Chords for Using the A7 Chord for Blues | Tuesday Blues Lessons #001

Tempo:
107.85 bpm
Chords used:

A

F#

E

G#

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Using the A7 Chord for Blues | Tuesday Blues Lessons #001 chords
Start Jamming...
[F] Hey blues [F#] fans John here with the [A] Blues Guitar Institute, and I'm very excited to make an announcement today
Blues Guitar [F#] Institute has been pumping out free lessons
But on a very [A] inconsistent basis
so what I want to do is really amp things up a bit [E]
and we're going to [C#] release [Am] a
Brand new Blues Guitar [A] lesson every [F#] single Tuesday [A] on the YouTube channel
[E] And then we're going to post [A] it back on blues guitar Institute calm [F#] as well for you
So I hope [A] you join me along with this ride because we're going to cover some cool things like
[F#] You know some music theory that relates to good blues guitar of course
[A] We're going to throw in some licks, and we're going to take a look at some guitar techniques as well
[E]
And again you can expect [G] this [F#] every single Tuesday, so I want you to keep track of what's going on and
[A] Please let me [E] know if you dig what we're doing [A] here, so jump over on the Facebook [F#] page and leave me a comment
I'd love to hear from you [A] and love to hear
You know your idea of a lesson something that maybe you're struggling [F#] with so we're going to do this every single week
And it's going to be highly interactive
[A] So please let me know what you want to hear because that's what it's all about is [E] getting you to be [G] more [F#] confident
Well rounded blues [A] guitar player [F#] so with that let's get [A] into lesson one
[E] [A]
[F#] [A]
Okay, lesson one in this new series is going to be all about that a7 [Am]
chord
7th [F#] chords are ultra bluesy, and they're [A] just something that you really have to get used to especially if you're like me
You started playing with [E] you know hard rock classic [G] rock [F#] and heavy metal type stuff
You don't really hear [A] a lot of 7th chords in that style of music [E] or at least I do
[A] But it is so prevalent in [F#] country music, and it is very prevalent [A] in the blues
So let's take a look at what makes a 7th chord a [Am] 7th chord
I'll show you a cool trick with an [F] a7 so we're going to take a look at what makes a 7th chord a 7th chord
now in major chord construction this is going to be our
Reference for this is just a regular [A] a major and we'll stick in this bar chord territory for right now
But this thing is full [F#] of first degree third degree fifth degree
[G#]
notes from the a major [A] scale
[F#] [A]
so
That's what makes it a major chord the one three [Am] and five [E] to make this a seventh chord
We need ones threes fives
And we also need a flat seven and we can find the flat seven by [A] running through the scale
[C#] [D]
[E] [F#] [Em] That's going to be our flat seven so that's the G [A] and all I did was count up one two three four [D#m] five six
We would [G#] come here for the seven, but we need [G] to flatten it
So we're back here on this G note so this note needs to show up [A] in our seventh chord and
The best way to do that the easiest way to do that is to pick your pinky up when you're doing this
Full bar chord shape and you can hear how nice and [G#] bluesy that sounds this sounds really happy and complete like like home [A] base really
The major and then when you pick that pinky up
You can hear there's a little something interesting happening there, [C#] so that's it
That's how to make one of these bar [A] chord shapes from a major to a seventh
chord and
[N] You're going to use that a ton in the blues
But let me show you one trick that I love to use on my a7 and it's going to make use of [F] the open a string
So this works out great when you're doing some finger style stuff
So we've got the open a string which is [A] the fifth string
[B] Then I'm going to put my first finger fifth fret [G] fourth string
My third finger my [D#] ring finger is sixth fret third string
And then my second [Dm] finger middle finger here is sneaking [E] in on the second string
fifth [A] fret and I'm playing the middle four strings
And [C#] this thing just [G#] screams the blues to me [A] check it out
[D#m] [A]
[D#m] [A]
[C] [A] [A]
Now us [G#m] guitarists like to look at things as shapes
I don't usually like to [Fm] do that, but this thing just looks so much like [D] a regular D chord
[A] but on the
[A#]
Middle four strings [A] and up to this fifth fret position
So [E] if you need to think about it in terms of [A] shapes
Think of it as a D chord shape right here in the middle of the fretboard
And just playing around there all I'm doing is just kind of pumping this A thing
And then picking up
with the the other three notes in the chord
Simultaneously it's just different spots.
I'm just going with it.
This is just really free [C] form
[A] Having a good time here
And the only other thing that I'm doing here is another ultra bluesy thing and that is I'm going down and catching this whole thing
a half step lower
Just [C] [A]
moving the whole chord
For [D#m] [A]
[N] very Delta bluesy thing to do so I [A] hope you get some use from that
So there you go something [F#] cool to do with your A7
[A] Very bluesy chord, and I hope you like that little chord the mini [F#] version of the A7
I use it all the time, and I think it really gets you [A] into a more free sort of position of playing that chord
[G#] So hope you dig it put it [G] into your [F#] practice
Pump it into some [A] just playing around just [F#] like I was doing [A] and I think you're going to [E] really really [A] find the blues in that
[F#]
[A]
[Am] [F#]
[A] [G#] [A]
[G#] [G] [F#]
[A] [F#] [A]
[Bm] [E] [A] [F#]
[A] [G#] [A]
[Am] [F#]
[A#] [A] [A]
[G#] You
[G]
Key:  
A
1231
F#
134211112
E
2311
G#
134211114
G
2131
A
1231
F#
134211112
E
2311
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_ [F] _ Hey blues [F#] fans John here with the [A] Blues Guitar Institute, and I'm very excited to make an announcement today
Blues Guitar [F#] Institute has been pumping out free lessons
But on a very [A] inconsistent basis
so what I want to do is really amp things up a bit [E]
and we're going to [C#] release [Am] a
Brand new Blues Guitar [A] lesson every [F#] single Tuesday [A] on the YouTube channel
[E] And then we're going to post [A] it back on blues guitar Institute calm [F#] as well for you
So I hope [A] you join me along with this ride because we're going to cover some cool things like
[F#] You know some music theory that relates to good blues guitar of course
[A] We're going to throw in some licks, and we're going to take a look at some guitar techniques as well
[E]
And again you can expect [G] this [F#] every single Tuesday, so I want you to keep track of what's going on and
[A] Please let me [E] know if you dig what we're doing [A] here, so jump over on the Facebook [F#] page and leave me a comment
I'd love to hear from you [A] and love to hear
You know your idea of a lesson something that maybe you're struggling [F#] with so we're going to do this every single week
And it's going to be highly interactive
[A] So please let me know what you want to hear because that's what it's all about is [E] getting you to be [G] more [F#] confident
Well rounded blues [A] guitar player [F#] so with that let's get [A] into lesson one
[E] _ _ [A] _
_ _ _ [F#] _ _ _ _ [A]
Okay, lesson one in this new series is going to be all about that a7 [Am]
chord
7th [F#] chords are ultra bluesy, and they're [A] just something that you really have to get used to especially if you're like me
You started playing with [E] you know hard rock classic [G] rock [F#] and heavy metal type stuff
You don't really hear [A] a lot of 7th chords in that style of music [E] or at least I do
[A] But it is so prevalent in [F#] country music, and it is very prevalent [A] in the blues
So let's take a look at what makes a 7th chord a [Am] 7th chord
I'll show you a cool trick with an [F] a7 so we're going to take a look at what makes a 7th chord a 7th chord
now in major chord construction this is going to be our
Reference for this is just a regular [A] a major and we'll stick in this bar chord territory for right now
But this thing is full [F#] of first degree third degree fifth degree
_ _ [G#]
notes from the a major [A] scale
_ _ [F#] _ [A] _ _
_ so
That's what makes it a major chord the one three [Am] and five [E] to make this a seventh chord
We need ones threes fives
And we also need a flat seven and we can find the flat seven by [A] running through the scale
[C#] _ [D] _
[E] _ [F#] [Em] That's _ going to be our flat seven so that's the G [A] and all I did was count up one two three four [D#m] five six
We would [G#] come here for the seven, but we need [G] to flatten it
So we're back here on this G note so this note needs to show up [A] in our seventh chord _ and
The best way to do that the easiest way to do that is to pick your pinky up when you're doing this
Full bar chord shape _ _ _ _ _ _ _ _ and you can hear how nice and [G#] bluesy that sounds this sounds really happy and complete like like home [A] base really
The major and then when you pick that pinky up
You _ can hear there's a little something interesting happening there, _ _ _ [C#] so that's it
That's how to make one of these bar [A] chord shapes from a major to a seventh
chord _ and
[N] You're going to use that a ton in the blues
But let me show you one trick that I love to use on my a7 and it's going to make use of [F] the open a string
So this works out great when you're doing some finger style stuff
So we've got the open a string which is [A] the fifth string
[B] Then I'm going to put my first finger fifth fret [G] fourth string
My third finger my [D#] ring finger is sixth fret third string
And then my second [Dm] finger middle finger here is sneaking [E] in on the second string
fifth [A] fret _ and I'm playing the middle four strings
And _ [C#] this thing just [G#] screams the blues to me [A] check it out
_ _ _ _ [D#m] _ [A] _ _ _
_ _ _ [D#m] _ [A] _ _ _ _
_ [C] _ [A] _ _ _ [A] _ _ _
_ Now us [G#m] guitarists like to look at things as shapes
I don't usually like to [Fm] do that, but this thing just looks so much like [D] a regular D chord
_ _ _ [A] but on the
[A#] _ _
Middle four strings [A] and up to this fifth fret position
So [E] if you need to think about it in terms of [A] shapes
Think of it as a D chord shape right here in the middle of the fretboard _ _
And just playing around there all I'm doing is just kind of pumping this A thing
_ And then picking up
with the the other three notes in the chord
_ _ Simultaneously it's just different spots.
I'm just going with it.
This is just really free [C] form
[A] _ Having a good time here _ _ _ _
_ _ And the only other thing that I'm doing here is another ultra bluesy thing and that is I'm going down and catching this whole thing
a half step lower
Just [C] _ [A] _ _
_ _ _ _ moving the whole chord
For _ _ [D#m] _ _ [A] _ _ _
_ _ [N] very Delta bluesy thing to do so I [A] hope you get some use from that
So there you go something [F#] cool to do with your A7
[A] Very bluesy chord, and I hope you like that little chord the mini [F#] version of the A7
I use it all the time, and I think it really gets you [A] into a more free sort of position of playing that chord
[G#] So hope you dig it put it [G] into your [F#] practice
Pump it into some [A] just playing around just [F#] like I was doing [A] and I think you're going to [E] really really [A] find the blues in that
_ _ [F#] _
_ _ _ [A] _ _ _ _ _
_ _ _ [Am] _ _ _ _ [F#] _
_ _ _ [A] _ _ _ [G#] _ [A] _
_ _ [G#] _ _ _ _ [G] _ [F#] _
_ _ _ [A] _ _ [F#] _ _ [A] _
_ [Bm] _ [E] _ [A] _ _ _ [F#] _ _
_ _ _ [A] _ _ _ [G#] _ [A] _
_ _ _ [Am] _ _ _ _ [F#] _
_ _ [A#] _ _ _ [A] _ _ [A] _
_ _ [G#] You
_ _ [G] _ _

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