with science in 1982 with his computerized
high-tech sound.
He defends the accusation that his synthesized style
takes the human element out of [G#] music.
I'm just using the most up-to [B]-date tools available to make my music.
It's almost as though the computer is my instrument the way the piano is Elton
Johns or the guitar is Jonny Mitchells.
You know, it's my accompaniment for my songs. _ _ _ _ _ _ _
_ _ For six years talented Cleveland band Exotic Birds have produced their unique
electric dance music with the aid of computers.
They use [A] a technique known as
sampling which entails [Bm] programming sequences of sounds [C] into the computer to
be recalled during the performance.
Like Thomas Dolby, the birds contend that for
their style the computer is an essential [B] element of the music.
Our particular style of music is a very dance-oriented kind of thing that
that _ is an element of the song.
It would sound bad if a human was trying to play
[G#] sixteenth notes throughout a song.
It doesn't make any difference [F#m] how a song is played.
If it's a good song and people like the song, whether it's a rock and roll song,
whether it's a disco song, whether it's, you know, a polka, it doesn't matter.
We just use different instruments than other people and I refer to the computers as instruments.
The misconception Andy and Trent feel most people have about their
computer is that it creates the music itself.
In fact, just [B] like any computer,
the [F#m] musical computer must be programmed.
It doesn't create, it recreates.
It's only as talented as its programmer.
[C#m] When you mention talent and creativity,
[F#m] that blend equals the exotic [D] bird. _ _
_ [E] _ _ _ [D] _ _ _ _
[E] _ _ _ _ _ _ _ [C#m] _
_ _ _ _ _ _ _ [C#] _
_ [F#m] _ _ _ _ _ _ _
_ _ _ _ [E] _ _ [F#m] _ _
_ _ _ _ _ _ _ _
The exotic birds caught the eye and ear of the music industry when they opened
for the Culture Club in 84 at the Coliseum.
This [G#] year promises to soar the
birds to new heights.
The past 10 weeks we've seen a great example of the
musical talent in our [F] city.
Hopefully in 87 we'll let the rest of the nation in
on our secret.
I'm the man on music Dave Tarbert for Live on 5.
[N] _ _ _ _ _