Chords for Waylon Jennings . Waymore Blues solo acoustic
Tempo:
137.75 bpm
Chords used:
E
B
Am
A
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Am] You don't [E] hear way more clues.
I never [B] heard it.
You never heard it.
What's this one about [E] Jimmy Rogers?
[Am] Yeah, it's about Jimmy Rogers and [E] this and that [B] and another I don't know what it's about really
Well, I woke up this morning.
It was drizzling rain
Round the curb come a passenger train.
I heard somebody yodel and a hobo moan
Jimmy he did he's been a long time gone been a long [E] time gone
Been a long [B] time gone.
You wanna get to heaven got a D.I.E.
You gotta put on your coat and T.I.E.
If you wanna get the rabbit out the L.O.G. You gotta make a commotion like a D.O.G.
No like a [E] D.O.G.
Like a D [B].O.G.
Well, I got a good woman.
What's the matter with me?
What makes me wanna love every woman I see?
I was trifling when I met her now I'm trifling again and every woman she sees look like a place
I came in look like a [E] place I came in Poetic license.
[B] You'll need a lot of poetic license for that.
I got my name painted on my shirt.
I ain't no ordinary dude.
I don't have to work.
I don't [E] have to work.
[B] Cell Silverstein told me I wrote a true American folk song.
Is that right?
I sang it to him as a joke because it didn't make no sense.
[A] This one?
Yeah.
Is that right?
That's true.
You didn't think it made any sense when you wrote it?
It don't make any sense.
It does but it don't.
[Am] I had to really dig to get a story out of it.
[E] Yeah.
I'll tell you about it someday.
Yeah, that's true.
What it's about?
Well, the first part's about Jimmy Rogers, you know.
Right.
The second part, [A] I don't know what's about.
You could say it had [F#] a concept to it, you know.
[E] [F] Honey, that's not the way you do [Fm] it.
You don't say that it has a concept [G]
after you finish it.
Wait a minute now.
No, no kidding.
You really [A] are mistaken here.
Honey, you call it a concept after you put it together and then you dig a story out of [B] it.
When you write something like that, you better say something.
You make up a story first and then you [F] make a concept.
Hit me up, okay?
Here's a good song, all right?
I never [B] heard it.
You never heard it.
What's this one about [E] Jimmy Rogers?
[Am] Yeah, it's about Jimmy Rogers and [E] this and that [B] and another I don't know what it's about really
Well, I woke up this morning.
It was drizzling rain
Round the curb come a passenger train.
I heard somebody yodel and a hobo moan
Jimmy he did he's been a long time gone been a long [E] time gone
Been a long [B] time gone.
You wanna get to heaven got a D.I.E.
You gotta put on your coat and T.I.E.
If you wanna get the rabbit out the L.O.G. You gotta make a commotion like a D.O.G.
No like a [E] D.O.G.
Like a D [B].O.G.
Well, I got a good woman.
What's the matter with me?
What makes me wanna love every woman I see?
I was trifling when I met her now I'm trifling again and every woman she sees look like a place
I came in look like a [E] place I came in Poetic license.
[B] You'll need a lot of poetic license for that.
I got my name painted on my shirt.
I ain't no ordinary dude.
I don't have to work.
I don't [E] have to work.
[B] Cell Silverstein told me I wrote a true American folk song.
Is that right?
I sang it to him as a joke because it didn't make no sense.
[A] This one?
Yeah.
Is that right?
That's true.
You didn't think it made any sense when you wrote it?
It don't make any sense.
It does but it don't.
[Am] I had to really dig to get a story out of it.
[E] Yeah.
I'll tell you about it someday.
Yeah, that's true.
What it's about?
Well, the first part's about Jimmy Rogers, you know.
Right.
The second part, [A] I don't know what's about.
You could say it had [F#] a concept to it, you know.
[E] [F] Honey, that's not the way you do [Fm] it.
You don't say that it has a concept [G]
after you finish it.
Wait a minute now.
No, no kidding.
You really [A] are mistaken here.
Honey, you call it a concept after you put it together and then you dig a story out of [B] it.
When you write something like that, you better say something.
You make up a story first and then you [F] make a concept.
Hit me up, okay?
Here's a good song, all right?
Key:
E
B
Am
A
F
E
B
Am
[Am] _ _ _ You don't [E] hear way more clues.
I never [B] heard it.
You never heard it.
What's this one about [E] Jimmy Rogers?
[Am] Yeah, it's about Jimmy Rogers and [E] this and that [B] and another I don't know what it's about really _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Well, I woke up this morning.
It was drizzling rain
_ Round the curb come a passenger train.
I heard somebody yodel and a hobo moan
Jimmy he did he's been a long time gone been a long [E] time gone _ _ _ _ _ _
_ _ _ _ Been a long [B] time _ _ _ _ _ _ _ _
_ _ _ _ _ _ gone.
You wanna get to heaven got a D.I.E.
You gotta put on your coat and T.I.E.
If you wanna get the rabbit out the L.O.G. You gotta make a commotion like a D.O.G.
No like a [E] D.O.G. _ _ _ _ _ _
_ _ _ _ Like a D [B].O.G. _ _ _ _ _ _ _
_ _ _ _ _ _ Well, I got a good woman.
What's the matter with me?
What makes me wanna love every woman I see?
I was trifling when I met her now I'm trifling again and every woman she sees look like a place
I came in look like a [E] place I came in _ _ Poetic _ license.
_ _ _ _ _ [B] You'll need a lot of poetic license for that. _ _ _ _
_ _ _ _ _ _ I got my name painted on my shirt.
I ain't no ordinary dude.
I don't have to work.
I don't [E] have to work. _ _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ Cell Silverstein told me I wrote a true American folk song.
Is that right?
I sang it to him as a joke because it didn't make no sense.
_ [A] This one?
Yeah.
Is that right?
That's true.
You didn't think it made any sense when you wrote it?
It don't make any sense.
It does but it don't.
[Am] I had to really dig to get a story out of it.
[E] Yeah.
I'll tell you about it someday.
Yeah, that's true. _
What it's about?
_ _ Well, the first part's about Jimmy Rogers, you know.
Right.
_ The second part, [A] I don't know what's about.
_ _ You could say it had [F#] a concept to it, you know.
[E] _ _ [F] _ Honey, that's not the way you do [Fm] it.
You don't say that it has a concept [G]
after you finish it.
Wait a minute now.
No, no kidding.
You really [A] are mistaken here.
_ _ Honey, you call it a concept after you put it together and then you dig a story out of [B] it.
When you write something like that, you better say something.
You make up a story first and then you [F] make a concept.
_ Hit me up, okay?
_ _ Here's a good song, all right? _
I never [B] heard it.
You never heard it.
What's this one about [E] Jimmy Rogers?
[Am] Yeah, it's about Jimmy Rogers and [E] this and that [B] and another I don't know what it's about really _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Well, I woke up this morning.
It was drizzling rain
_ Round the curb come a passenger train.
I heard somebody yodel and a hobo moan
Jimmy he did he's been a long time gone been a long [E] time gone _ _ _ _ _ _
_ _ _ _ Been a long [B] time _ _ _ _ _ _ _ _
_ _ _ _ _ _ gone.
You wanna get to heaven got a D.I.E.
You gotta put on your coat and T.I.E.
If you wanna get the rabbit out the L.O.G. You gotta make a commotion like a D.O.G.
No like a [E] D.O.G. _ _ _ _ _ _
_ _ _ _ Like a D [B].O.G. _ _ _ _ _ _ _
_ _ _ _ _ _ Well, I got a good woman.
What's the matter with me?
What makes me wanna love every woman I see?
I was trifling when I met her now I'm trifling again and every woman she sees look like a place
I came in look like a [E] place I came in _ _ Poetic _ license.
_ _ _ _ _ [B] You'll need a lot of poetic license for that. _ _ _ _
_ _ _ _ _ _ I got my name painted on my shirt.
I ain't no ordinary dude.
I don't have to work.
I don't [E] have to work. _ _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ Cell Silverstein told me I wrote a true American folk song.
Is that right?
I sang it to him as a joke because it didn't make no sense.
_ [A] This one?
Yeah.
Is that right?
That's true.
You didn't think it made any sense when you wrote it?
It don't make any sense.
It does but it don't.
[Am] I had to really dig to get a story out of it.
[E] Yeah.
I'll tell you about it someday.
Yeah, that's true. _
What it's about?
_ _ Well, the first part's about Jimmy Rogers, you know.
Right.
_ The second part, [A] I don't know what's about.
_ _ You could say it had [F#] a concept to it, you know.
[E] _ _ [F] _ Honey, that's not the way you do [Fm] it.
You don't say that it has a concept [G]
after you finish it.
Wait a minute now.
No, no kidding.
You really [A] are mistaken here.
_ _ Honey, you call it a concept after you put it together and then you dig a story out of [B] it.
When you write something like that, you better say something.
You make up a story first and then you [F] make a concept.
_ Hit me up, okay?
_ _ Here's a good song, all right? _