Chords for Walk off the Earth - NOMAD (Behind The Scenes)

_ _ _ [E] _ _ _ [F] _ _
[G] _ _ _ [Gm] _ _ [F] _ _ [G] _
_ _ _ [Eb] _ [E] It's going to be fun. _
_ It's a test.
_ [Bbm] _ _ [Fm] _
[Gb] I'm like a kid in a [B] swing.
[Gb] They told me I had [D] to get in shape for the [Bb] shoot, so I've been working out and stuff,
but little did I know, it's more about [D] the pressure in the family jewels area,
[Bbm] so you can't really prepare for that, and it's [Fm] not fun.
[Gb] How does that feel?
This feels [Ebm] great.
_ [Fm] Yeah, you know I'm down with [Gb] that.
I'm [Eb] down to keep it [Bbm] normal, honey.
You [Ab] don't even have to ask me [Gb] to.
[Ebm] There's nothing I want to [Bbm] do when the morning [Ab] comes out at dawn.
[Gb] So let's enjoy the [Ebm] moment with no [Bbm] emotions.
[Ab] I'm [Gb] talking about a [Ebm] lifetime.
_ [Bbm] _ _ [Ab] _
_ [Gb] I [Ebm] don't want to know you [Bbm] like that.
[Ab] I just want to watch [Gb] you be bad.
I [Ebm] just want to keep it [Bbm] normal.
[Ab] _
_ [Gb] _ _ [Ebm] _ _ [Bbm] _ _ [Ab] _
_ [Gb] _ _ _ _ [Bbm] What's up, folks?
Joel here.
[Ab] We are out here in Montreal, [Gb] Cirque du Soleil,
[Ebm] day number two.
[Bbm]
Lots of stuff on [Ab] the gamut today.
We have [Gb] aerial hoops.
[Ebm] We have [Bbm] aerial silks.
We have, [Gb] oh man, we're about to jump [Ebm] on this trapeze.
[Bbm] It's going to be wild.
I [Ab] saw a bathtub getting moved [Gb] around earlier.
Not sure [Ebm] what the deal is there.
[Bbm] Sarah was in it.
[Ab] Taylor looked really jealous, [Gb] but you know, [Ebm] here we are
learning [Bbm] a bunch of stuff, [Ab] taking risks.
[Gb] This is what life's about, [Ebm] folks.
I just want to watch you [Bbm] be bad.
[Ab] We _ [Ebm] _ got to keep it [Bbm] normal.
_ [Ab] _ _ [Gb] _ _ [Ebm] _ _ _
_ [Bbm] _ [Ab] Hi, my name's Chris Dacey.
[Gb] I'm the director and the [Ebm] cinematographer for Nomad.
[F] I've done tons of shoots with Walk Off Europe over the years.
[Gb] I've known Johnny since [Ebm] high school,
and so [Bbm] when he approached me with [F] the Nomad video, [Gb] I was all in.
It [Ebm] came pretty clear to me [Bbm] right off the bat, we're going to [F] have to shoot this a total
[Gb] different way.
[Ebm] Johnny and I are used to doing [Bbm] things over [Ab] and over
and over again [Ebm] to either get sync right, to get performance [Bbm] right, to get
the right [Ab] feel.
With the [Gb] acrobats, I mean, [Ebm] they're already amazing at what they [Bbm] do
and they nail it every [Ab] time, but they can only do [Gb] that a very [Ebm] limited amount
of times, whether [Bbm] it's spinning, flipping, [F] coming down on the [Gb] ribbons.
They can only
do that thing maybe four, five, six times [Ab] before their bodies just gave [Gb] out.
So it made it really [Ebm] hard to get coverage [Bbm] of what we were doing, so it [Ab] was really important
that we picked [Gb] out the right angles [Ebm] and almost stayed a little wider so that
we could see what was going on.
[Ab] Every minute that passes, [Gb] I have more and more respect for these acrobats
because they're [Bbm] not human.
_ [Ab] _ _ [Gb] _
_ _ _ [Bbm] _ _ [Ab] _ _ [Gb] _
_ [Ebm] _ _ [Bbm] _ _ [Ab] _ _ [Gb] _
_ [Bbm] _ _ [Ebm] _ [Ab] I can't see.
[Gb] _
_ [Bbm] _ _ _ _ [Ab] _ _ [Gb] _
_ [Ebm] _ _ _ _ [Ab] _ _ [Gb] _
[Ebm] Don't want to know you [Bbm] left.
[Ab] Just want to let you [Gb] be back.
[Ebm] We're going to keep it.
No matter.
_ [N] _
_ _ _ _ _ _ _ _
So sorry.
Welcome. _ _ _
_ _ _ _ _ _ _ _
_ [Ab] _ _ [Gb] _ _ [Ebm] _ _ [Bbm]
Just [Ab] want to let you [Gb] be back.
[Ebm] We're going to keep [Bbm] it.
_ [Ab] _ [Gb] We're going to keep it.
Don't want [Ebm] to know you [Bbm] like that.
[F] Just want to let you [Gb] be back.
[Ebm] We're going to keep it. _
_ [Ab] _ _ [Gb] _ _ [Bbm] _ _ [N] _