VIRTUAL RECORD PLAYER "The Neighborhoods - Prettiest Girl" Chords

Tempo:
117.85 bpm
Chords used:

G

A

C

B

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
VIRTUAL RECORD PLAYER "The Neighborhoods - Prettiest Girl" chords
Start Jamming...
[B] [C]
[B] [C]
[B]
[C] [B]
[F] [G]
[C] [G]
[Em]
[E] [C] [G]
[A] [G]
[A] [G]
[A] [C] [G]
[A] [C] [G]
[A] [C] So you [G] leave work [A] early, [C] but [G] you get ready [A] [C] to [G] meet your boyfriend.
[A] [C] Your girlfriend's [G] thinking she's the living [A] end.
[C] You're the pretty [G] ass girl, [A] and you're the frisky [G] ass girl.
[A] But [C] in your everyday [G] world, [A] you're [G] still the lonely ass girl.
[A] [C] You tell [G] yourself you don't love [Am] him, just [G] that you kiss [A] him.
[C] You tell [G] yourself you don't need [A] him.
[C] You tell [G] yourself you wouldn't [C] [A] leave him.
[C] You're the pretty [G] ass girl, [A] and you're the busy [G] ass girl.
[A] [C] But in your [D] everyday world, [A] you're still [Em] the lonely ass [G]
girl.
[A] [C] [F#]
Your face [B] is long, your emotions [C] are gone.
It's either that way, or they hit [F] you at [G] once.
So face [B] yourself, you can [F] brace yourself.
Just don't hit yourself, you're still the [G] pretty ass girl.
And [A] you're [G] the busy ass girl, [A] [C] but in your [D] everyday [G]
world,
[A] you're still the lonely [G] ass [A] girl.
[C] [G] You are, [A]
[C] [A] [C] [G]
[D] [Am] [G]
[A] [C] [G]
[A] [G]
[A] [C] [G]
[A] [G]
[A] you're [G] the pretty ass girl,
[A] and you're [A] the busy [G] ass girl, [A] but in [C] your everyday [G] world,
[A] you're still the lonely [G] ass girl.
[A] [G] You are,
[A] [G]
[A] [C] [G]
[A] [G]
[A] [G]
Key:  
G
2131
A
1231
C
3211
B
12341112
F
134211111
G
2131
A
1231
C
3211
Show All Diagrams
Chords
NotesBeta

Let's start jamming The Neighborhoods - Prettiest Girl chords, familiarize yourself with these chords - A, G, A, C and G in sequence. Set your pace at 58 BPM initially and then sync up with the song's BPM of 118. For a balanced pitch, adjust the capo with respect to your voice and the song's key: C Major.

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_ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ [C] _ _
_ _ _ [B] _ _ _ _ [C] _
_ _ _ _ [B] _ _ _ _
[C] _ _ _ _ _ [B] _ _ _
_ [F] _ _ _ _ _ [G] _ _
[C] _ _ _ _ _ _ [G] _ _
_ _ _ _ [Em] _ _ _ _
_ [E] _ _ _ [C] _ _ [G] _ _
_ [A] _ _ _ _ _ [G] _ _
_ [A] _ _ _ _ _ [G] _ _
_ [A] _ _ _ [C] _ _ [G] _ _
_ [A] _ _ _ [C] _ _ [G] _ _
_ [A] _ _ [C] So you [G] leave work [A] early, _ _ [C] but [G] you get ready [A] _ _ [C] to [G] meet your boyfriend.
[A] _ _ [C] Your girlfriend's [G] thinking she's the living [A] end.
_ [C] You're the pretty [G] ass girl, _ [A] _ and you're the frisky [G] ass girl.
[A] But _ [C] in your everyday [G] world, _ [A] _ you're [G] still the lonely ass girl.
_ [A] _ _ [C] You tell [G] yourself you don't love [Am] him, _ _ just [G] that you kiss [A] him.
_ [C] You tell [G] yourself you don't need [A] him.
_ [C] You tell [G] yourself you wouldn't [C] _ [A] leave him.
[C] You're the pretty [G] ass girl, _ [A] _ and you're the busy [G] ass girl.
[A] _ _ [C] But in your [D] everyday world, [A] _ you're still [Em] the lonely ass [G]
girl.
_ [A] _ _ [C] _ _ [F#] _
Your face [B] is long, your emotions [C] are gone.
It's either that way, or they hit [F] you at [G] once.
So face [B] yourself, you can [F] brace yourself. _
Just don't hit yourself, you're still the [G] pretty ass girl.
And [A] _ you're [G] the busy ass girl, _ [A] _ [C] but in your [D] everyday [G]
world,
_ [A] _ you're still the lonely [G] ass _ [A] girl.
_ [C] _ [G] You are, _ _ _ [A] _ _ _ _ _
[C] _ _ [A] _ _ [C] _ _ [G] _ _
_ [D] _ _ [Am] _ _ [G] _ _ _
_ [A] _ _ _ [C] _ _ [G] _ _
_ [A] _ _ _ _ [G] _ _ _
_ [A] _ _ _ [C] _ [G] _ _ _
_ [A] _ _ _ _ _ [G] _ _
_ [A] _ you're [G] the pretty ass girl, _
_ [A] _ and you're [A] the busy [G] ass girl, _ [A] _ but in [C] your everyday [G] world,
_ [A] you're still the lonely [G] ass girl.
[A] _ _ _ [G] You are, _ _
[A] _ _ _ _ _ [G] _ _ _
[A] _ _ _ [C] _ _ [G] _ _ _
[A] _ _ _ _ [G] _ _ _ _
[A] _ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _

Facts about this song

This song finds its place within the 12 Classic 45s album.

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