Until You Come Back To Me (acoustic radio session) - Stevie Wonder Chords

Tempo:
95.8 bpm
Chords used:

Eb

A

Bb

Ab

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Until You Come Back To Me (acoustic radio session) - Stevie Wonder chords
Start Jamming...
I'll come up with a melody in the music first and I have an idea of what I wanted to say like
Till [Bb] you was it till you come back to me
Till you come [Ab] back to me.
That's what [F] I'm gonna do
[Bb]
[Eb]
[F] I would write
[Bb] Basically just on the on the piano.
I would just you know [Eb] play the melody or whatever of that and I
[Bb] I think this was the original key was
[Ab]
[Db] [Ab]
[Eb]
[Db] [Bbm]
[Eb] [C]
[F] [Bbm]
Come back to [Eb] me.
I'm gonna [Ab]
do [N] I mean that's what I had
Morris brought next came up with the words and client spot came up with [G] a you know
Wave me kind of giving them more of a groove and I recorded it
But really the great recording of that song was done by a really Frank
I [A]
[Am] [Bm]
[G] [Em]
must [A] [Gb]
have [B] been like 14 or 15
[E]
[A] [D]
It's a grown-up [G] song now, isn't it?
[Em] We have those grown-up feelings, you know, you can [A] fall in love, you know, and you you feel you they say [D] some of the young love
The young youngest love is [F] the greatest love of all because it has the [Em] innocence and it's like the promise of [A] forever
[Em] [D]
Within [Gb] Motown collaboration was a way of life and Stevie in [Am] particular seems
Key:  
Eb
12341116
A
1231
Bb
12341111
Ab
134211114
F
134211111
Eb
12341116
A
1231
Bb
12341111
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Chords
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To learn Aretha Franklin - (Thats What Im Gonna Do, with The Royal Philharmonic Orchestra) Until You Come Back To Me chords, grasp the musical fabric of the song with this sequence - Db, Ab, Db, Eb, Ab, C, D, G, Em and A of chords. Ease into the song by practicing at 48 BPM before reaching the track's full tempo of 97 BPM. Adjust the capo based on your vocal range and chord preference, keeping the song's key of D Major in mind.

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I'll come up with a melody in the music first and I have an idea of what I wanted to say like
Till [Bb] you was it till you come back to me
Till you come [Ab] back to me.
That's what [F] I'm gonna do
_ _ _ [Bb] _ _ _
_ _ [Eb] _ _ _ _ _ _
[F] _ _ I would write
_ [Bb] Basically just on the on the piano.
I would just you know [Eb] play the melody or whatever of that and I
_ [Bb] I think this was the original key was _
_ _ _ _ _ [Ab] _ _ _
[Db] _ _ _ _ _ _ _ [Ab] _
_ [Eb] _ _ _ _ _ _ _
[Db] _ _ _ _ _ _ _ [Bbm] _
_ _ _ [Eb] _ _ _ _ [C] _
_ _ _ [F] _ _ _ _ [Bbm] _
Come back to [Eb] me.
I'm gonna [Ab]
do [N] I mean that's what I had
_ Morris brought next came up with the words and client spot came up with [G] a you know
Wave me kind of giving them more of a groove and I recorded it
But really the great recording of that song was done by a really Frank
I [A] _
_ _ _ [Am] _ _ _ [Bm] _ _
_ _ _ [G] _ _ _ _ [Em]
must _ _ [A] _ _ _ _ [Gb] _
_ _ have [B] been like 14 or 15
[E] _
_ _ _ [A] _ _ _ _ [D] _
_ _ It's a grown-up [G] song now, isn't it?
[Em] We have those grown-up feelings, you know, you can [A] fall in love, you know, and you you feel you they say [D] some of the young love
The young youngest love is [F] the greatest love of all because it has the [Em] innocence and it's like the promise of [A] forever
_ [Em] _ _ [D] _
Within [Gb] Motown collaboration was a way of life and Stevie in [Am] particular seems

Facts about this song

This song was composed by Morris Broadnax, Stevie Wonder and Clarence Paul.

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