Chords for Useful Tips for Making Guitar Music by Jakub Zytecki
Tempo:
113.85 bpm
Chords used:
G
Em
E
G#
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hello, I'm Jakub Zytek and I just wanted to tell you about a few things I like [G#] to [G] do while writing the music
and I hope you're gonna [N] find it useful.
So yeah, what I really like [Em] about making music is having this [A] happy random accidents that [G] are happening
where I'm just picking a certain sound or I'm just starting the drum loop [E] from the point it wasn't supposed [N] to be played
and all of a sudden I've got something I wasn't able to think before.
I think these elements are really [G] important and they kind of make your music [N] a bit more spontaneous and alive.
So yeah, I [G] tried to apply that idea to the guitar and that's something [E] I started doing recently.
It's just too pretty fresh for me, like I was practicing this lick for the last two days and it's such a brain stretch.
But yeah, that's the cool thing about it.
[N] It's pretty much about having one simple riff and then putting it within a frame of a pattern
that will make the riff more irregular in a longer run.
It's pretty much something that Meshuggah did [G] for years.
It's my little way of doing this.
And [G#] yeah, [Bm]
[G] while you're doing this there's a chance that you might play something cool all of a sudden.
So let me show you how it works.
The main riff sounds like this.
[Em]
[N] And the pattern that I told you about is something like this.
I'd take first [Em] four notes of this riff and play them as the eighth notes
and I'd take [N] next six notes of this riff and play them as a triplet.
And that makes ten notes.
And the riff is made from fourteen notes.
So I'm left with the last four notes of the riff with which I start the pattern again.
So this will create irregular changes of this riff in a longer run and it's gonna sound [Em] pretty interesting.
So just [F#m] once again to remind you that the [G] idea is this.
So in the longer run it will sound like this.
And here we go.
I love the idea.
Probably gonna sound more interesting at a faster tempo so [F#] let me just
[G] So yeah, [C#] that was the whole pattern all together.
And you could hear that the changes were making it pretty irregular.
[B] [G]
So yeah, that's the idea behind it.
[F#] And it really forces you to learn new shapes [E] and [G] there's a chance that rhythmically it might be more interesting [F] than just the one riff itself.
So [G] yeah, I hope it was helpful and
and I hope you're gonna [N] find it useful.
So yeah, what I really like [Em] about making music is having this [A] happy random accidents that [G] are happening
where I'm just picking a certain sound or I'm just starting the drum loop [E] from the point it wasn't supposed [N] to be played
and all of a sudden I've got something I wasn't able to think before.
I think these elements are really [G] important and they kind of make your music [N] a bit more spontaneous and alive.
So yeah, I [G] tried to apply that idea to the guitar and that's something [E] I started doing recently.
It's just too pretty fresh for me, like I was practicing this lick for the last two days and it's such a brain stretch.
But yeah, that's the cool thing about it.
[N] It's pretty much about having one simple riff and then putting it within a frame of a pattern
that will make the riff more irregular in a longer run.
It's pretty much something that Meshuggah did [G] for years.
It's my little way of doing this.
And [G#] yeah, [Bm]
[G] while you're doing this there's a chance that you might play something cool all of a sudden.
So let me show you how it works.
The main riff sounds like this.
[Em]
[N] And the pattern that I told you about is something like this.
I'd take first [Em] four notes of this riff and play them as the eighth notes
and I'd take [N] next six notes of this riff and play them as a triplet.
And that makes ten notes.
And the riff is made from fourteen notes.
So I'm left with the last four notes of the riff with which I start the pattern again.
So this will create irregular changes of this riff in a longer run and it's gonna sound [Em] pretty interesting.
So just [F#m] once again to remind you that the [G] idea is this.
So in the longer run it will sound like this.
And here we go.
I love the idea.
Probably gonna sound more interesting at a faster tempo so [F#] let me just
[G] So yeah, [C#] that was the whole pattern all together.
And you could hear that the changes were making it pretty irregular.
[B] [G]
So yeah, that's the idea behind it.
[F#] And it really forces you to learn new shapes [E] and [G] there's a chance that rhythmically it might be more interesting [F] than just the one riff itself.
So [G] yeah, I hope it was helpful and
Key:
G
Em
E
G#
F#
G
Em
E
Hello, I'm Jakub Zytek and _ I just wanted to tell you about a few things I like [G#] to [G] do while writing the music
and I hope you're gonna [N] find it _ _ useful.
So yeah, what I really like [Em] about making music is having this _ _ [A] happy random accidents that [G] are happening
where I'm just picking a certain sound or I'm just starting the drum loop [E] from the point it wasn't supposed [N] to be played
and all of a sudden I've got _ something I wasn't able to think before.
I think these elements are really [G] important and they kind of make your music [N] a bit more spontaneous and alive.
So yeah, I [G] tried to apply that idea to the guitar and that's something [E] I started doing recently.
It's just too pretty fresh for me, like I was practicing this lick for the last two days and it's such a brain stretch.
But yeah, that's the cool thing about it.
_ [N] _ It's pretty much about having one simple riff and then putting it within a frame of a pattern
that will make the riff more irregular _ _ in a longer run.
It's pretty much something that Meshuggah did [G] for years.
It's my little way of doing this.
_ And [G#] yeah, [Bm] _
[G] while you're doing this there's a chance that you might play something cool all of a sudden.
So let me show you how it works.
The main riff sounds like this.
_ _ _ [Em] _ _
_ _ _ [N] And the pattern that I told you about is something like this.
I'd take first [Em] four notes of this riff and play them as the eighth notes
and I'd take [N] next six notes of this riff and play them as a triplet.
And that makes ten notes.
And the riff is made from fourteen notes.
So I'm left with the last four notes of the riff with which I start the pattern again.
So this will create irregular _ _ changes of this riff in a longer run and it's gonna sound [Em] pretty interesting.
So just [F#m] once again to remind you that the [G] idea is this. _ _ _ _ _ _ _
_ _ So in the longer run it will sound like this.
And here we go.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ I love the idea.
Probably gonna sound more interesting at a faster tempo so [F#] let me _ _ _ just_
[G] _ _ So _ _ _ _ _ _ _ _
yeah, _ _ _ _ _ _ _ _ [C#] that was the whole pattern all together.
And you could hear that the changes were making it pretty irregular.
_ [B] _ [G]
So yeah, that's the idea behind it.
[F#] And it really forces you to learn new shapes [E] and _ [G] there's a chance that rhythmically it might be more interesting [F] than just the one riff itself.
So [G] yeah, I hope it was helpful and
and I hope you're gonna [N] find it _ _ useful.
So yeah, what I really like [Em] about making music is having this _ _ [A] happy random accidents that [G] are happening
where I'm just picking a certain sound or I'm just starting the drum loop [E] from the point it wasn't supposed [N] to be played
and all of a sudden I've got _ something I wasn't able to think before.
I think these elements are really [G] important and they kind of make your music [N] a bit more spontaneous and alive.
So yeah, I [G] tried to apply that idea to the guitar and that's something [E] I started doing recently.
It's just too pretty fresh for me, like I was practicing this lick for the last two days and it's such a brain stretch.
But yeah, that's the cool thing about it.
_ [N] _ It's pretty much about having one simple riff and then putting it within a frame of a pattern
that will make the riff more irregular _ _ in a longer run.
It's pretty much something that Meshuggah did [G] for years.
It's my little way of doing this.
_ And [G#] yeah, [Bm] _
[G] while you're doing this there's a chance that you might play something cool all of a sudden.
So let me show you how it works.
The main riff sounds like this.
_ _ _ [Em] _ _
_ _ _ [N] And the pattern that I told you about is something like this.
I'd take first [Em] four notes of this riff and play them as the eighth notes
and I'd take [N] next six notes of this riff and play them as a triplet.
And that makes ten notes.
And the riff is made from fourteen notes.
So I'm left with the last four notes of the riff with which I start the pattern again.
So this will create irregular _ _ changes of this riff in a longer run and it's gonna sound [Em] pretty interesting.
So just [F#m] once again to remind you that the [G] idea is this. _ _ _ _ _ _ _
_ _ So in the longer run it will sound like this.
And here we go.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ I love the idea.
Probably gonna sound more interesting at a faster tempo so [F#] let me _ _ _ just_
[G] _ _ So _ _ _ _ _ _ _ _
yeah, _ _ _ _ _ _ _ _ [C#] that was the whole pattern all together.
And you could hear that the changes were making it pretty irregular.
_ [B] _ [G]
So yeah, that's the idea behind it.
[F#] And it really forces you to learn new shapes [E] and _ [G] there's a chance that rhythmically it might be more interesting [F] than just the one riff itself.
So [G] yeah, I hope it was helpful and