Chords for Why Don't You Love Me (Like You Used To Do) - Elvis Costello and the Attractions
Tempo:
86.2 bpm
Chords used:
A
E
G
D
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E] [A] [E]
Williams, he was the first big star [B] of country music.
[G] He was also the [E] first kind of sex symbol.
It was [G] because before that it had almost [E] been regarded as religious,
[Em] religious tinge, very family-orientated, very strict, moral kind of music.
And although he
sang about [G] the, he sang a lot about the conflict between that upbringing, because he did sing,
he did religious monologues at the same time, he [Em] was a drunk and a [D#] pill addict, and I don't think
that's a slander.
I think pretty much everybody knows that by now.
[F] But he's also the greatest
[E] country singer apart from George Towns, certainly the greatest country writer ever.
[A]
[D] [A]
We had it in mind to do it like a Jerry Lee Lewis rearrangement, which I'm interested to see whether
he takes a dislike to that, [B] because rock and roll is often treated as a little bit of a joke
on country records.
[G] Yeah, can we keep that one?
Sure.
I got a call here from Hank Williams.
[D] It's a [C#] [D] shock to the system.
[G] What if we played it back to the phones, everybody just played what they did again?
Double everything.
Yeah.
I never did like that.
Just go and play it all again.
Works, yeah.
With the track.
Play the track and play it again.
I bet, I know, I bet Slade have done it.
I wouldn't mind having a go.
They do that with the drums anyway.
I wouldn't mind having a go.
You think you can keep up with your Sam?
Yeah, I know exactly what I'm doing.
Our Father, who art in heaven.
[B]
[A]
Well, I think that Billy Sherrill double bluffed us on that.
I think he realized [A] we were setting out
to outrage him and then he deliberately went over the top.
[D]
[A]
[E] [A]
[D]
[A]
[B] You left it there the most?
Hank left
Williams, he was the first big star [B] of country music.
[G] He was also the [E] first kind of sex symbol.
It was [G] because before that it had almost [E] been regarded as religious,
[Em] religious tinge, very family-orientated, very strict, moral kind of music.
And although he
sang about [G] the, he sang a lot about the conflict between that upbringing, because he did sing,
he did religious monologues at the same time, he [Em] was a drunk and a [D#] pill addict, and I don't think
that's a slander.
I think pretty much everybody knows that by now.
[F] But he's also the greatest
[E] country singer apart from George Towns, certainly the greatest country writer ever.
[A]
[D] [A]
We had it in mind to do it like a Jerry Lee Lewis rearrangement, which I'm interested to see whether
he takes a dislike to that, [B] because rock and roll is often treated as a little bit of a joke
on country records.
[G] Yeah, can we keep that one?
Sure.
I got a call here from Hank Williams.
[D] It's a [C#] [D] shock to the system.
[G] What if we played it back to the phones, everybody just played what they did again?
Double everything.
Yeah.
I never did like that.
Just go and play it all again.
Works, yeah.
With the track.
Play the track and play it again.
I bet, I know, I bet Slade have done it.
I wouldn't mind having a go.
They do that with the drums anyway.
I wouldn't mind having a go.
You think you can keep up with your Sam?
Yeah, I know exactly what I'm doing.
Our Father, who art in heaven.
[B]
[A]
Well, I think that Billy Sherrill double bluffed us on that.
I think he realized [A] we were setting out
to outrage him and then he deliberately went over the top.
[D]
[A]
[E] [A]
[D]
[A]
[B] You left it there the most?
Hank left
Key:
A
E
G
D
B
A
E
G
_ _ [E] _ _ [A] _ _ [E] _ _
_ _ _ _ _ Williams, he was the first big star [B] of country music.
[G] He was also the [E] first kind of sex symbol.
It was [G] because before that it had almost [E] been regarded as religious,
[Em] religious tinge, very family-orientated, very strict, moral kind of music.
And although he
sang about [G] the, he sang a lot about the conflict between that upbringing, because he did sing,
he did religious monologues at the same time, he [Em] was a drunk and a [D#] pill addict, and I don't think
that's a slander.
I think pretty much everybody knows that by now.
[F] But he's also the greatest
[E] country singer apart from George Towns, certainly the greatest country writer ever. _
_ [A] _ _ _ _ _ _ _
_ [D] _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ We had it in mind to do it like a Jerry Lee Lewis rearrangement, which I'm interested to see whether
he takes a dislike to that, [B] because rock and roll is often treated as a little bit of a joke
on country records.
_ _ [G] _ _ Yeah, can we keep that one?
Sure.
_ _ I got a call here from Hank Williams.
[D] It's a _ [C#] _ [D] shock to the system.
_ [G] What if we played it back to the phones, everybody just played what they did again?
Double everything.
Yeah.
I never did like that.
Just go _ _ _ and play it all again.
Works, yeah.
With the track.
Play the track and play it again.
I bet, I know, I bet Slade have done it.
I wouldn't mind having a go.
They do that with the drums anyway.
I wouldn't mind having a go.
You think you can keep up with your Sam?
Yeah, I know exactly what I'm doing.
_ Our Father, who art in heaven.
[B] _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ Well, I think that Billy Sherrill double bluffed us on that.
I think he realized [A] we were setting out
to outrage him and then he deliberately went over the top.
_ _ _ [D] _ _ _
_ [A] _ _ _ _ _ _ _
[E] _ _ _ [A] _ _ _ _ _
_ _ _ [D] _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ _ You left it there the most?
Hank left
_ _ _ _ _ Williams, he was the first big star [B] of country music.
[G] He was also the [E] first kind of sex symbol.
It was [G] because before that it had almost [E] been regarded as religious,
[Em] religious tinge, very family-orientated, very strict, moral kind of music.
And although he
sang about [G] the, he sang a lot about the conflict between that upbringing, because he did sing,
he did religious monologues at the same time, he [Em] was a drunk and a [D#] pill addict, and I don't think
that's a slander.
I think pretty much everybody knows that by now.
[F] But he's also the greatest
[E] country singer apart from George Towns, certainly the greatest country writer ever. _
_ [A] _ _ _ _ _ _ _
_ [D] _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ We had it in mind to do it like a Jerry Lee Lewis rearrangement, which I'm interested to see whether
he takes a dislike to that, [B] because rock and roll is often treated as a little bit of a joke
on country records.
_ _ [G] _ _ Yeah, can we keep that one?
Sure.
_ _ I got a call here from Hank Williams.
[D] It's a _ [C#] _ [D] shock to the system.
_ [G] What if we played it back to the phones, everybody just played what they did again?
Double everything.
Yeah.
I never did like that.
Just go _ _ _ and play it all again.
Works, yeah.
With the track.
Play the track and play it again.
I bet, I know, I bet Slade have done it.
I wouldn't mind having a go.
They do that with the drums anyway.
I wouldn't mind having a go.
You think you can keep up with your Sam?
Yeah, I know exactly what I'm doing.
_ Our Father, who art in heaven.
[B] _ _ _
_ [A] _ _ _ _ _ _ _
_ _ _ _ _ Well, I think that Billy Sherrill double bluffed us on that.
I think he realized [A] we were setting out
to outrage him and then he deliberately went over the top.
_ _ _ [D] _ _ _
_ [A] _ _ _ _ _ _ _
[E] _ _ _ [A] _ _ _ _ _
_ _ _ [D] _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ _ You left it there the most?
Hank left
Facts about this song