Chords for Waiting For The End - Recording Vocals | LPTV #42 | Linkin Park
Tempo:
73.55 bpm
Chords used:
E
A
B
C#m
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#] At the end there, there could be some cool horn sounds or something that makes some cool harmonies instead of doing like a, you know, [A] four part harmony.
Can you sing what [E] a horn thing might do?
[B] Just sing a la or whatever.
That [G#] way I know what notes you're hearing.
I'll call this track CB Horn.
Don't do
[A] Mouth trumpet.
[N] Mariachi mouth trumpet horn.
I might have a good like synthy sound that's not horn but has that kind of tone to it.
That richness?
[Cm] Yeah.
Hey Chester, let's [B] knock out this Meadowlands [G] chorus [Cm] change thing.
[C#m] I don't know what to say [A] to you.
Don't [C#m] sing a harmony yet.
Rick was real particular [A] about
His [E] thing [C#] was
[C#m]
[E] So
All I wanna do is [D#] trade this life for something [N] new.
Yeah, I think so.
The notes for the holding on is
[E]
[D#m] [E] That's better.
Is that better?
That's better.
[N] Should you do that both times?
What is it?
[B] [D] [B] So I want you to [E] come in on got, okay?
And then just go off from there.
And the end when the song ends.
Okay.
Here we [C#m] go.
[B]
[E] Such a good way to end the song.
It's like I've been waiting for that note and that voice.
For the entire record.
It's like for this song, it builds so [G#] steadily.
And then you get that at the end.
Can you sing what [E] a horn thing might do?
[B] Just sing a la or whatever.
That [G#] way I know what notes you're hearing.
I'll call this track CB Horn.
Don't do
[A] Mouth trumpet.
[N] Mariachi mouth trumpet horn.
I might have a good like synthy sound that's not horn but has that kind of tone to it.
That richness?
[Cm] Yeah.
Hey Chester, let's [B] knock out this Meadowlands [G] chorus [Cm] change thing.
[C#m] I don't know what to say [A] to you.
Don't [C#m] sing a harmony yet.
Rick was real particular [A] about
His [E] thing [C#] was
[C#m]
[E] So
All I wanna do is [D#] trade this life for something [N] new.
Yeah, I think so.
The notes for the holding on is
[E]
[D#m] [E] That's better.
Is that better?
That's better.
[N] Should you do that both times?
What is it?
[B] [D] [B] So I want you to [E] come in on got, okay?
And then just go off from there.
And the end when the song ends.
Okay.
Here we [C#m] go.
[B]
[E] Such a good way to end the song.
It's like I've been waiting for that note and that voice.
For the entire record.
It's like for this song, it builds so [G#] steadily.
And then you get that at the end.
Key:
E
A
B
C#m
C#
E
A
B
_ _ _ _ [C#] At the end there, there could be some cool horn sounds or something that makes some cool harmonies instead of doing like a, you know, [A] four part harmony.
Can you sing what [E] a horn thing might do?
[B] Just sing a la or whatever.
That [G#] way I know what notes you're hearing.
_ _ I'll call this track CB Horn.
_ Don't do_
[A] _ Mouth trumpet.
_ _ _ [N] Mariachi mouth trumpet horn.
_ I might have a good like synthy sound that's not horn but has that kind of tone to it.
That richness?
[Cm] Yeah.
_ _ Hey Chester, let's [B] knock out this Meadowlands [G] chorus [Cm] change thing.
_ _ _ _ _ [C#m] I don't know what to say [A] to you.
Don't [C#m] sing a harmony yet.
Rick was real particular [A] about_
His [E] thing _ _ [C#] was_
_ [C#m] _ _
[E] So_
All I wanna do is [D#] trade this life for something [N] new.
Yeah, I think so.
The notes for the holding on is_ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ [D#m] _ _ [E] That's better.
Is that better?
That's better.
[N] Should you do that both times?
_ What is it? _ _
_ _ [B] _ _ _ [D] _ [B] So I want you to [E] come in on got, okay?
And then just go off from there.
And the end when the song ends.
Okay.
Here we [C#m] go.
_ _ [B] _ _ _ _ _ _
[E] Such a good way to end the song.
It's like I've been waiting for that note and that voice.
For the entire record.
It's like for this song, it builds so [G#] steadily.
And then you get that at the end.
Can you sing what [E] a horn thing might do?
[B] Just sing a la or whatever.
That [G#] way I know what notes you're hearing.
_ _ I'll call this track CB Horn.
_ Don't do_
[A] _ Mouth trumpet.
_ _ _ [N] Mariachi mouth trumpet horn.
_ I might have a good like synthy sound that's not horn but has that kind of tone to it.
That richness?
[Cm] Yeah.
_ _ Hey Chester, let's [B] knock out this Meadowlands [G] chorus [Cm] change thing.
_ _ _ _ _ [C#m] I don't know what to say [A] to you.
Don't [C#m] sing a harmony yet.
Rick was real particular [A] about_
His [E] thing _ _ [C#] was_
_ [C#m] _ _
[E] So_
All I wanna do is [D#] trade this life for something [N] new.
Yeah, I think so.
The notes for the holding on is_ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ [D#m] _ _ [E] That's better.
Is that better?
That's better.
[N] Should you do that both times?
_ What is it? _ _
_ _ [B] _ _ _ [D] _ [B] So I want you to [E] come in on got, okay?
And then just go off from there.
And the end when the song ends.
Okay.
Here we [C#m] go.
_ _ [B] _ _ _ _ _ _
[E] Such a good way to end the song.
It's like I've been waiting for that note and that voice.
For the entire record.
It's like for this song, it builds so [G#] steadily.
And then you get that at the end.