Until You Come Back To Me (acoustic radio session) - Stevie Wonder Chords
Tempo:
95.8 bpm
Chords used:
Eb
A
Bb
Ab
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
I'll come up with a melody in the music first and I have an idea of what I wanted to say like
Till [Bb] you was it till you come back to me
Till you come [Ab] back to me.
That's what [F] I'm gonna do
[Bb]
[Eb]
[F] I would write
[Bb] Basically just on the on the piano.
I would just you know [Eb] play the melody or whatever of that and I
[Bb] I think this was the original key was
[Ab]
[Db] [Ab]
[Eb]
[Db] [Bbm]
[Eb] [C]
[F] [Bbm]
Come back to [Eb] me.
I'm gonna [Ab]
do [N] I mean that's what I had
Morris brought next came up with the words and client spot came up with [G] a you know
Wave me kind of giving them more of a groove and I recorded it
But really the great recording of that song was done by a really Frank
I [A]
[Am] [Bm]
[G] [Em]
must [A] [Gb]
have [B] been like 14 or 15
[E]
[A] [D]
It's a grown-up [G] song now, isn't it?
[Em] We have those grown-up feelings, you know, you can [A] fall in love, you know, and you you feel you they say [D] some of the young love
The young youngest love is [F] the greatest love of all because it has the [Em] innocence and it's like the promise of [A] forever
[Em] [D]
Within [Gb] Motown collaboration was a way of life and Stevie in [Am] particular seems
Till [Bb] you was it till you come back to me
Till you come [Ab] back to me.
That's what [F] I'm gonna do
[Bb]
[Eb]
[F] I would write
[Bb] Basically just on the on the piano.
I would just you know [Eb] play the melody or whatever of that and I
[Bb] I think this was the original key was
[Ab]
[Db] [Ab]
[Eb]
[Db] [Bbm]
[Eb] [C]
[F] [Bbm]
Come back to [Eb] me.
I'm gonna [Ab]
do [N] I mean that's what I had
Morris brought next came up with the words and client spot came up with [G] a you know
Wave me kind of giving them more of a groove and I recorded it
But really the great recording of that song was done by a really Frank
I [A]
[Am] [Bm]
[G] [Em]
must [A] [Gb]
have [B] been like 14 or 15
[E]
[A] [D]
It's a grown-up [G] song now, isn't it?
[Em] We have those grown-up feelings, you know, you can [A] fall in love, you know, and you you feel you they say [D] some of the young love
The young youngest love is [F] the greatest love of all because it has the [Em] innocence and it's like the promise of [A] forever
[Em] [D]
Within [Gb] Motown collaboration was a way of life and Stevie in [Am] particular seems
Key:
Eb
A
Bb
Ab
F
Eb
A
Bb
I'll come up with a melody in the music first and I have an idea of what I wanted to say like
Till [Bb] you was it till you come back to me
Till you come [Ab] back to me.
That's what [F] I'm gonna do
_ _ _ [Bb] _ _ _
_ _ [Eb] _ _ _ _ _ _
[F] _ _ I would write
_ [Bb] Basically just on the on the piano.
I would just you know [Eb] play the melody or whatever of that and I
_ [Bb] I think this was the original key was _
_ _ _ _ _ [Ab] _ _ _
[Db] _ _ _ _ _ _ _ [Ab] _
_ [Eb] _ _ _ _ _ _ _
[Db] _ _ _ _ _ _ _ [Bbm] _
_ _ _ [Eb] _ _ _ _ [C] _
_ _ _ [F] _ _ _ _ [Bbm] _
Come back to [Eb] me.
I'm gonna [Ab]
do [N] I mean that's what I had
_ Morris brought next came up with the words and client spot came up with [G] a you know
Wave me kind of giving them more of a groove and I recorded it
But really the great recording of that song was done by a really Frank
I [A] _
_ _ _ [Am] _ _ _ [Bm] _ _
_ _ _ [G] _ _ _ _ [Em]
must _ _ [A] _ _ _ _ [Gb] _
_ _ have [B] been like 14 or 15
[E] _
_ _ _ [A] _ _ _ _ [D] _
_ _ It's a grown-up [G] song now, isn't it?
[Em] We have those grown-up feelings, you know, you can [A] fall in love, you know, and you you feel you they say [D] some of the young love
The young youngest love is [F] the greatest love of all because it has the [Em] innocence and it's like the promise of [A] forever
_ [Em] _ _ [D] _
Within [Gb] Motown collaboration was a way of life and Stevie in [Am] particular seems
Till [Bb] you was it till you come back to me
Till you come [Ab] back to me.
That's what [F] I'm gonna do
_ _ _ [Bb] _ _ _
_ _ [Eb] _ _ _ _ _ _
[F] _ _ I would write
_ [Bb] Basically just on the on the piano.
I would just you know [Eb] play the melody or whatever of that and I
_ [Bb] I think this was the original key was _
_ _ _ _ _ [Ab] _ _ _
[Db] _ _ _ _ _ _ _ [Ab] _
_ [Eb] _ _ _ _ _ _ _
[Db] _ _ _ _ _ _ _ [Bbm] _
_ _ _ [Eb] _ _ _ _ [C] _
_ _ _ [F] _ _ _ _ [Bbm] _
Come back to [Eb] me.
I'm gonna [Ab]
do [N] I mean that's what I had
_ Morris brought next came up with the words and client spot came up with [G] a you know
Wave me kind of giving them more of a groove and I recorded it
But really the great recording of that song was done by a really Frank
I [A] _
_ _ _ [Am] _ _ _ [Bm] _ _
_ _ _ [G] _ _ _ _ [Em]
must _ _ [A] _ _ _ _ [Gb] _
_ _ have [B] been like 14 or 15
[E] _
_ _ _ [A] _ _ _ _ [D] _
_ _ It's a grown-up [G] song now, isn't it?
[Em] We have those grown-up feelings, you know, you can [A] fall in love, you know, and you you feel you they say [D] some of the young love
The young youngest love is [F] the greatest love of all because it has the [Em] innocence and it's like the promise of [A] forever
_ [Em] _ _ [D] _
Within [Gb] Motown collaboration was a way of life and Stevie in [Am] particular seems