Chords for XXXTENTACION - SAD! INSTRUMENTAL ReProd. Bonke

Tempo:
149.9 bpm
Chords used:

Fm

Cm

Eb

Ab

Gm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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XXXTENTACION - SAD! INSTRUMENTAL ReProd. Bonke chords
Start Jamming...
[Ab] [Fm]
know [Gm] [Ab]
[Cm] [Fm]
[Gm] [Ab]
[Fm]
[Gm] [Ab]
[Fm]
[Eb] [Ab]
[Fm] [Cm]
[F] [Eb] who Mr.
[Ab] he's called,
but he's called me quick enough.
[Fm] He's probably probably
I don't know. I mean,
it's [Eb] not like [Ab]
we've never talked before.
[Fm] I'm not
[Eb] [Ab]
gonna talk to him
and I'm wondering what
[Fm]
the hell he wants me to [Eb] do.
[Fm] So I'll whatever he says to me,
[Ab] I probably won't [Fm] take [Gm] it.
[Cm]
I'm not I'm
[Fm]
[Gm] [Cm]
[Fm]
[Eb] [Ab]
[Fm]
[Eb] [Cm]
[Fm] maybe gonna check
[Eb] out
[Ab] Thank you for your time.
[Fm]
OK, thanks.
[Eb] [Cm] Byenak Vardy are you ready?
[Fm]
You ready?
[Eb] OK, say [Cm]
[Fm] it again? OK.
[Eb] [Cm]
As Clarice Jimenez put it, [Fm]
If [Gm] you [Ab]
[Cm] [Fm]
[Gm] [Cm]
[F]
let
All of them are her dialogue that
[Gm] But [Cm]
[F]
[Gm] [Cm]
[Fm]
we know that [Eb] smoking is true.
[Cm] I don't know where it comes from, [Fm] but we know that smoking produces air [Eb] particles within
[Cm]
So, [Fm]
the fact [Eb] that [Cm] you don't have this air particle building up [F] into [Fm] defects, you're
going to have too much trouble.
When we look at this layer, it's attached to the lasso tip [Eb] here, the [Cm] redundant layer of tissue.
[Fm]
[Gm] [Cm]
That's why we're using Shakespeare's body language.
So, the balls are more than and equal to products used for cooling products.
Key:  
Fm
123111111
Cm
13421113
Eb
12341116
Ab
134211114
Gm
123111113
Fm
123111111
Cm
13421113
Eb
12341116
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Chords
NotesBeta

To learn Xxxtentacion - Sad chords, these are the chords to practise in sequence: Eb, Cm, Fm, Eb, Ab, Fm, Gm and Cm. For a smooth transition, initiate your practice at 74 BPM and gradually match the song's pace of 150 BPM. With an eye on the song's key Eb Major, set the capo that best suits your vocal range.

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[Ab] _ _ _ _ _ _ _ [Fm] _
_ _ know [Gm] _ _ _ [Ab] _
_ _ _ [Cm] _ _ _ _ [Fm] _
_ _ _ _ [Gm] _ _ _ [Ab] _
_ _ _ _ _ [Fm] _ _ _
_ _ _ _ [Gm] _ _ _ [Ab] _
_ _ _ _ _ [Fm] _ _ _
_ _ _ _ [Eb] _ _ _ [Ab] _
_ _ _ _ _ [Fm] _ _ [Cm] _
_ _ [F] _ _ [Eb] who Mr.
_ [Ab] he's called,
but he's called me quick enough.
[Fm] He's probably probably
I don't know. _ _ _ I mean,
it's [Eb] not like [Ab]
we've never talked before.
[Fm] I'm not _
_ _ _ _ [Eb] _ _ _ [Ab] _
_ gonna talk to him
and I'm wondering what
_ [Fm] _ _ _
_ the hell he wants me to [Eb] do.
_ [Fm] So I'll whatever he says to me,
_ [Ab] _ _ _ I probably won't [Fm] take _ _ [Gm] it.
_ [Cm] _
I'm _ _ not I'm
[Fm] _
_ _ _ _ [Gm] _ _ _ [Cm] _
_ _ _ _ _ [Fm] _ _ _
_ _ _ _ [Eb] _ _ _ [Ab] _
_ _ _ _ _ [Fm] _ _ _
_ _ _ _ [Eb] _ _ _ [Cm] _
_ _ _ _ _ [Fm] maybe gonna check _
_ _ _ _ [Eb] out
[Ab] Thank you for your time.
_ _ _ [Fm] _ _
OK, thanks.
_ _ [Eb] _ _ [Cm] Byenak Vardy are you ready?
_ [Fm] _ _
You ready?
_ _ _ [Eb] OK, say _ [Cm] _
_ _ _ _ _ [Fm] _ it again? OK.
_ _ _ [Eb] _ _ _ [Cm]
As Clarice Jimenez put it, _ _ _ _ _ [Fm] _
_ _ If [Gm] _ you [Ab] _
_ _ _ [Cm] _ _ _ _ [Fm] _
_ _ _ _ [Gm] _ _ _ [Cm] _
_ _ _ _ _ _ _ [F] _
let
All of them are her dialogue that
_ [Gm] _ But [Cm] _
_ _ _ _ _ _ _ [F] _
_ _ _ _ [Gm] _ _ _ [Cm] _
_ _ _ _ _ [Fm] _ _
we know that [Eb] smoking is true.
_ [Cm] I don't know where it comes from, _ _ [Fm] but we know that _ _ smoking produces air [Eb] _ particles within
[Cm]
So, _ _ _ _ [Fm] _ _ _
_ the fact [Eb] that _ [Cm] you _ _ don't have this air particle building up [F] into [Fm] defects, you're
going to have too much trouble.
When we look at this layer, it's attached to the lasso tip _ [Eb] here, the [Cm] redundant layer of tissue.
_ _ _ _ [Fm] _
_ _ _ _ [Gm] _ _ _ [Cm] _
_ _ _ _ _ _ _ _
_ _ _ _ That's why we're using Shakespeare's body language.
So, the balls are more than and equal to products used for cooling products. _

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