Chords for Whitesnake '87 Track by Track - Crying in the Rain
Tempo:
86.3 bpm
Chords used:
E
Eb
D
C
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
You're crying [B] in the [E] rain.
Well, you're crying [Em] in the [C] rain.
Well, we changed it so much.
of my plays in the early [E] White Snake
understand.
sort of proved to me [D] that it was time for [E] me to look around.
That things that I felt very deeply and [Eb] profoundly for
White Snake.
Well, you're crying [Em] in the [C] rain.
Well, we changed it so much.
of my plays in the early [E] White Snake
understand.
sort of proved to me [D] that it was time for [E] me to look around.
That things that I felt very deeply and [Eb] profoundly for
White Snake.
100% ➙ 86BPM
E
Eb
D
C
F
E
Eb
D
You're crying [B] in the [E] rain.
_ [D] _
Well, you're crying [Em] in the [C] rain.
_ _ [D] _
Well, we changed it so much.
_ _ A couple of my plays in the early [E] White Snake
were kind of laughing about it, and I couldn't understand.
And they felt that it was more Black Sabbath than White Snake,
which sort of proved to me [D] that it was time for [E] me to look around.
That things that I felt very deeply and [Eb] profoundly for
are the direction of White Snake.
[F] Then I'm not going to be dragging [D] anybody kicking and screaming along the way.
They come voluntarily or share the [E] same vision.
That's really important.
[Ab] And we were [E] working.
Neil had rejoined the band.
John was just on fire, beautiful and incredible, fiery musician.
And Cozy was [Eb] driving the band incredibly.
[D] _ [Eb] It was an astonishing transition from the early band
to what [Eb] I was envisioning, this more [D] electrifying, intense _ [F] band.
And [Fm] _ [G] all of the 87 album [E] was arranged with Cozy in mind.
And the really sad thing, and I truly miss him,
the really sad thing is that _ [G] _ [E] the offer I made for his involvement
he didn't [Eb] think was appropriate, sadly.
Which would have made [E] him millions [Eb] of dollars, sadly.
_ But Angel came in and did a kick-ass job.
_ And it's also a song that lends itself and still does.
[Ab] In concert we usually tie that in with Tommy Aldridge's astonishing,
_ _ breathtaking, awe [Eb]-inspiring, on a nightly basis, Tommy Aldridge's drum solo. _
Yeah, [C] it's always a high point for me, certainly. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _
Well, you're crying [Em] in the [C] rain.
_ _ [D] _
Well, we changed it so much.
_ _ A couple of my plays in the early [E] White Snake
were kind of laughing about it, and I couldn't understand.
And they felt that it was more Black Sabbath than White Snake,
which sort of proved to me [D] that it was time for [E] me to look around.
That things that I felt very deeply and [Eb] profoundly for
are the direction of White Snake.
[F] Then I'm not going to be dragging [D] anybody kicking and screaming along the way.
They come voluntarily or share the [E] same vision.
That's really important.
[Ab] And we were [E] working.
Neil had rejoined the band.
John was just on fire, beautiful and incredible, fiery musician.
And Cozy was [Eb] driving the band incredibly.
[D] _ [Eb] It was an astonishing transition from the early band
to what [Eb] I was envisioning, this more [D] electrifying, intense _ [F] band.
And [Fm] _ [G] all of the 87 album [E] was arranged with Cozy in mind.
And the really sad thing, and I truly miss him,
the really sad thing is that _ [G] _ [E] the offer I made for his involvement
he didn't [Eb] think was appropriate, sadly.
Which would have made [E] him millions [Eb] of dollars, sadly.
_ But Angel came in and did a kick-ass job.
_ And it's also a song that lends itself and still does.
[Ab] In concert we usually tie that in with Tommy Aldridge's astonishing,
_ _ breathtaking, awe [Eb]-inspiring, on a nightly basis, Tommy Aldridge's drum solo. _
Yeah, [C] it's always a high point for me, certainly. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _