Chords for Yeh nayan dare dare I Hemant Kumar I Kohra I Sagnik Sen I Biswajeet I Waheeda I Live in Concert

Tempo:
86.9 bpm
Chords used:

F#

C#

G#

A#m

D#m

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Yeh nayan dare dare I Hemant Kumar I Kohra I Sagnik Sen I Biswajeet I Waheeda  I Live in Concert chords
Start Jamming...
is how Gulzar Sahib described this voice.
Depth and timbre is what his voice carried.
Musician as a music composer from Bengal,
but made sure when he came to Hindi music,
he did a film and then S.
Mukherjee told him after Anandmath
that I'm not going to allow you to go back till you give me a big hit.
And then was born Nagin.
The creative genius in him made sure the sound of the beam
came with the clay violin and the harmonium interspersed to create that sound.
And the rest, as we know, is history.
Bringing one of his most beautiful songs live for you
is that artist who, for this particular song,
won the Academia Award in Los Angeles for the best music performance live video cover.
Ladies and gentlemen, put your hands together for the first time with MAM Entertainment,
Shagnik Sen.
Good evening to all of you.
A very happy Republic Day.
This is my first time with MAM Entertainment and my best regards and best wishes to
Alok Da and Arundhati Di, the key people behind them,
for arranging such a beautiful evening and all of you are here.
So let's start with my today's first song from the film Kohra.
[C#] [A#m]
[F#] [C#]
[F#] [G#]
[C#] [F#] [C#]
[C#] [F#] [C#]
[F#] [G#]
[F#] [C#]
[D#m] [C#] [G#]
[A#m]
[F#]
[G#] [F#] [D#m] [G#]
[A#m] [F#] [C#] [F#]
[G#] [F#]
[D#m] [G#] [A#m] [F#]
[A#m] [F#]
[F] [D#m] [G#m] [C#]
[F#] [G#]
[F#] [C#]
[F#] [C#]
[A#m] [F#] [G#]
[F#] [Fm]
[G#] [F#]
[C#] [C] [C#]
[F#] [F#]
[G#] [F#] [D#m] [G#]
[A#m] [F#] [A#m] [F#]
[G#] [F#]
[D#m] [G#] [A#m] [F#] Koi Ram Bhi, Main Bhan [A#m] Bhi Lok,
[F] [D#m] Main Bhan [G#m] Bhi Lok [C#] Bhi
[F#] Haan, O [G#] Marina
[F#] O [C#]
[C#] [F#] [C#] Marina
[F#] [G#]
[C#] [F#] [C#]
[F#] Thank you, [N] thank you, thank you,
Thank you so much.
This song was
Thank you, thank you.
The major part of the song's composition was taken from a Bengali song,
Ae Raat Tu Marama, that I sang one line.
I thought that it wouldn't be any bad to sing a one-line Bengali song at the end.
So it was taken from this Bengali song, which Hemant Kumar himself composed
two or three years back from the film Deep Jale Jai.
And later on in Kohra, he used
Key:  
F#
134211112
C#
12341114
G#
134211114
A#m
13421111
D#m
13421116
F#
134211112
C#
12341114
G#
134211114
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is how Gulzar Sahib described this voice.
Depth and timbre is what his voice carried.
Musician as a music composer from Bengal,
but made sure when he came to Hindi music,
he did a film and then S.
Mukherjee told him after Anandmath
that I'm not going to allow you to go back till you give me a big hit.
And then was born Nagin.
The creative genius in him made sure the sound of the beam
came with the clay violin and the harmonium interspersed to create that sound.
And the rest, as we know, is history.
Bringing one of his most beautiful songs live for you
is that artist who, for this particular song,
won the Academia Award in Los Angeles for the best music performance live video cover.
Ladies and gentlemen, put your hands together for the first time with MAM Entertainment,
Shagnik Sen.
_ Good evening to all of you.
A very happy Republic Day.
This is my first time with MAM Entertainment and my best regards and best wishes to
Alok Da and Arundhati Di, the key people behind them,
_ for arranging such a beautiful evening and all of you are here.
So let's start with my today's first song from the film Kohra. _ _ _ _ _ _
_ _ _ _ [C#] _ _ _ [A#m] _
_ _ [F#] _ _ [C#] _ _ _ _
_ _ [F#] _ _ _ _ [G#] _ _
[C#] _ _ [F#] _ _ [C#] _ _ _ _
[C#] _ _ [F#] _ _ [C#] _ _ _ _
_ _ [F#] _ _ _ _ [G#] _ _
_ _ [F#] _ _ _ [C#] _ _ _
_ _ [D#m] _ _ [C#] _ _ [G#] _ _
_ _ [A#m] _ _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
[G#] _ _ [F#] _ _ [D#m] _ _ [G#] _ _
[A#m] _ _ [F#] _ _ [C#] _ _ _ [F#] _
_ _ _ _ [G#] _ _ [F#] _ _
[D#m] _ _ [G#] _ _ [A#m] _ _ [F#] _ _
_ _ _ _ [A#m] _ _ [F#] _ _
[F] _ _ [D#m] _ _ [G#m] _ _ [C#] _ _
_ _ [F#] _ _ _ _ [G#] _ _
_ _ [F#] _ _ [C#] _ _ _ _
_ _ [F#] _ _ [C#] _ _ _ _
[A#m] _ _ [F#] _ _ _ _ [G#] _ _
_ _ [F#] _ _ _ _ [Fm] _ _
_ _ _ _ [G#] _ _ _ [F#] _
_ _ [C#] _ _ [C] _ _ [C#] _ _
[F#] _ _ _ [F#] _ _ _ _ _
[G#] _ _ [F#] _ _ [D#m] _ _ [G#] _ _
[A#m] _ _ [F#] _ _ [A#m] _ _ _ [F#] _
_ _ _ _ [G#] _ _ [F#] _ _
[D#m] _ _ [G#] _ _ [A#m] _ [F#] Koi Ram Bhi, Main Bhan [A#m] Bhi Lok, _ _
[F] _ [D#m] Main Bhan [G#m] Bhi Lok [C#] Bhi _
_ [F#] Haan, O _ [G#] Marina
_ _ [F#] O [C#] _ _ _ _
[C#] _ _ [F#] _ _ [C#] Marina _ _
_ _ [F#] _ _ _ _ [G#] _ _
_ [C#] _ _ [F#] _ _ _ [C#] _ _
_ [F#] Thank _ _ _ you, [N] thank you, thank you,
Thank you so much.
This song was_
Thank you, thank you.
The major part of the song's composition was taken from a Bengali song,
Ae Raat Tu Marama, that I sang one line.
I thought that it wouldn't be any bad to sing a one-line Bengali song at the end.
So it was taken from this Bengali song, which Hemant Kumar himself composed
two or three years back from the film Deep Jale Jai.
And later on in Kohra, he used