Chords for Velvet Revolver "Sucker Train Blues"

_ _ _ _ I'll [G] just stop it.
You get [G] to a place like Donington and there's just this huge influx of backstage [E] stuff going on.
And [Gb] then really it's all about the sort of synergy between you and the audience and all that kind of stuff.
But on top of [F] that, it's like playing with Sabbath makes you really sort of, you know, [B] a little bit more responsible.
But at the same time we want to give all those people that [Eb] haven't seen Vill at Raw or some sort of musical [E] experience
that's going to help [Eb] sort of prep the whole Black Sabbath thing, make a whole show out of it.
I got to see them about a week ago and they're a good band, they're a great band.
I mean, what do you expect?
It's the last.
I [Gb] think the more left [B] field you go, the more chances you take, the more fun it is and the more,
not [Gb] necessarily that you have to prove, [F] but that you can introduce what it is that you do to a wider span of people.
[E] So that's what I get out of it, is just the [Ab] overall sort of just, you know, crank it up and see what happens.
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[Em] _ _ _ _ [E] _ _ _ _
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[G] _ [B] The fatal tooth past your wings, [A] wild horse, [G] don't look at me now.
[B] The fatal tooth past your wings, [G] wild horse, yeah.
_ [E] Live when I want you, [G] yeah.
_ [E] I will find you, [G] yeah.
_ [E] Live when I want you, [G]
yeah.
_ _ [E] _ I do.
The great is not found on the kiss of Christmas time.
Say the robber brings in the miracle man.
Somebody brings the shame from above.
She calms the motherfuckers and delivers the pain.
Rainy night is sick, a mother just as bold as I am.
Any young affection is a call in a flash.
Send a man up here, cut the bridge, lead the sick.
Run it with a devil, no deliverance.
[A] _
[G] Don't look at [B] me.
The fatal tooth past your wings, [A] wild horse. _
[G] _ [B] The fatal tooth past your wings, wild horse. _
_ [E] Live when I want you, [G] yeah.
I _ [E] _ _ do, [G] yeah.
_ [E] Live when I want you, [G] yeah.
_ [E] I will find you.
[D] _
[C] Let's get moving now.
[E] Let me go, let me go, [D] let me go.
[C] Let's get moving now.
[E] Let me go, let me go, let [D] me go. _
[C] _ _ [E] Let me go, let me go, [D] let me go.
[C] Let's get moving now.
[B] What, what?
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[G] _ _ [B] _ _ _ _ [C] 77 [Eb].03.
What is it?
All the animals, _ _ [Em] we're gonna hit a [E] hole in the sky.
_ _ _ _ _ [G] Yeah, live [E] when I want you, [G] yeah.
_ [E] I will find you, [G] yeah.
[E] Live when I want you, [G] yeah.
_ [E] I will find you. _ _
I [E] will find you.
I will [G] _ _
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_ find you.
[E] _ _ _ _ _
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[N] _ _ New Sabbath in [E] the summer of 2005 [B] has been sort of like, it's [Eb] unreal.
The last [Eb] time I actually saw Black Sabbath play was 1978, the original members.
[E] So to see them up there and doing it and they sound amazing, it's [Eb] like, this is probably good timing.
Because they sound really, really good.
And our particular band, Revolver, is really [F] good.
So [E] musically, everybody's more or less together.
Whereas back in the day, we were just a disaster waiting to happen every single night.
[Ab] Ozzy was the same way, but at