Chords for Wot a Marf

Tempo:
121 bpm
Chords used:

D

G

C

Dm

F#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Wot a Marf chords
Start Jamming...
We, ladies and gentlemen, are Cosmotheca.
If you haven't seen us before, it's a strange name.
It could have been worse.
We're going to call ourselves Rhinoceros.
And that would have been rather [G] more appropriate [D] because I'm short-sighted, he's thick-skinned, and we don't [G] charge a lot.
And, um, we decided [Dm] against it.
Cosmotheca was the name of an old musical back in Victorian London.
It wasn't a very successful place.
It was around the back of Paddington [D] Station.
And it was a bit seedy, a bit dirty, a bit run down.
We sing musical songs and we're a bit seedy, a bit dirty, a bit run down.
So we thought it was a good name for what we laughingly call the Act.
One thing I want to tell you before we start, before we begin, about musical audiences in the old days and what they used to be like.
If they didn't [G] like a particular artist or artistes, they could be very difficult.
Now, if they didn't like it in London, it wasn't so bad because there they used to [D] just throw rotten apples and rotten tomatoes at you.
Where we come from, near Birmingham, they used to throw iron rivets.
[D] And, um, up in the North, they used to throw dead cats.
And I think that tells you a lot about musical [G] audiences and what they must have been like.
It's not having a dead cat thrown at you that's worrying.
[D] It's the fact that somebody bothered to take one in in the first place.
They were determined not to like somebody.
[G] Anyway, we're going to start off with a song by one of our favourites.
It's a marvellous man named Harry Champion.
Good old Harry.
If you know this song, please join in.
It goes like this.
Jimmy thinks would be an handsome fella.
If he had another [F#] face, a [D] different smell.
[G] It's his mother of quince.
From winning the beauty show.
[C]
Just like a steamboat funnel.
From the [D] railway arch to the blackboard tunnel.
You can't see Jim.
And he always in white, [G] you know.
And as poor Jim goes walking about.
[D] You can hear the kids all hollering out.
What a mouth.
What a mouth, what a mouth, what a mouth.
What an open shut.
Oh, bloody what a mouth he's got.
When he was a youngster, round old mother would he pour.
Old mother used to feed him with a shovel.
What a jack.
What a chaff.
He's never been known to laugh.
And if he did, he's a ready to acquit.
Did his face but falling off.
If he did, he's a ready to acquit.
Did his face but falling off.
Though a great big mouth he ain't.
All an [G] eager whistler in his own ear.
[D] Ain't that funny.
But a leg of dust.
When he has to do the drop-o-line.
[G] And he's so tight, fun, funky.
Or he would be [D] laid up flat in the road.
What a yawning and a plough.
Old man.
Who's delivering cold [G] beer by.
And as he went to shift the load.
He saws his mouth out in the road.
What a mouth.
[D] What a mouth, what a mouth, what a mouth.
What an open shut.
Oh, bloody what a mouth he's got.
[C] The cold had an old short [D] sight.
He fell asleep.
His mouth wide [G] open.
And he took it for the stutter.
And he shocked.
The man [D] cried into his mouth.
No joking.
Now Jim poor soul's got a belly full of coal.
And he can't sublimate a cow.
Jim poor soul's got a belly full of coal.
And he can't [G] sublimate a cow.
Jim, he's been seen bed one night.
Was snoring.
And the neighbours [D] all around thought a lion was roaring.
And the big Dutch clonker.
That was hanging on the [G] bed throne.
Fell into his big mouth.
Well, after he woke [D] in Christ's end.
For Dr Jolliffe said his wife, no fear.
You've swallowed a clonk, that's [G] all.
And now the people, lady prime.
Look down his throat to tell the time.
What a mouth.
What a mouth, what a mouth, what a mouth.
What a mouth, what a mouth.
What an open shut.
Oh, bloody what a mouth he's got.
And the worst of the oldest.
Clonker was [D] in his run.
Don't tell me [G] like I'm not a shepherd.
He was in with his wife.
What's right?
Go sleep with the knight.
That's right.
[D] Because against his stumps.
He could hit a pendergum.
Go tick, tock, tick.
Go on, hide.
What a mouth.
What a mouth, what a mouth, what a mouth.
What an open shut.
Oh, bloody what a mouth he's got.
And the worst of the oldest.
Clonker [G] was in his run.
Don't tell me like I'm not a shepherd.
He was in with his wife.
What's right?
[D] Go sleep with the knight.
That's right.
Because against his stumps.
He could hit a pendergum.
Go tick, tock, tick.
Go on, hide.
What a mouth, what a mouth, what a mouth.
What a mouth, what a mouth.
[G] What a mouth, what [D] a mouth.
[C]
[D]
[A] [D]
Key:  
D
1321
G
2131
C
3211
Dm
2311
F#
134211112
D
1321
G
2131
C
3211
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We, ladies and gentlemen, are Cosmotheca.
If you haven't seen us before, it's a strange name.
It could have been worse.
We're going to call ourselves Rhinoceros.
And that would have been rather [G] more appropriate [D] because I'm short-sighted, he's thick-skinned, and we don't [G] charge a lot.
And, um, _ we decided [Dm] against it.
_ Cosmotheca was the name of an old musical back in Victorian London.
It wasn't a very successful place.
It was around the back of Paddington [D] Station.
And it was a bit seedy, a bit dirty, a bit run down.
_ We sing musical songs and we're a bit seedy, a bit dirty, a bit run down.
So we thought it was a good name for what we laughingly call the Act.
One thing I want to tell you before we start, before we begin, about musical audiences in the old days and what they used to be like.
If they didn't [G] like a particular artist or artistes, they could be very difficult. _ _
_ Now, if they didn't like it in London, it wasn't so bad because there they used to [D] just throw rotten apples and rotten tomatoes at you.
Where we come from, near Birmingham, they used to throw iron rivets.
[D] And, um, _ up in the North, they used to throw dead cats.
And I think that tells you a lot about musical [G] audiences and what they must have been like.
It's not having a dead cat thrown at you that's worrying.
[D] It's the fact that somebody bothered to take one in in the first place. _ _ _ _ _
They were determined not to like somebody. _ _ _ _ _
_ [G] Anyway, we're going to start off with a song by one of our favourites.
It's a marvellous man named Harry Champion.
_ Good old Harry.
If you know this song, please join in.
It goes like this.
Jimmy thinks would be an handsome fella.
If he had another [F#] face, a [D] different smell.
[G] It's his mother of quince.
From winning the beauty show.
[C]
Just like a steamboat funnel.
From the [D] railway arch to the blackboard tunnel.
You can't see Jim.
And he always in white, [G] you know.
And as poor Jim goes walking about.
[D] You can hear the kids all hollering out.
What a mouth.
What a mouth, what a mouth, what a mouth.
What an open shut.
Oh, bloody what a mouth he's got.
When he was a youngster, round old mother would he pour.
Old mother used to feed him with a shovel.
What a jack.
What a chaff.
He's never been known to laugh.
And if he did, he's a ready to acquit.
Did his face but falling off.
If he did, he's a ready to acquit.
Did his face but falling off.
Though a great big mouth he ain't.
All an [G] eager whistler in his own ear.
[D] Ain't that funny.
But a leg of dust.
When he has to do the drop-o-line.
[G] And he's so tight, fun, funky.
Or he would be [D] laid up flat in the road.
What a yawning and a plough.
Old man.
Who's delivering cold [G] beer by.
And as he went to shift the load.
He saws his mouth out in the road.
What a mouth.
[D] What a mouth, what a mouth, what a mouth.
What an open shut.
Oh, bloody what a mouth he's got.
[C] The cold had an old short [D] sight.
He fell asleep.
His mouth wide [G] open.
And he took it for the stutter.
And he shocked.
The man [D] cried into his mouth.
No joking.
Now Jim poor soul's got a belly full of coal.
And he can't sublimate a cow.
Jim poor soul's got a belly full of coal.
And he can't [G] sublimate a cow.
Jim, he's been seen bed one night.
Was snoring.
And the neighbours [D] all around thought a lion was roaring.
And the big Dutch clonker.
That was hanging on the [G] bed throne.
Fell into his big mouth.
Well, after he woke [D] in Christ's end.
For Dr Jolliffe said his wife, no fear.
You've swallowed a clonk, that's [G] all.
And now the people, lady prime.
Look down his throat to tell the time.
What a mouth.
What a mouth, what a mouth, what a mouth.
What a mouth, what a mouth.
What an open shut.
Oh, bloody what a mouth he's got.
And the worst of the oldest.
Clonker was [D] in his run.
Don't tell me [G] like I'm not a shepherd.
He was in with his wife.
What's right?
Go sleep with the knight.
That's right.
[D] Because against his stumps.
He could hit a pendergum.
Go tick, tock, tick.
Go on, hide. _ _ _ _
_ _ _ What a mouth.
What a mouth, what a mouth, what a mouth.
What an open shut.
Oh, bloody what a mouth he's got.
And the worst of the oldest.
Clonker [G] was in his run.
Don't tell me like I'm not a shepherd.
He was in with his wife.
What's right?
[D] Go sleep with the knight.
That's right.
Because against his stumps. _
_ _ _ _ _ He could hit a pendergum.
Go tick, tock, tick.
Go on, hide.
What a mouth, what a mouth, what a mouth.
_ What a mouth, what a mouth.
[G] What a mouth, what _ _ [D] a mouth.
_ _ _ [C] _
_ _ _ _ [D] _ _ _ _
[A] _ _ _ _ [D] _ _ _ _