Chords for U2 - The Unforgettable Fire (Remastered)

This is Bono's master vocal, Unforgettable Farm.
It is.
You choose fourth arm.
[D] _ _ _ _ _ _ _
_ _ _ [A#] _ _ _ _ [G]
You can come to the [Dm] microphone with finished words and a finished melody,
and that's all you'll have when it's recorded.
Finished words and a finished melody.
I_ _
You're only [F] a river's one cup.
These city [Dm] lights_
_ [G] _ _ _ _
So blue, so blue_
_ [Em] I believe the songs are already written.
And [G] I think_
The less you get in the way of them, the better.
It's best to [A] just let what's in you come out.
[B] One man come in the name of [E] love. _
[A] One man come and [F#m] go. _ _
[B] One man come here to justify.
[E] _ _
[A] One man to [F#m] overdo. _ _
_ [B] _ _ _ _ _ There's something that [E] works through us to create [D] in this way.
[Em] I think we all bring different things to those sessions,
but we all bring something.
[G] [G] In this love, _ [C] _ _
[B] _ sorry_ _ _ _ _ _
_ _ _ _ _ [Em] _ _ _
[A] _ _ _ _ [F#m] _ _ [F#] _ _
_ [B] _ _ _ _ _ _ _
[Am] _ _ _ _ [F#m] _ _ [G] Maybe a bit [B] more passion this time, Bob.
Yeah, I was a bit restrained, [E] actually.
Maybe you could try standing for this one.
_ We decided to record this album, or the first part of it anyway,
in Slain Castle.
The sound of this room, this ballroom, suits [F#] our music.
We wanted to use a [B] live room a lot,
and just by [Em] chance we were at the castle
and we saw the ballroom up there.
_ _ _ _ _ [C] We had already been experimenting with live recordings.
In fact, I had just done a band in my hometown
in this big old library that [G] had been abandoned for a newer one.
[E] Oh, my _ head_
_ _ _ _ _ [Em] _ _ [Am] _
_ _ _ _ _ [D#] It's like the state for the record.
But I want that bit edited, all right?
I'm going [A#m] well_
In [C#] wintertime, his bones [G#] are_
I [C#] need more_
No [A#m] fucking words, _ _ [C#] _
just_
[G#] _ _ _ [C#] _ _ _
[F#] _ _ _ _ _ _ _ _
_ _ _ _ Too [C#] _ _
much_
_ _ I can't see at last_
With this band, the [C] uniqueness is there from the very first moment
that they start playing.
There's something about their honesty as people and as musicians.
They build from strength and limitation.
And that's a very good _ _ [D] principle.
I mean, there's four very active and creative minds at work all the time,
so I don't think [D#] anyone's interested in taking a back seat in [N] this group.
A group that's never had any problems saying how they feel, [G#] you too.
_ _ _ _ _ _ _ _
_ It's so [G#] _ _ _ _
bad_
Let it go_ _ _
_ _ It's so [C#] _ _ bad_
It's so [G#] _ _ _ _ _ bad_
_ _ _ _ _ [C#] _ _ _
_ _ _ _ _ [G#] _ _ _
_ _ _ _ [B] _ _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ [F#] _ _ [G#] _ _ _ [F#] _ [G#] _
_ [A] _ _ _ _ [B] _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ _ [F#] _ _ _
[B] _ _ _ _ _ _ _ _
_ [A] _ _ _ _ [F#] _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _