Chords for Yellowcard - "Ocean Avenue" Guitar Breakdown with Ernie Ball

Tempo:
168.95 bpm
Chords used:

E

A

D

F#

F#m

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Yellowcard - "Ocean Avenue" Guitar Breakdown with Ernie Ball chords
Start Jamming...
[F#] [A]
[E] [F#m]
The song really [D] started out as more of a groove, where the [E] snare and the kick hit [D] at the same
time.
I had someone jot down on a piece of paper,
there's a place off Ocean [A] Avenue.
We had a little house in Florida.
It was [D] on Ocean [E] Boulevard.
The line needed to rhyme with you, so [A] I changed [F#] Boulevard to Avenue.
[D] That's where that happened.
And in truth, the song almost didn't go on the record because I couldn't even [E] finish
the chorus.
I came up with a
[F#] [A]
And I came [G] in to this control booth and I [E] sang that.
They were in the middle of doing something else and Neil, our producer, was like, stop
that, go in there, we're singing that right now.
[F#]
[A] So at the end of each verse phrase, I come [E] in [F#m] with
[D] [A]
[E] [F#m]
[D] Right?
[B] The chorus just opens up
straight [F#] on the same [D] three chords.
Up until the [A#] bridge, chordally, it's not as interesting,
obviously, [A] and the melody is everything [E] in this song.
Guitar-wise, the bridge is a pretty cool [A] moment for the song.
It's the first time that it
opens up to the major one chord of the song, so it kind of resolves for the first time.
The rhythm part is really just based around octaves, which I play.
[F#] It's a new progression
that you haven't heard [E] yet.
[G#]
[A] [D]
[A#] As that's happening, we put this really sparkly, jangly, clean
[A] lead part over the top, which goes one, two, three, four.
[F#]
[E] [B]
And then, [G#] the jangly part kind of takes a backseat and we introduce this kind of like
[A] Dick Dale surf rock kind of vibe.
The rhythm guitar goes [G#] back to the verse groove, to that
[A#] really rhythmic section,
[E] but it's all open instead of being muted, and then this kind
of surf rock part comes in one, two, three, [A] four.
[F#m]
[B]
[E] [A]
[E] So you have all three parts going at the same [C] time.
There's [D] that ripping, searing violin
riff that's playing over top of the outro, and we go back to that verse groove, [B] but it's
super hard, [A#] so it's one, two, we're [B] playing like
[F#]
[D]
[E] [F#]
[D] [G#]
[F#] [A]
[Em]
[F#m] [A]
[E] [F#]
[A]
[E]
[F#m] [A]
[E] [F#m]
[D]
[E] [F#]
We were on Cherry [A] Street, we would walk on the beach in our bare [E] feet.
We were both [F#] 18
and it felt so [A] right.
Sleeping all day, staying up [E] all
[F#m] night.
[A]
Staying up [E] all
[F#m] night.
[D]
If I [B] could find you [F#] now, things [D] would get better.
But we [B] could leave this [F#] town and run
[D] forever.
Let [B] your wings crash [F#] down on me [D] and [F#m] take me [D] away.
[E] [F#m] [A] [D]
[A#]
Key:  
E
2311
A
1231
D
1321
F#
134211112
F#m
123111112
E
2311
A
1231
D
1321
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_ _ _ _ _ _ _ _
[F#] _ _ _ _ [A] _ _ _ _
_ _ _ _ [E] _ _ _ [F#m] _
The song really [D] started out as more of a groove, where the [E] snare and the kick hit [D] at the same
time.
I had someone jot down on a piece of paper,
there's a place off Ocean [A] Avenue.
We had a little house in Florida.
It was [D] on Ocean [E] Boulevard.
The line needed to rhyme with you, so [A] I changed [F#] Boulevard to Avenue.
_ [D] That's where that _ _ _ happened.
And in truth, the song almost didn't go on the record because I couldn't even [E] finish
the chorus.
I came up with a_
_ [F#] _ _ _ _ [A] _
_ _ And I came [G] in to this control booth and I [E] sang that.
They were in the middle of doing something else and Neil, our producer, was like, stop
that, go in there, we're singing that right now.
_ _ _ [F#] _ _ _ _
[A] _ So at the end of each verse phrase, I come [E] in _ [F#m] with_ _ _ _ _
[D] _ _ _ _ [A] _ _ _ _
[E] _ _ _ [F#m] _ _ _ _ _
[D] _ _ _ _ Right?
[B] The chorus just opens up
straight [F#] _ on the same [D] three chords.
_ Up until the [A#] bridge, _ chordally, it's not as interesting,
obviously, [A] and the melody is everything [E] in this song.
Guitar-wise, the bridge is a pretty cool [A] moment for the song.
It's the first time that it
opens up to the major one chord of the song, so it kind of resolves for the first time.
_ The rhythm part is really just based around octaves, which I play.
_ _ [F#] _ _ _ It's a new progression
that you haven't heard [E] yet.
_ _ _ [G#] _ _
[A] _ _ [D] _ _ _ _ _ _
[A#] As that's happening, we put this really sparkly, jangly, clean
[A] lead part over the top, which goes one, two, three, four. _ _ _ _ _ _
_ [F#] _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ [B] _
_ _ _ _ _ And then, [G#] the jangly part kind of takes a backseat and we introduce this kind of like
[A] Dick Dale surf rock kind of vibe.
The rhythm guitar goes [G#] back to the verse groove, to that
[A#] really rhythmic section, _ _
[E] but it's all open instead of being _ _ muted, and then this kind
of surf rock part comes in one, two, three, [A] four. _ _ _ _
_ _ _ _ [F#m] _ _ _ _
_ _ _ _ [B] _ _ _ _
[E] _ _ [A] _ _ _ _ _ _
_ _ _ _ _ [E] So you have all three parts going at the same [C] time.
There's [D] that ripping, searing violin
riff that's playing over top of the outro, and we go back to that verse _ _ groove, [B] but it's
super hard, [A#] so it's one, two, we're [B] playing like_
_ _ [F#] _ _ _ _
_ [D] _ _ _ _ _ _ _
_ [E] _ _ _ _ [F#] _ _ _
[D] _ _ _ _ _ _ _ [G#] _
_ _ _ _ _ _ _ _
[F#] _ _ _ _ [A] _ _ _ _
_ _ _ _ [Em] _ _ _ _
[F#m] _ _ _ _ [A] _ _ _ _
_ _ _ _ [E] _ _ _ [F#] _
_ _ _ _ [A] _ _ _ _
_ _ _ _ [E] _ _ _ _
[F#m] _ _ _ _ [A] _ _ _ _
_ _ _ _ [E] _ _ _ [F#m] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [E] _ _ _ [F#] _
We were on Cherry [A] Street, we would walk on the beach in our bare [E] feet.
We were both [F#] 18
and it felt so [A] right.
Sleeping all day, staying up [E] all _ _ _
[F#m] night.
_ _ _ [A] _ _ _
_ Staying up [E] all _ _ _
[F#m] night.
_ _ [D] _ _ _ _
_ If I [B] could find you [F#] now, things [D] would get _ better.
_ But we [B] could leave this [F#] town and run
[D] _ forever. _
_ _ Let [B] your wings crash [F#] down on me [D] and [F#m] take me _ [D] away.
_ [E] _ _ _ _ [F#m] _ _ _ _ [A] _ _ _ [D] _
_ _ _ _ [A#] _ _ _ _
_ _ _ _ _ _ _ _