Chords for Troy Van Leeuwen's Minifooger Pedal Board

_ [D] _ _ [B] _ _ _ [D] _ _
_ [F] _ _ [B] _ _ _ _ [E] _
_ _ _ This is a stereo rig.
A lot of the times I like to fit as much as I can on a pedal board.
[Em] In this case I've got four [E] Minifugures
and then I've got the regular Mugufugur delay.
I wanted to put the more out there kind of stuff [C#] on it, you know,
and the stuff that's [G] expressive,
especially with [D] this.
I can add expression to [B] every one of these pedals.
It's a lot of [G] punch in a small box,
so some of the [C#] things that might not be on the Minis
that are on the bigger ones,
[E] I'm not really missing with the [Am] expression pedal option.
I can just kind of do just about anything with [Em] them. _ _
_ They sound [E] amazing.
[C] _ _ _
_ [B] _ _ [C] _ _ _ _ _
[B] Everything that the [C] company makes is bulletproof and roadworthy,
and so not only does it sound [B] great in the studio,
it sounds great on [C] stage, and you can beat it up,
and it'll take some hits.
[B] Sometimes spilled beer ends up on pedals.
[C] _ _ _ _
A [B] lot of the stuff I do on lap steel,
[C#] I have to have the pedals right there.
[F#] As many as I can in a small space really works for that.
[E] _ _ _ [Bm] _ _ _ [Am] _
_ [G#] _ _ _ _ [G] _ _ _
_ [B] _ _ _ [D] _ _ _ [E] _
_ _ I'm kind of splitting the signal off here,
so I've got delay going to that guy,
and then it's going into here, stereo,
and then out of here, left,
and out of here, right.
[D] _ _
_ [G] _ _ [E] _ [G] It'll give you like a Fender Twin Rack effect.
I like to add some reverb with a tremolo.
This will add some reverb,
because I like the tremolo after the reverb, like on a Fender amp.
That's where I'm getting some really cool back-and-forth movement.
It's able to undulate in time.
[A] _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ [A] _ _ _ _ _ _ _
_ [D] _ _ _ _ [C] _ _ _
_ [F] _ _ [G] _ _ _ [A] _
They all seem to add something with the signal path.
There always seems [D] to be a little oomph.
[C] It's not really a boost, it's just kind of an enhancement,
[A] in the search for tone.
Something that adds color is always good. _ _ _ _ _
_ _ We _ _ use an old Morley wah pedal all over the [Fm] record.
Another vintage piece of gear that breaks all the [Am] time.
So I think that [G#] this is going to be able to replace it.
It's just got a really wide sweep, and it's very aggressive.
So that's something that's like a song [C#] called Swoosailing.
[D#] _ _ _ _ _ _ [B] _
_ [G#] _ _ [E] That's kind of what it's there for, yeah.
We got a signature little fatty about 7, 8 years ago
when we were making Ere Volgaris.
It was a key element to that record.
We used a lot of synths on that record,
but that synth alone was the thing we used most.
Because [N] it does everything.
So we were able to have that be the only synth on stage for everything. _
_ So now we have three.
Just have a nutty need to just plug stuff in and see what it does.
That's actually the key to a lot of some of the songs I've been writing too,
some of the music that's been coming out of me.
Things that will always make me think of music differently
is what I'm [E] looking for.
_ _ [G#] _ _ _ _ [E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
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