Chords for YOB beats intestinal disease, ex-Bell Witch drummer howls on 'Mirror Reaper' I Aggressive Tendencies
Tempo:
94.9 bpm
Chords used:
Db
Ab
Bb
B
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
You know, sure, didn't know if I was going to survive, which would mean definitely I wouldn't be making music, as far as I know.
I mean, get through the other side, who knows?
Maybe it's just one big guitar center solo.
But once we realized that, like, we were going to continue, it was still kind of a question of, well, how much?
And whether the surgeries had worked and to what degree I'd be able to tour or sing.
Because there was so much kind of trauma in here, I didn't know how my diaphragm would take to singing again.
It feels like you'd imagine, but the uncertainty coming out on the other side of it had brought a vitality with it that we're still enjoying quite a bit and we've grown from it.
I think a lot of people, when they run into a wall like that, they don't try to go further.
It just kind of ends there and you kept going and even excelling past where you were before, which is pretty cool.
Thank you.
You're welcome.
For me, it's different because I'm not talking about myself, as Mike is, but when Adrian died, he and I had already parted ways as far as the band goes.
I think Jesse and I were both kind of unsure about how to continue forward because we didn't know if that would be disrespectful or if that would be dishonorable towards him.
Maybe as time went on, we both kind of just came to terms with what had happened.
We thought it would be dishonorable to stop.
The right thing to do is to go forward.
If there was some way he could put input into that decision, I think he would have said, yes, go forward.
I'm very happy we did.
I think that it opened my eyes a lot for what we were doing with the band, what the goal of the band, what the direction of the band is.
And so in a sense, I guess that was kind of a, just illuminated different paths, so to say.
When Jesse and I were writing it, it was after Adrian died.
I think as time started passing and we were continuing to work [Ab] on it, the idea just kind of popped up.
It was like, we should put him in here somehow because this was so much his band.
[Db] And now that he's gone, it wouldn't seem like it would have been right to have not put something of Adrian in there.
So we had the idea going into the studio.
We didn't have the particular vocal sections we wanted to use.
I [A] think I wanted to take it from the fourth track off [Bb] of Four Phantoms because that was his favorite song on the record.
When we were [Db] into the mixing [C] process, Billy said, OK, [Ab] [D] you guys are going to go get lunch.
I'm going to work on some stuff.
I'll [G] hopefully have this section put together when you get back.
When we came back from getting lunch, [E] he had gotten a lot done.
And he was like, check this out.
I got this cool thing.
I took some of Adrian's vocals and I put them in that spot we were talking about.
I wouldn't say there's particularly [Bb] lyrics to it.
That's a lot of cutting and pasting and kind of manipulating [N] of some leftover tracks that weren't on, that were muted out on the fourth track on Four Phantoms.
But a lot of that was just us just sitting there discussing, like, let's move that over.
Let's put a high scream there.
Yeah, just manipulating it so it fit.
I love the way that it came out.
Even listening to it now, it kind of gives me chills how well it fit in there.
It wasn't a direct cut and paste job.
There was a lot of attention and [Eb] mixing going on.
[B] [Db]
[Bbm]
[Db]
[B]
I mean, get through the other side, who knows?
Maybe it's just one big guitar center solo.
But once we realized that, like, we were going to continue, it was still kind of a question of, well, how much?
And whether the surgeries had worked and to what degree I'd be able to tour or sing.
Because there was so much kind of trauma in here, I didn't know how my diaphragm would take to singing again.
It feels like you'd imagine, but the uncertainty coming out on the other side of it had brought a vitality with it that we're still enjoying quite a bit and we've grown from it.
I think a lot of people, when they run into a wall like that, they don't try to go further.
It just kind of ends there and you kept going and even excelling past where you were before, which is pretty cool.
Thank you.
You're welcome.
For me, it's different because I'm not talking about myself, as Mike is, but when Adrian died, he and I had already parted ways as far as the band goes.
I think Jesse and I were both kind of unsure about how to continue forward because we didn't know if that would be disrespectful or if that would be dishonorable towards him.
Maybe as time went on, we both kind of just came to terms with what had happened.
We thought it would be dishonorable to stop.
The right thing to do is to go forward.
If there was some way he could put input into that decision, I think he would have said, yes, go forward.
I'm very happy we did.
I think that it opened my eyes a lot for what we were doing with the band, what the goal of the band, what the direction of the band is.
And so in a sense, I guess that was kind of a, just illuminated different paths, so to say.
When Jesse and I were writing it, it was after Adrian died.
I think as time started passing and we were continuing to work [Ab] on it, the idea just kind of popped up.
It was like, we should put him in here somehow because this was so much his band.
[Db] And now that he's gone, it wouldn't seem like it would have been right to have not put something of Adrian in there.
So we had the idea going into the studio.
We didn't have the particular vocal sections we wanted to use.
I [A] think I wanted to take it from the fourth track off [Bb] of Four Phantoms because that was his favorite song on the record.
When we were [Db] into the mixing [C] process, Billy said, OK, [Ab] [D] you guys are going to go get lunch.
I'm going to work on some stuff.
I'll [G] hopefully have this section put together when you get back.
When we came back from getting lunch, [E] he had gotten a lot done.
And he was like, check this out.
I got this cool thing.
I took some of Adrian's vocals and I put them in that spot we were talking about.
I wouldn't say there's particularly [Bb] lyrics to it.
That's a lot of cutting and pasting and kind of manipulating [N] of some leftover tracks that weren't on, that were muted out on the fourth track on Four Phantoms.
But a lot of that was just us just sitting there discussing, like, let's move that over.
Let's put a high scream there.
Yeah, just manipulating it so it fit.
I love the way that it came out.
Even listening to it now, it kind of gives me chills how well it fit in there.
It wasn't a direct cut and paste job.
There was a lot of attention and [Eb] mixing going on.
[B] [Db]
[Bbm]
[Db]
[B]
Key:
Db
Ab
Bb
B
A
Db
Ab
Bb
You know, sure, didn't know if I was going to survive, which would mean definitely I wouldn't be making music, as far as I know.
I mean, get through the other side, who knows?
Maybe it's just one big guitar center solo.
But once we realized that, like, we were going to continue, it was still kind of a question of, well, how much?
And whether the surgeries had worked and to what degree I'd be able to tour or sing.
Because there was so much kind of trauma in here, I didn't know how my diaphragm would take to singing again.
It feels like _ you'd imagine, but the uncertainty coming out on the other side of it had brought a vitality with it that we're still enjoying quite a bit and we've grown from it.
I think a lot of people, when they run into a wall like that, they don't try to go further.
It just kind of ends there and you kept going and even excelling past where you were before, which is pretty cool.
Thank you.
You're welcome.
_ _ For me, it's different because I'm not talking about myself, as Mike is, but when Adrian died, he and I had already parted ways as far as the band goes.
I think Jesse and I were both kind of unsure about how to continue forward because we didn't know if that would be disrespectful or if that would be dishonorable towards him.
Maybe as time went on, we both kind of just came to terms with what had happened.
We thought it would be dishonorable to stop.
The right thing to do is to go forward.
If there was some way he could put input into that decision, I think he would have said, yes, go forward.
I'm very happy we did.
I think that it opened my eyes a lot for what we were doing with the band, what the goal of the band, what the direction of the band is.
And so in a sense, I guess that was kind of a, _ just illuminated different paths, so to say.
When Jesse and I were writing it, it was after Adrian died.
I think as time started passing and we were continuing to work [Ab] on it, the idea just kind of popped up.
It was like, we should put him in here somehow because this was so much his band.
[Db] And now that he's gone, it wouldn't seem like it would have been right to have not put something of Adrian in there.
So we had the idea going into the studio.
We didn't have the particular vocal sections we wanted to use.
I [A] think I wanted to take it from the fourth track off [Bb] of Four Phantoms because that was his favorite song on the record.
When we were [Db] into the mixing [C] process, Billy said, OK, [Ab] [D] you guys are going to go get lunch.
I'm going to work on some stuff.
I'll [G] hopefully have this section put together when you get back.
When we came back from getting lunch, [E] he had gotten a lot done.
And he was like, check this out.
I got this cool thing.
I took some of Adrian's vocals and I put them in that spot we were talking about.
I wouldn't say there's particularly [Bb] lyrics to it.
That's a lot of cutting and pasting and kind of manipulating [N] of some leftover tracks that weren't on, that were muted out on the fourth track on Four Phantoms.
_ _ But a lot of that was just us just sitting there discussing, like, let's move that over.
Let's put a high scream there.
Yeah, just manipulating it so it fit.
I love the way that it came out.
Even listening to it now, it kind of gives me chills how well it fit in there.
It wasn't a direct cut and paste job.
There was a lot of attention and _ [Eb] mixing going on.
_ [B] _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ [Db] _ _
_ _ _ _ _ _ [Bbm] _ _
_ _ _ [Db] _ _ _ _ _
[B] _ _ _ _ _ _ _ _
I mean, get through the other side, who knows?
Maybe it's just one big guitar center solo.
But once we realized that, like, we were going to continue, it was still kind of a question of, well, how much?
And whether the surgeries had worked and to what degree I'd be able to tour or sing.
Because there was so much kind of trauma in here, I didn't know how my diaphragm would take to singing again.
It feels like _ you'd imagine, but the uncertainty coming out on the other side of it had brought a vitality with it that we're still enjoying quite a bit and we've grown from it.
I think a lot of people, when they run into a wall like that, they don't try to go further.
It just kind of ends there and you kept going and even excelling past where you were before, which is pretty cool.
Thank you.
You're welcome.
_ _ For me, it's different because I'm not talking about myself, as Mike is, but when Adrian died, he and I had already parted ways as far as the band goes.
I think Jesse and I were both kind of unsure about how to continue forward because we didn't know if that would be disrespectful or if that would be dishonorable towards him.
Maybe as time went on, we both kind of just came to terms with what had happened.
We thought it would be dishonorable to stop.
The right thing to do is to go forward.
If there was some way he could put input into that decision, I think he would have said, yes, go forward.
I'm very happy we did.
I think that it opened my eyes a lot for what we were doing with the band, what the goal of the band, what the direction of the band is.
And so in a sense, I guess that was kind of a, _ just illuminated different paths, so to say.
When Jesse and I were writing it, it was after Adrian died.
I think as time started passing and we were continuing to work [Ab] on it, the idea just kind of popped up.
It was like, we should put him in here somehow because this was so much his band.
[Db] And now that he's gone, it wouldn't seem like it would have been right to have not put something of Adrian in there.
So we had the idea going into the studio.
We didn't have the particular vocal sections we wanted to use.
I [A] think I wanted to take it from the fourth track off [Bb] of Four Phantoms because that was his favorite song on the record.
When we were [Db] into the mixing [C] process, Billy said, OK, [Ab] [D] you guys are going to go get lunch.
I'm going to work on some stuff.
I'll [G] hopefully have this section put together when you get back.
When we came back from getting lunch, [E] he had gotten a lot done.
And he was like, check this out.
I got this cool thing.
I took some of Adrian's vocals and I put them in that spot we were talking about.
I wouldn't say there's particularly [Bb] lyrics to it.
That's a lot of cutting and pasting and kind of manipulating [N] of some leftover tracks that weren't on, that were muted out on the fourth track on Four Phantoms.
_ _ But a lot of that was just us just sitting there discussing, like, let's move that over.
Let's put a high scream there.
Yeah, just manipulating it so it fit.
I love the way that it came out.
Even listening to it now, it kind of gives me chills how well it fit in there.
It wasn't a direct cut and paste job.
There was a lot of attention and _ [Eb] mixing going on.
_ [B] _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ [Db] _ _
_ _ _ _ _ _ [Bbm] _ _
_ _ _ [Db] _ _ _ _ _
[B] _ _ _ _ _ _ _ _