Chords for Vigilante Man (Ry Cooder) - Lesson Trailer
Tempo:
72.7 bpm
Chords used:
D
A
G
C
Dm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
[G] [C]
[Dm]
[A] [D]
[E] [D]
[A]
[F] [A] [D]
Have [A]
[D]
you seen [A] that angel [D] hand?
[G] Have you seen that angel [D] hand?
Have you [G] seen that angel [E] hand?
[D]
I've been hearing [A] it all over the land.
[D]
Raining nights down [D] in the engine house.
That was Ry Cooder's Vigilante Man, and we're going to be in open detuning for this [Eb] lesson.
So, verse by verse, let's start off with the intro, and that's going to go like this.
[D]
Okay, that's the first part.
[E] Now there's a lot that's happening here.
We're going to go up to the fourth fret, back down, and do a pull-off.
And that's one pluck, like [D] that.
Okay, very Blind Willie Johnson-esque.
[A] And then back up to the fourth [D] fret.
So the bass comes in as we're sliding back up to the fourth fret on that first string.
So no bass for the first little bit.
There's the bass.
Now we're going to go first, [A] second string open, then the fifth string bass with the first string at the second fret.
Okay, so all of that together.
[D]
[A] Now we've got this.
[D]
Okay, so after this, [A] we're going to go back up to the fourth fret, do that pull-off again,
[C] and then go to the third fret, [Dm] up to the fifth fret on that second string.
If you don't get exactly [N] on that third fret, that's perfectly fine.
Three and a half works great [D] as well.
[C] One nice thing about slide is you don't need to be exactly over the fret sometimes, as with this song.
[Bb] You can be in between the frets, [A] and that'll work just fine.
[D]
[Dm] And then he finishes it off by going up to the third fret on the [D] fourth string, and then open fourth, and then open sixth.
So all of that together we have
[A]
[D]
Alright.
[A]
[D] Now we're going to go to the fifth [G] fret.
So we're just going to basically bar with our slide.
Six, five, four, three.
[F] Same with the third fret.
Back up to the fifth.
[D] [G]
[Dm]
[A] [D]
[E] [D]
[A]
[F] [A] [D]
Have [A]
[D]
you seen [A] that angel [D] hand?
[G] Have you seen that angel [D] hand?
Have you [G] seen that angel [E] hand?
[D]
I've been hearing [A] it all over the land.
[D]
Raining nights down [D] in the engine house.
That was Ry Cooder's Vigilante Man, and we're going to be in open detuning for this [Eb] lesson.
So, verse by verse, let's start off with the intro, and that's going to go like this.
[D]
Okay, that's the first part.
[E] Now there's a lot that's happening here.
We're going to go up to the fourth fret, back down, and do a pull-off.
And that's one pluck, like [D] that.
Okay, very Blind Willie Johnson-esque.
[A] And then back up to the fourth [D] fret.
So the bass comes in as we're sliding back up to the fourth fret on that first string.
So no bass for the first little bit.
There's the bass.
Now we're going to go first, [A] second string open, then the fifth string bass with the first string at the second fret.
Okay, so all of that together.
[D]
[A] Now we've got this.
[D]
Okay, so after this, [A] we're going to go back up to the fourth fret, do that pull-off again,
[C] and then go to the third fret, [Dm] up to the fifth fret on that second string.
If you don't get exactly [N] on that third fret, that's perfectly fine.
Three and a half works great [D] as well.
[C] One nice thing about slide is you don't need to be exactly over the fret sometimes, as with this song.
[Bb] You can be in between the frets, [A] and that'll work just fine.
[D]
[Dm] And then he finishes it off by going up to the third fret on the [D] fourth string, and then open fourth, and then open sixth.
So all of that together we have
[A]
[D]
Alright.
[A]
[D] Now we're going to go to the fifth [G] fret.
So we're just going to basically bar with our slide.
Six, five, four, three.
[F] Same with the third fret.
Back up to the fifth.
[D] [G]
100% ➙ 73BPM
D
A
G
C
Dm
D
A
G
_ [G] _ _ [C] _ _ _
_ _ _ [Dm] _ _ _
[A] _ _ [D] _ _ _ _
_ [E] _ _ _ [D] _ _
[A] _ _ _ _ _ _
[F] _ _ [A] _ _ [D] _ _
_ _ _ _ _ _
_ _ _ Have [A] _
_ _ [D] _ _ _ _
you seen [A] that angel [D] hand?
_ _ [G] Have you seen that angel [D] hand?
Have _ you [G] seen that angel [E] hand?
_ [D] _
I've been hearing [A] it all over the land.
[D] _ _ _ _ _ _
_ _ _ Raining nights down [D] in the engine house. _
That was Ry Cooder's Vigilante Man, and we're going to be in open detuning for this [Eb] lesson.
So, verse by verse, let's start off with the intro, and that's going to go like this. _ _ _ _ _
[D] _ _ _ _ _
Okay, that's the first part.
[E] Now there's a lot that's happening here.
We're going to go up to the fourth fret, back down, and do a pull-off.
And that's one pluck, like [D] that.
Okay, very Blind Willie Johnson-esque. _
[A] And then back up to the fourth [D] fret.
_ So the bass comes in as we're sliding back up to the fourth fret on that first string.
So no bass for the first little bit.
_ There's the bass.
Now we're going to go first, [A] second string open, then the fifth string bass with the first string at the second fret.
Okay, so all of that together.
_ [D] _ _
[A] _ Now we've got this.
[D] _ _
_ _ Okay, so after this, [A] we're going to go back up to the fourth fret, do that pull-off again,
[C] and then go to the third fret, [Dm] up to the fifth fret on that second string.
If you don't get exactly [N] on that third fret, that's perfectly fine.
Three and a half works great [D] as well.
[C] One nice thing about slide is you don't need to be exactly over the fret sometimes, as with this song.
[Bb] You can be in between the frets, [A] and that'll work just fine.
[D] _ _ _ _
[Dm] And then he finishes it off by going up to the third fret on the [D] fourth string, and then open fourth, and then open sixth.
So all of that together we have_
_ _ [A] _ _
[D] _ _ _ _ _
Alright.
_ _ _ [A] _ _
[D] _ _ _ Now we're going to go to the fifth [G] fret.
So we're just going to basically bar with our slide.
Six, five, four, three.
_ [F] Same with the third fret.
Back up to the fifth.
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ [G] _ _
_ _ _ [Dm] _ _ _
[A] _ _ [D] _ _ _ _
_ [E] _ _ _ [D] _ _
[A] _ _ _ _ _ _
[F] _ _ [A] _ _ [D] _ _
_ _ _ _ _ _
_ _ _ Have [A] _
_ _ [D] _ _ _ _
you seen [A] that angel [D] hand?
_ _ [G] Have you seen that angel [D] hand?
Have _ you [G] seen that angel [E] hand?
_ [D] _
I've been hearing [A] it all over the land.
[D] _ _ _ _ _ _
_ _ _ Raining nights down [D] in the engine house. _
That was Ry Cooder's Vigilante Man, and we're going to be in open detuning for this [Eb] lesson.
So, verse by verse, let's start off with the intro, and that's going to go like this. _ _ _ _ _
[D] _ _ _ _ _
Okay, that's the first part.
[E] Now there's a lot that's happening here.
We're going to go up to the fourth fret, back down, and do a pull-off.
And that's one pluck, like [D] that.
Okay, very Blind Willie Johnson-esque. _
[A] And then back up to the fourth [D] fret.
_ So the bass comes in as we're sliding back up to the fourth fret on that first string.
So no bass for the first little bit.
_ There's the bass.
Now we're going to go first, [A] second string open, then the fifth string bass with the first string at the second fret.
Okay, so all of that together.
_ [D] _ _
[A] _ Now we've got this.
[D] _ _
_ _ Okay, so after this, [A] we're going to go back up to the fourth fret, do that pull-off again,
[C] and then go to the third fret, [Dm] up to the fifth fret on that second string.
If you don't get exactly [N] on that third fret, that's perfectly fine.
Three and a half works great [D] as well.
[C] One nice thing about slide is you don't need to be exactly over the fret sometimes, as with this song.
[Bb] You can be in between the frets, [A] and that'll work just fine.
[D] _ _ _ _
[Dm] And then he finishes it off by going up to the third fret on the [D] fourth string, and then open fourth, and then open sixth.
So all of that together we have_
_ _ [A] _ _
[D] _ _ _ _ _
Alright.
_ _ _ [A] _ _
[D] _ _ _ Now we're going to go to the fifth [G] fret.
So we're just going to basically bar with our slide.
Six, five, four, three.
_ [F] Same with the third fret.
Back up to the fifth.
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ [G] _ _