Chords for Yelawolf - Gadsden Alabama
Tempo:
105.15 bpm
Chords used:
F#
E
D
G#
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] [D]
[G#] Yo, what up?
This is Jello Wolf.
I'm from Gadsden, Alabama.
Here we are at my mom and [F#] pop's house doing a photo [E] shoot.
Holler.
[F#] The first hip hop that I heard was License to Ill.
And specifically it was a Paul Revere beat, the reverse 808, that I was
That's when I fell in love with the sound of it.
Not everybody gets that out here, you know.
And I'm still just like everyday constantly influenced and inspired by new artists coming out.
I definitely want to wear black with the Chappelle.
I mean I'm talking [C#] chromed out, big block.
[F#] I started rapping in the fifth grade.
It started by trying to emulate Ice Cube and NWA and really just doing what I thought was rap music.
At the time, it was just gangster shit.
[G#] Tell me that I ain't hip hop.
Bitch, you ain't hip hop.
We have a different brand of hip hop out here, you know, as far as what is rooted here and comes from here.
The working class, the box Chevys, hustlers, you know.
[G#] And that's pretty much the story around here.
[F#]
[D#m] Just driving [N] into the crib from Atlanta, as soon as I hit Southside, I stopped a dude driving an old school Malibu.
He came on out for the shoot and then a couple miles down the road, caught the dude with the 69 Chevelle.
But the thing [E] is, they did come out.
They're supportive.
[F#]
[N]
My mom's house, as you can see, no traffic.
So we came out here and parked the SS.
It's crazy sharp.
I would like for [Gm] this to turn out to be a cover.
We'll see.
[E]
[F#] When you shake up a snow globe of Gadsden, Alabama, you're going to get sprinkles of crystal meth falling over Walnut Park.
You're going to get ash from burnt trees falling over Southside and Rainbow City.
Confederate flags I see on a truck with the window down.
Why is he playing Beanie Sigel?
505 [Gm] Sudie Avenue, Gadsden, Alabama.
[F] This is [D#] Walnut Park.
The factory, Steel Mill, is closed down now, but it used to be the neighborhood for the mill.
And the neighborhood gets pretty wild, man.
This is where I made Trump music.
[D] Right back [E] here in this house.
Let me take this photo.
Make a wish, the candles lit.
White boys follow this.
Mama's 30 out sick.
Long range, hollow dip.
Life is a long story.
Like I've said before, I've yet to write a record that defines me entirely as a person.
I'm not really trying to say anything specific.
I want to represent a culture.
Use images and people and places and things that I see to make music with, so that when you come here, it makes sense to [F#] you.
Because I think I can make Alabama feel like home to anybody.
It don't matter if you don't even speak the English language.
It's the vibe that you get in [G] the music.
This is God's path for me.
[F#]
[C#] Coming [E] to Gadsden, I tell people all the time, you know, you're going to get the realest of people.
[F#] You know, we went to the country, my mom and pop's property.
We shot photos out there.
And I go into the country and get support from everybody.
And going over to Walnut Park and seeing those white boys with Gucci Mane on full blast with nothing but treble.
They knew I did hip hop.
They knew about me from the tattoo shop.
But they're supportive.
[F#]
To [D#] me, being an artist is therapy and being able to talk about everything and anything, man.
It's like going in a booth, man.
You might as well be laying [E] in a psychiatrist chair.
You know, just tell all.
To me, that's what it's for.
Because I know that there's somebody out there with the same story and the same issues.
Whatever it is, somebody out there is going to relate to it.
So this is Yellow Wolf, Catfish Billy, here at home.
Pop's and [D] mom's house.
Thanks for kicking in with [N] me today.
We're going to go eat some good barbecue.
Pop got the grill fired up over here.
We'll drink some beer and hang out.
[E] Just be country.
That's what we do.
We holler at you.
[D]
[F#]
[G#] Yo, what up?
This is Jello Wolf.
I'm from Gadsden, Alabama.
Here we are at my mom and [F#] pop's house doing a photo [E] shoot.
Holler.
[F#] The first hip hop that I heard was License to Ill.
And specifically it was a Paul Revere beat, the reverse 808, that I was
That's when I fell in love with the sound of it.
Not everybody gets that out here, you know.
And I'm still just like everyday constantly influenced and inspired by new artists coming out.
I definitely want to wear black with the Chappelle.
I mean I'm talking [C#] chromed out, big block.
[F#] I started rapping in the fifth grade.
It started by trying to emulate Ice Cube and NWA and really just doing what I thought was rap music.
At the time, it was just gangster shit.
[G#] Tell me that I ain't hip hop.
Bitch, you ain't hip hop.
We have a different brand of hip hop out here, you know, as far as what is rooted here and comes from here.
The working class, the box Chevys, hustlers, you know.
[G#] And that's pretty much the story around here.
[F#]
[D#m] Just driving [N] into the crib from Atlanta, as soon as I hit Southside, I stopped a dude driving an old school Malibu.
He came on out for the shoot and then a couple miles down the road, caught the dude with the 69 Chevelle.
But the thing [E] is, they did come out.
They're supportive.
[F#]
[N]
My mom's house, as you can see, no traffic.
So we came out here and parked the SS.
It's crazy sharp.
I would like for [Gm] this to turn out to be a cover.
We'll see.
[E]
[F#] When you shake up a snow globe of Gadsden, Alabama, you're going to get sprinkles of crystal meth falling over Walnut Park.
You're going to get ash from burnt trees falling over Southside and Rainbow City.
Confederate flags I see on a truck with the window down.
Why is he playing Beanie Sigel?
505 [Gm] Sudie Avenue, Gadsden, Alabama.
[F] This is [D#] Walnut Park.
The factory, Steel Mill, is closed down now, but it used to be the neighborhood for the mill.
And the neighborhood gets pretty wild, man.
This is where I made Trump music.
[D] Right back [E] here in this house.
Let me take this photo.
Make a wish, the candles lit.
White boys follow this.
Mama's 30 out sick.
Long range, hollow dip.
Life is a long story.
Like I've said before, I've yet to write a record that defines me entirely as a person.
I'm not really trying to say anything specific.
I want to represent a culture.
Use images and people and places and things that I see to make music with, so that when you come here, it makes sense to [F#] you.
Because I think I can make Alabama feel like home to anybody.
It don't matter if you don't even speak the English language.
It's the vibe that you get in [G] the music.
This is God's path for me.
[F#]
[C#] Coming [E] to Gadsden, I tell people all the time, you know, you're going to get the realest of people.
[F#] You know, we went to the country, my mom and pop's property.
We shot photos out there.
And I go into the country and get support from everybody.
And going over to Walnut Park and seeing those white boys with Gucci Mane on full blast with nothing but treble.
They knew I did hip hop.
They knew about me from the tattoo shop.
But they're supportive.
[F#]
To [D#] me, being an artist is therapy and being able to talk about everything and anything, man.
It's like going in a booth, man.
You might as well be laying [E] in a psychiatrist chair.
You know, just tell all.
To me, that's what it's for.
Because I know that there's somebody out there with the same story and the same issues.
Whatever it is, somebody out there is going to relate to it.
So this is Yellow Wolf, Catfish Billy, here at home.
Pop's and [D] mom's house.
Thanks for kicking in with [N] me today.
We're going to go eat some good barbecue.
Pop got the grill fired up over here.
We'll drink some beer and hang out.
[E] Just be country.
That's what we do.
We holler at you.
[D]
[F#]
Key:
F#
E
D
G#
C#
F#
E
D
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ _ [D] _
_ _ [G#] Yo, what up?
This is Jello Wolf.
I'm from Gadsden, Alabama.
Here we are at my mom and [F#] pop's house doing a photo [E] shoot.
Holler. _ _ _ _ _ _ _
_ [F#] The first hip hop that I heard was License to Ill.
And specifically it was a Paul Revere beat, the reverse 808, that I was_
That's when I fell in love with the sound of it.
Not everybody gets that out here, you know.
And I'm still just like everyday constantly influenced and inspired by new artists coming out.
I definitely want to wear black with the Chappelle.
I mean I'm talking [C#] chromed out, big block. _
_ _ _ _ _ [F#] I started rapping in the fifth grade.
It started by trying to emulate Ice Cube and NWA and really just doing what I thought was rap music.
At the time, it was just gangster shit. _ _
[G#] _ Tell me that I ain't hip hop.
Bitch, you ain't hip hop.
We have a different brand of hip hop out here, you know, as far as what is rooted here and comes from here.
The working class, the box Chevys, hustlers, you know.
[G#] And that's pretty much the story around here.
[F#] _ _
[D#m] _ _ _ _ _ _ Just driving [N] into the crib from Atlanta, as soon as I hit Southside, I stopped a dude driving an old school Malibu.
He came on out for the shoot and then a couple miles down the road, caught the dude with the 69 Chevelle.
But the thing [E] is, they did come out.
They're supportive.
[F#] _
_ _ [N] _ _ _ _ _
My mom's house, as you can see, _ no traffic.
So we came out here and parked the SS.
_ It's crazy sharp.
_ I would like for [Gm] this to turn out to be a cover.
We'll see. _ _
[E] _ _ _ _ _ _ _ _
_ [F#] _ _ When you shake up a snow globe of Gadsden, Alabama, you're going to get sprinkles of crystal meth falling over Walnut Park.
You're going to get ash from burnt trees falling over Southside and Rainbow City.
Confederate flags I see on a truck with the window down.
Why is he playing Beanie Sigel?
505 [Gm] Sudie Avenue, Gadsden, Alabama.
[F] This is [D#] Walnut Park.
The factory, Steel Mill, is closed down now, but it used to be the neighborhood for the mill.
And the neighborhood gets pretty wild, man.
This is where I made Trump music.
[D] _ Right back [E] here in this house.
Let me take this photo.
Make a wish, the candles lit.
White boys follow this.
Mama's 30 out sick.
Long range, hollow dip.
Life is a long story.
Like I've said before, I've yet to write a record that defines me entirely as a person.
I'm not really trying to say anything specific.
I want to represent a culture.
Use images and people and places and things that I see to make music with, so that when you come here, it makes sense to [F#] you.
Because I think I can make Alabama feel like home to anybody.
It don't matter if you don't even speak the English language.
It's the vibe that you get in [G] the music.
This is God's path for me.
[F#] _ _
_ [C#] _ _ _ _ _ Coming [E] to Gadsden, I tell people all the time, you know, you're going to get the realest of people.
[F#] You know, we went to the country, my mom and pop's property.
We shot photos out there.
And I go into the country and get support from everybody.
And going over to Walnut Park and seeing those white boys with Gucci Mane on full blast with nothing but treble.
They knew I did hip hop.
They knew about me from the tattoo shop.
But they're supportive.
[F#] _ _
_ _ _ _ _ _ To [D#] me, being an artist is therapy and being able to talk about everything and anything, man.
It's like going in a booth, man.
You might as well be laying [E] in a psychiatrist chair.
You know, just tell all.
To me, that's what it's for.
Because I know that there's somebody out there with the same story and the same issues.
Whatever it is, somebody out there is going to relate to it.
So this is Yellow Wolf, Catfish Billy, here at home.
Pop's and [D] mom's house.
Thanks for kicking in with [N] me today.
We're going to go eat some good barbecue.
Pop got the grill fired up over here.
We'll drink some beer and hang out.
[E] Just be country.
That's what we do.
We holler at you. _
_ _ _ [D] _ _ _ _ _
_ _ _ _ [F#] _ _ _ _
_ [D] _ _ _ _ _ _ [D] _
_ _ [G#] Yo, what up?
This is Jello Wolf.
I'm from Gadsden, Alabama.
Here we are at my mom and [F#] pop's house doing a photo [E] shoot.
Holler. _ _ _ _ _ _ _
_ [F#] The first hip hop that I heard was License to Ill.
And specifically it was a Paul Revere beat, the reverse 808, that I was_
That's when I fell in love with the sound of it.
Not everybody gets that out here, you know.
And I'm still just like everyday constantly influenced and inspired by new artists coming out.
I definitely want to wear black with the Chappelle.
I mean I'm talking [C#] chromed out, big block. _
_ _ _ _ _ [F#] I started rapping in the fifth grade.
It started by trying to emulate Ice Cube and NWA and really just doing what I thought was rap music.
At the time, it was just gangster shit. _ _
[G#] _ Tell me that I ain't hip hop.
Bitch, you ain't hip hop.
We have a different brand of hip hop out here, you know, as far as what is rooted here and comes from here.
The working class, the box Chevys, hustlers, you know.
[G#] And that's pretty much the story around here.
[F#] _ _
[D#m] _ _ _ _ _ _ Just driving [N] into the crib from Atlanta, as soon as I hit Southside, I stopped a dude driving an old school Malibu.
He came on out for the shoot and then a couple miles down the road, caught the dude with the 69 Chevelle.
But the thing [E] is, they did come out.
They're supportive.
[F#] _
_ _ [N] _ _ _ _ _
My mom's house, as you can see, _ no traffic.
So we came out here and parked the SS.
_ It's crazy sharp.
_ I would like for [Gm] this to turn out to be a cover.
We'll see. _ _
[E] _ _ _ _ _ _ _ _
_ [F#] _ _ When you shake up a snow globe of Gadsden, Alabama, you're going to get sprinkles of crystal meth falling over Walnut Park.
You're going to get ash from burnt trees falling over Southside and Rainbow City.
Confederate flags I see on a truck with the window down.
Why is he playing Beanie Sigel?
505 [Gm] Sudie Avenue, Gadsden, Alabama.
[F] This is [D#] Walnut Park.
The factory, Steel Mill, is closed down now, but it used to be the neighborhood for the mill.
And the neighborhood gets pretty wild, man.
This is where I made Trump music.
[D] _ Right back [E] here in this house.
Let me take this photo.
Make a wish, the candles lit.
White boys follow this.
Mama's 30 out sick.
Long range, hollow dip.
Life is a long story.
Like I've said before, I've yet to write a record that defines me entirely as a person.
I'm not really trying to say anything specific.
I want to represent a culture.
Use images and people and places and things that I see to make music with, so that when you come here, it makes sense to [F#] you.
Because I think I can make Alabama feel like home to anybody.
It don't matter if you don't even speak the English language.
It's the vibe that you get in [G] the music.
This is God's path for me.
[F#] _ _
_ [C#] _ _ _ _ _ Coming [E] to Gadsden, I tell people all the time, you know, you're going to get the realest of people.
[F#] You know, we went to the country, my mom and pop's property.
We shot photos out there.
And I go into the country and get support from everybody.
And going over to Walnut Park and seeing those white boys with Gucci Mane on full blast with nothing but treble.
They knew I did hip hop.
They knew about me from the tattoo shop.
But they're supportive.
[F#] _ _
_ _ _ _ _ _ To [D#] me, being an artist is therapy and being able to talk about everything and anything, man.
It's like going in a booth, man.
You might as well be laying [E] in a psychiatrist chair.
You know, just tell all.
To me, that's what it's for.
Because I know that there's somebody out there with the same story and the same issues.
Whatever it is, somebody out there is going to relate to it.
So this is Yellow Wolf, Catfish Billy, here at home.
Pop's and [D] mom's house.
Thanks for kicking in with [N] me today.
We're going to go eat some good barbecue.
Pop got the grill fired up over here.
We'll drink some beer and hang out.
[E] Just be country.
That's what we do.
We holler at you. _
_ _ _ [D] _ _ _ _ _
_ _ _ _ [F#] _ _ _ _