Chords for What is Counterpoint? Free Music Lessons

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_ _ Hi, this is livingpianos.com and virtualsheetmusic.com.
I'm Robert Estrin.
The question today, what is counterpoint?
You may have heard this term before and wondered
exactly what that means.
You probably have a vague idea that it has something
to do with the Baroque era of music, primarily.
We're going to cover this today, and I'll give you some examples
so you can get your head around it and maybe get more insights
if you already are familiar with what counterpoint is.
_ Counterpoint is simply music that is built linearly.
That is, there are several different musical lines
that can interweave one another, at least two.
Because if you only have one line, you have monophonic music.
Once you have polyphony, you have more than one note,
you can have the possibility of counterpoint.
However, not all music really works with counterpoint.
For example, if you play Mozart, you have a clear melody and harmony.
For example, in the famous C major sonata, _ K545,
the left hand is just broken chords, where the right hand is the melody. _ _
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_ [C] _ _ _ _ The left hand by itself really doesn't have much of a melody to remember.
_ _ _ [D] _ _ [C] _ _
_ That's all that's going on there, so it's all about the melody.
[G] _ _ _ [Dm] _ _ _ _
_ [G] _ _ _ _ [Em] _ _
You have a melody and accompaniment.
Same thing is true with later music, in Chopin, like his E minor _ _ prelude. _ _ _ _ _ _
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_ [B] _ _ _ [C] _ _ _ [F] _
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[E] _ _ _ [G] _ _ _ _ _
_ [C] _ _ [B] You have a gorgeous melody on top, which is supported with these changes
of harmony underneath.
Clear _ delineation, a function of these different parts.
In counterpoint, you have equal _ melodies.
You have melodies interweaving.
So for example, in the Bach E minor Toccata in the second movement,
notice how all the parts are equal.
They're equal in importance, and they should be played equally, too.
You should bring out the important lines, and they can be anywhere.
They can be in the top, the bottom, the middle.
Listen to the difference of music that relies on counterpoint instead
of melody and harmony. _
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_ [E] _ _ _ _ _ _ _
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_ [Em] _ _ _ [F#] _ _ [Bm] _ _
[B] _ _ _ [F#] _ _ [Bm] _ _ _
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_ [E] _ _ _ [Am] _ _ _ _
_ [A] _ _ _ _ _ [G] _ _
_ _ _ [A] _ [B] _ _ [Em] _ _
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_ [F#] _ _ [C] _ _ _ [A] _ _
_ [F#] _ _ _ [A] _ _ [Dm] _ _
_ [E] _ _ [Am] _ _ _ _ [Bm] _
_ [E] _ _ [Am] _ _ _ _ _
[C] You can't really pick any one part as being the melody or the harmony.
They're all melodies.
Schaller Bach can interweave them together.
_ He has two-part inventions, where two lines just play around one another
and dance beautifully, three-part symphonies, and then fugues,
which can be three, four, or sometimes even five voices.
That is five separate lines interweaving.
We'll have another show for you about what is a fugue.
A fugue is really an amazing composition in the hands of a master
like Bach or Handel, Telemann, and others.
Thanks so much for joining me, Robert Ester here at livingpianos.com
and virtuoseatmusic.com.
Look forward to more shows.
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