Chords for Two of Us- Saltwater Roses- Beatles Cover
Tempo:
111.25 bpm
Chords used:
F#
B
G#m
C#
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[N] Well, in 1969, the [A#] Beatles recorded the album Let It Be, [D] and they [C] decided at that particular
[B] moment in time that they were going to simplify [A#] the recording.
Magical Mystery Tour and Sgt.
Pepper, and there was all kinds of orchestras, [B] and so
they were trying to get back to something [Bm] simpler.
As a matter of fact, the [F#] idea was to [C] rehearse, rehearse, rehearse, [Cm] film it, and then [E]
go
out on stage [G#] and do the whole act in front of a bunch of people.
In the end, they [B] didn't do that.
What they did do, though, they [G#] did get on the roof, and they went up on the roof and
they [A#m] recorded a bunch of songs.
Can you imagine?
They're up there playing music on the roof of the Apple Studios [C] in January.
[D#]
Must have been a little cool, I would think.
[B] Not as cold as a monk in January.
[Dm] [C#] This song that we're going to do is called Two of Us, and the song is a nice return to
sort of [Cm] the harmony vocal that was featured on a lot of [G#] their earlier work.
[E] You can see that we've got Thomas switched over.
He didn't build that guitar, by the [C#] way.
He bought that one.
He switched over to acoustic guitar for this one.
[Cm]
Interestingly, this song, written [F] by Paul, he dedicated it to Linda, but when you [C] listen
to the lyrics, it really seems that it's a [B] song about John and [C#] himself.
I think it could be that Paul [Cm] was dedicating it to Linda, [B] but it's a song about John and Paul.
[C#] [F#]
[D#] In my world, it does.
[C] [A#m]
[F#]
[B]
[F#] [B]
[F#] [G#m] [F#]
[B] [F#] [G#m]
[F#]
[B]
[F#]
Two of us sending postcards, riding glances [B]
[F#] online.
[G#m] [F#] We would be burning matches, lifting latches.
[B] But on [G#m]
our [F#] way home, [C#] we're on [F#] our way home.
[C#] [F#] We're on our way home.
[B]
We're [F#] going home.
[A] You and I have [C#m] memories [F#m] longer than [G#m] road that stretches on our [F#] heads.
Two of us wearing raincoats, standing so low [B] [F#] in [G#m] the sun.
[F#] You and me chasing paper, getting nowhere.
[B] [F#]
[G#m] [F#]
We're on our way home.
We're on our way home.
[B] We're going [F#] home.
[A] You and I [C#m] have memories [F#m] longer than [G#m] road that stretches on our [F#] heads.
Two of us wearing raincoats, standing so low [B]
[F#] in [G#m] the sun.
[F#] You and me chasing paper, getting nowhere.
[B] On our [G#m] way back [F#] home.
[C#] We're on [F#] our way home.
We're on our way home.
[B]
[F#] We're going home.
We're going home.
Hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Come on now, come on!
Hey-la, hey-la, hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Fear not, fear not, fear no one
How [F#m] do you give him choice, Tom?
[B] moment in time that they were going to simplify [A#] the recording.
Magical Mystery Tour and Sgt.
Pepper, and there was all kinds of orchestras, [B] and so
they were trying to get back to something [Bm] simpler.
As a matter of fact, the [F#] idea was to [C] rehearse, rehearse, rehearse, [Cm] film it, and then [E]
go
out on stage [G#] and do the whole act in front of a bunch of people.
In the end, they [B] didn't do that.
What they did do, though, they [G#] did get on the roof, and they went up on the roof and
they [A#m] recorded a bunch of songs.
Can you imagine?
They're up there playing music on the roof of the Apple Studios [C] in January.
[D#]
Must have been a little cool, I would think.
[B] Not as cold as a monk in January.
[Dm] [C#] This song that we're going to do is called Two of Us, and the song is a nice return to
sort of [Cm] the harmony vocal that was featured on a lot of [G#] their earlier work.
[E] You can see that we've got Thomas switched over.
He didn't build that guitar, by the [C#] way.
He bought that one.
He switched over to acoustic guitar for this one.
[Cm]
Interestingly, this song, written [F] by Paul, he dedicated it to Linda, but when you [C] listen
to the lyrics, it really seems that it's a [B] song about John and [C#] himself.
I think it could be that Paul [Cm] was dedicating it to Linda, [B] but it's a song about John and Paul.
[C#] [F#]
[D#] In my world, it does.
[C] [A#m]
[F#]
[B]
[F#] [B]
[F#] [G#m] [F#]
[B] [F#] [G#m]
[F#]
[B]
[F#]
Two of us sending postcards, riding glances [B]
[F#] online.
[G#m] [F#] We would be burning matches, lifting latches.
[B] But on [G#m]
our [F#] way home, [C#] we're on [F#] our way home.
[C#] [F#] We're on our way home.
[B]
We're [F#] going home.
[A] You and I have [C#m] memories [F#m] longer than [G#m] road that stretches on our [F#] heads.
Two of us wearing raincoats, standing so low [B] [F#] in [G#m] the sun.
[F#] You and me chasing paper, getting nowhere.
[B] [F#]
[G#m] [F#]
We're on our way home.
We're on our way home.
[B] We're going [F#] home.
[A] You and I [C#m] have memories [F#m] longer than [G#m] road that stretches on our [F#] heads.
Two of us wearing raincoats, standing so low [B]
[F#] in [G#m] the sun.
[F#] You and me chasing paper, getting nowhere.
[B] On our [G#m] way back [F#] home.
[C#] We're on [F#] our way home.
We're on our way home.
[B]
[F#] We're going home.
We're going home.
Hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Come on now, come on!
Hey-la, hey-la, hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Hey-la, hey-hey-lo.
Fear not, fear not, fear no one
How [F#m] do you give him choice, Tom?
Key:
F#
B
G#m
C#
C
F#
B
G#m
[N] _ _ _ Well, in 1969, the [A#] Beatles recorded the album Let It Be, [D] and they [C] decided at that particular
[B] moment in time that they were going to _ simplify [A#] the recording. _
_ Magical Mystery Tour and Sgt.
Pepper, and there was all kinds of orchestras, [B] _ and so
they were trying to get back to something [Bm] simpler.
As a matter of fact, the [F#] idea was to [C] rehearse, rehearse, rehearse, [Cm] film it, and then [E]
go
out on stage [G#] and do the whole act in front of a bunch of people.
In the end, they [B] didn't do that.
What they did do, though, they [G#] did get on the roof, and they went up on the roof and
they [A#m] recorded a bunch of songs.
Can you imagine?
They're up there playing music on the roof of the Apple Studios [C] in January.
_ [D#]
Must have been a little cool, I would think.
[B] _ Not as cold as a monk in January.
_ [Dm] _ _ [C#] This song that we're going to do is called Two of Us, and the song is a nice return to
sort of [Cm] the harmony vocal that was featured on a lot of [G#] their earlier work.
[E] You can see that we've got Thomas switched over.
He didn't build that guitar, by the [C#] way.
He bought that one.
He switched over to acoustic guitar for this one.
[Cm] _
Interestingly, this song, written [F] by Paul, he dedicated it to Linda, but when you [C] listen
to the lyrics, it really seems that it's a [B] song about John and [C#] himself.
_ _ _ _ I think it could be that Paul [Cm] was dedicating it to Linda, [B] but it's a song about John and Paul.
[C#] _ _ [F#] _ _ _ _
_ _ _ [D#] In my world, it does. _
_ _ [C] _ _ [A#m] _ _ _ _
_ _ _ _ _ _ [F#] _ _
_ _ _ _ _ _ _ [B] _
_ [F#] _ _ _ _ _ _ [B] _
_ [F#] _ _ [G#m] _ _ _ _ [F#] _
_ _ _ _ _ _ _ _
_ [B] _ _ [F#] _ _ [G#m] _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [B] _
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Two of us sending postcards, riding glances [B] _
_ [F#] online.
[G#m] _ _ _ [F#] We would be burning matches, lifting latches.
[B] But on _ [G#m] _ _ _
our [F#] way home, _ _ [C#] we're on [F#] our way home.
_ [C#] [F#] We're on our way home.
[B]
We're [F#] going home.
_ _ [A] You _ _ and I have [C#m] memories _ [F#m] longer than [G#m] road that stretches on our _ [F#] heads. _
_ Two of us wearing raincoats, standing so low [B] _ [F#] in [G#m] the sun.
_ [F#] You and me chasing paper, getting nowhere.
_ [B] _ _ [F#] _
_ [G#m] _ _ _ _ [F#] _ _ _
We're on our way home.
_ We're on our way home.
_ [B] We're going [F#] home.
_ _ _ [A] _ _ You and I [C#m] have memories _ [F#m] _ longer than [G#m] road that stretches on our [F#] _ heads.
_ _ Two of us wearing raincoats, standing so low [B] _
[F#] in [G#m] the sun.
_ [F#] You and me chasing paper, getting nowhere.
[B] On _ our [G#m] way back [F#] home.
_ [C#] We're on [F#] our way home.
_ We're on our way home.
_ [B] _
[F#] We're going home. _ _ _ _
_ _ _ _ _ _ _
We're going home. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Hey-la, hey-hey-lo. _ _
Hey-la, hey-hey-lo. _ _
Hey-la, hey-hey-lo.
Come on now, come on!
Hey-la, _ _ hey-la, hey-la, hey-hey-lo.
_ Hey-la, hey-hey-lo.
_ Hey-la, hey-hey-lo.
_ _ Hey-la, hey-hey-lo.
Fear not, fear not, fear no one _ _ _
_ _ _ _ _ _ _ _
_ How [F#m] do you give him choice, Tom? _ _ _
[B] moment in time that they were going to _ simplify [A#] the recording. _
_ Magical Mystery Tour and Sgt.
Pepper, and there was all kinds of orchestras, [B] _ and so
they were trying to get back to something [Bm] simpler.
As a matter of fact, the [F#] idea was to [C] rehearse, rehearse, rehearse, [Cm] film it, and then [E]
go
out on stage [G#] and do the whole act in front of a bunch of people.
In the end, they [B] didn't do that.
What they did do, though, they [G#] did get on the roof, and they went up on the roof and
they [A#m] recorded a bunch of songs.
Can you imagine?
They're up there playing music on the roof of the Apple Studios [C] in January.
_ [D#]
Must have been a little cool, I would think.
[B] _ Not as cold as a monk in January.
_ [Dm] _ _ [C#] This song that we're going to do is called Two of Us, and the song is a nice return to
sort of [Cm] the harmony vocal that was featured on a lot of [G#] their earlier work.
[E] You can see that we've got Thomas switched over.
He didn't build that guitar, by the [C#] way.
He bought that one.
He switched over to acoustic guitar for this one.
[Cm] _
Interestingly, this song, written [F] by Paul, he dedicated it to Linda, but when you [C] listen
to the lyrics, it really seems that it's a [B] song about John and [C#] himself.
_ _ _ _ I think it could be that Paul [Cm] was dedicating it to Linda, [B] but it's a song about John and Paul.
[C#] _ _ [F#] _ _ _ _
_ _ _ [D#] In my world, it does. _
_ _ [C] _ _ [A#m] _ _ _ _
_ _ _ _ _ _ [F#] _ _
_ _ _ _ _ _ _ [B] _
_ [F#] _ _ _ _ _ _ [B] _
_ [F#] _ _ [G#m] _ _ _ _ [F#] _
_ _ _ _ _ _ _ _
_ [B] _ _ [F#] _ _ [G#m] _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [B] _
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Two of us sending postcards, riding glances [B] _
_ [F#] online.
[G#m] _ _ _ [F#] We would be burning matches, lifting latches.
[B] But on _ [G#m] _ _ _
our [F#] way home, _ _ [C#] we're on [F#] our way home.
_ [C#] [F#] We're on our way home.
[B]
We're [F#] going home.
_ _ [A] You _ _ and I have [C#m] memories _ [F#m] longer than [G#m] road that stretches on our _ [F#] heads. _
_ Two of us wearing raincoats, standing so low [B] _ [F#] in [G#m] the sun.
_ [F#] You and me chasing paper, getting nowhere.
_ [B] _ _ [F#] _
_ [G#m] _ _ _ _ [F#] _ _ _
We're on our way home.
_ We're on our way home.
_ [B] We're going [F#] home.
_ _ _ [A] _ _ You and I [C#m] have memories _ [F#m] _ longer than [G#m] road that stretches on our [F#] _ heads.
_ _ Two of us wearing raincoats, standing so low [B] _
[F#] in [G#m] the sun.
_ [F#] You and me chasing paper, getting nowhere.
[B] On _ our [G#m] way back [F#] home.
_ [C#] We're on [F#] our way home.
_ We're on our way home.
_ [B] _
[F#] We're going home. _ _ _ _
_ _ _ _ _ _ _
We're going home. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Hey-la, hey-hey-lo. _ _
Hey-la, hey-hey-lo. _ _
Hey-la, hey-hey-lo.
Come on now, come on!
Hey-la, _ _ hey-la, hey-la, hey-hey-lo.
_ Hey-la, hey-hey-lo.
_ Hey-la, hey-hey-lo.
_ _ Hey-la, hey-hey-lo.
Fear not, fear not, fear no one _ _ _
_ _ _ _ _ _ _ _
_ How [F#m] do you give him choice, Tom? _ _ _